Joachim Kaiser Explained

Joachim Kaiser (18 December 1928 − 11 May 2017) was a German musician, literature and theatre critic and senior editor in the feuilleton of the Süddeutsche Zeitung (from 1959). Starting 1977 to 1996 he held a seat as a professor of history of music at the State University of Music and Performing Arts Stuttgart.

Life

Kaiser was born in Milken, East Prussia (Miłki, Poland) in 1928. He was the son of a country doctor. Literature and music began to interest him at an early age, and at age eight he began to play the piano. After the flight and expulsion of Germans from Central and Eastern Europe 1945–1950, he attended the Wilhelm-Gymnasium (Hamburg). He then studied musicology, German studies, philosophy and sociology at the Georg-August-Universität Göttingen, the Johann Wolfgang Goethe-Universität Frankfurt am Main and the Eberhard Karls Universität Tübingen. Among his fellow students were the musicologists Carl Dahlhaus and Rudolf Stephan.

Kaiser's career as a critic began in 1951. On his review of the Theodor W. Adorno publication: Music and Catastrophe. About the "Philosophy of New Music", Mathias Döpfner described him as one of "the best known and most successful Adorno students ever".[1] Beginning in 1953, Kaiser took part in events of Group 47. In 1958 he was awarded a doctorate in German Studies at the University of Tübingen on the subject of Franz Grillparzer's dramatic style.

Kaiser worked in the cultural editorial department of the Süddeutsche Zeitung from 1959. He was a member of the writers' association PEN-Zentrum Deutschland.

Kaiser is known for discussing well-known pianists: Artur Rubinstein, Vladimir Horowitz, Glenn Gould, Sviatoslav Richter and Friedrich Gulda.

Although kaiser was known for his discussion of such famous pianists, he spent a large portion of his time presenting young interpreters in the art of piano playing.[2]

Kaiser felt a special connection to the work of Richard Wagner and supported and accompanied the new beginning of the Bayreuth Festival in 1951 under the direction of Wagner's grandchildren, Wieland and Wolfgang.

Kaiser married the translator and novelist Susanne Kaiser in December 1958.[3] They had two children: the director Henriette Kaiser[4] and the sports editor Philipp Kaiser. He lived in Munich on the edge of the Englischer Garten.[5]

In 2009 he handed over his extensive private archive to the Deutsches Literaturarchiv Marbach as a Nachlass. Besides letters from Theodor W. Adorno and Alfred Andersch, it contains correspondence with Ingeborg Bachmann, Ernst Bloch and Heinrich Böll. From May 2009 onward, Kaiser answered readers' questions weekly in his video column Kaiser's Classic Customer on the website of SZ-Magazin which he had to give up two years later, due to illness. The series has not been continued since.[6]

Joachim Kaiser died in Munich, aged 88.

Work

Catalogue of works

Lecture series

Kaiser's many years of lecturing activity at the Gasteig in Munich include his extensive series of lectures on specific artists and art forms, especially on the subject of music:

From 11 October 1994 to 17 July 2007 Kaiser gave 206 lectures, a total of 322. With 170,000 listeners, Kaiser's lectures are considered as one of the most successful to date of the .

Radio series

During weekly radio broadcasts (one hour long, for example "Kaisers Corner" in Bayern4-Klassik), he dealt with Chopin for half a year and with "Beethoven – Werk und Wirkung" for a whole year. In addition to this, there were regular word broadcasts, such as "Kaiser's Magazine Show".

Films

Awards

External links

Interviews

Obituaries

Notes and References

  1. Wie Joachim Kaiser zum Anti-Adorno wurde. Mathias Döpfner. welt.de. 18 December 2008. 16 June 2020.
  2. Joachim Kaiser about Arthur Rubinstein: "Wonderful, astonishing, incomprehensible, but it is not only the technical clarity of his playing, the touching, in slow movements heart-moving lucidity of his phrasing, the stormy temperament of his outbursts. All of this weighs a lot, wants to conquer, preserve and be kept alive..." In Große Pianisten in unserer Zeit. 5th edition, 1996, .
  3. http://www.dtv.de/autor/susanne_kaiser_13070.html Autoren – Susanne Kaiser.
  4. Web site: Süddeutsche Zeitung . Joachim Kaiser: Leben zwischen Büchern und Noten . 6 March 2020 . de.
  5. Ich habe nichts gegen Dackel. FAZ.net. 24 October 2005. 16 June 2020.
  6. Folge 87: Ein Trick in Es-Dur . Sz-magazin.sueddeutsche.de . 16 June 2020. https://web.archive.org/web/20151025233544/http://sz-magazin.sueddeutsche.de/blogs/kaiser/492/folge-87-ein-trick-in-es-dur/ . 25 October 2015. Erklärung der SZ-Redaktion vom Januar 2011 zu Kaisers Erkrankung (im Anschluss an einen der üblichen Kommentare zu "Kaisers Klassik-Kunde").
  7. https://www.worldcat.org/oclc/966687476 Kleines Theatertagebuch.
  8. https://www.worldcat.org/oclc/1004329766 Erlebte Musik. Von Bach bis Stravinsky.
  9. https://www.worldcat.org/oclc/256441410 Erlebte Musik. Teil 2. Von Wagner bis Zimmermann.
  10. https://www.worldcat.org/oclc/993472818 Mein Name ist Sarastro. Die Gestalten in Mozart's Meisteropern von Alfonso bis Zerlina.
  11. https://www.worldcat.org/oclc/1010498762 Erlebte Literatur : Vom 'Doktor Faustus' zum 'Fettfleck'. Deutsche Schriftsteller in unserer Zeit.
  12. https://www.worldcat.org/oclc/1020792210 Vieles ist auf Erden zu thun : Imaginäre Gespräche mit Ingeborg Bachmann, Ludwig van Beethoven, Franz Kafka, Johann Nestroy, Friedrich Nietzsche, Clara Schumann, Kurt Tucholsky u. a
  13. https://www.worldcat.org/oclc/35889336 Was mir wichtig ist.
  14. https://www.worldcat.org/oclc/42432175 Von Wagner bis Walser. Neues zu Literatur und Musik.
  15. https://www.worldcat.org/oclc/663882801 "Ich bin der letzte Mohikaner".
  16. Siehe Theodor-Wolff-Preis – Preisträger 2010
  17. http://www.mediummagazin.de/aktuelles/die-journalisten-des-jahres-2013/#lebenswerk See