Jean-Max Albert Explained

Jean-Max Albert
Birth Name:	Jean-Max Louis Albert
Birth Date:	1942 7, df=yes
Birth Place:	Loches, France

Jean-Max Albert (born 1942) is a French painter, sculptor, writer, and musician. He has published theory, books on artists, and a collection of poems, plays and novels inspired by quantum physics. He perpetuated experiments initiated by Paul Klee and Edgar Varèse on the transposition of musical structures into formal constructions. Albert has also created environmental sculptures using plants to create architecture.

Early life and education

Albert was born on July 25, 1942, in Loches, France, only child of Louis Georges Albert and Edith Albert (née Garand). His father was an officer in the French Navy and an engineer. Albert practiced painting and music beginning in childhood, and was also interested in carpentry, as his grandmother lived next to a carpentry workshop; when visiting her on vacation, Albert became interested in observing their work, particularly the technical drawings the carpenters used. This was later used as a direct inspiration for his trellis constructions, and his series French: Dessin du charpentier.^[1]

Albert studied at the Ecole Régionale des Beaux-Arts d'Angers, then at the Ecole Nationale des Beaux-Arts de Paris between 1958 and 1962. During that time, Albert was a trumpet player, joining Henri Texier's quintet and participating in the beginnings of the Free Jazz movement in Europe.^{[2] [3]}

Career

Both Albert and his second wife, Sara Holt, have collaborated on and carried out various public art projects and exhibitions,^{[4] [5]} becoming friends with artists such as Meret Oppenheim, Piotr Kowalski and Joan Mitchell.^[6]

In 1975, Albert founded the group show French: Serres in François Horticultural Greenhouses, Magny-in-Vexin.^[7] At the invitation of sculptor Mark di Suvero, he travelled to New York City, the first of many visits to the United States, where he collaborated later with the architect Wylde-Oubrerie on the Miller House^[8] in Lexington. He also travelled to Europe, North Africa, Middle East.^[9] In 1985, Albert joined the Ars Technica Association, connected to the Cité des Sciences et de l'Industrie, uniting philosophers, artists, scientists such as Jean-Marc Levy-Leblond, Piotr Kowalski, Claude Faure, Piero Gilardi and Jean-Claude Mocik, reflecting on the relationship between art and new technologies.^[10] From 1978 to 1986, Albert made his living as a graphic designer for science and technology publications. By his own account, this experience influenced his attention to subject matter in art. With Jean-Claude Mocik, he co-authored the project Midi-Pile in 1994.^[11]

Style and method

Albert works in many different disciplines, media, styles and techniques. He often relates music and visual art, referring to Edgar Varese, and has collaborated with different composers and musicians as György Ligeti, Steve Lacy, Barney Wilen and François Tusques.^[12] A monumental structure like Iapetus set in Angoulême in 1985 refers to the structure of Thelonious Monk's "Misterioso",^[13] and Ligeti Rouen 1994, to Ligeti’s "static sonorous surfaces".^[14]

Painting

Mental Image and Representation^[15] published in 2018, is a study of the relation subject matter/style.This essay is based on a work achieved by the Docteur Jean Philippe (1862-1931) l'image mentale, évolution et dissolution,^[16] and Alfred Korzybski's General semantics.

Treillis

In 1973, a conversation that Albert had with the architect Louis Kahn brought a comparison between the relationship of paint and canvas and vegetation on trellis.^[17] Albert then visited the tradition of trellis-work,^{[18] [19]} 18th-century utopic architecture and created vegetal architecture in the field of Land art and Environmental Sculpture.^[20] It was comparable to the work of Gordon Matta-Clark, or Nils Udo, with whom he participated in the Wissenschaftszentrum exhibition in Bonn in 1979.^[21]

Vicenza^[22] in Hôtel de Sully, Paris, 1975 (in collaboration with Fougeras Lavergnolle) or the project O=C=O for the "Parco d' Arte Vivente" in Torino, 2007 are architectural and vegetal sculptures on trellis-work in the field of Site-specific art, Environmental sculpture and Generative art.^[23]

Calmodulin

Calmodulin is a project dedicated to the vegetation itself, in terms of biological activity. The utopian Calmoduline Monument is based on the property of a protein, calmodulin, to bond selectively to calcium. Exterior physical constraints (wind, rain, etc.) modify the electric potential of the cellular membranes of a plant and consequently the flux of calcium. However, the calcium controls the expression of the calmoduline gene. The plant can thus, when there is a stimulus, modify its typical growth pattern. The basic principle of this sculpture is that to the extent that they could be picked up and transported, these signals could be enlarged, translated into colors and shapes, and show the plant’s decisions. This permanent show, installed in a public place, would suggest a level of fundamental biological activity.^{[24] [25]}

Sculptures Bachelard (Observation Sculptures)

Albert’s Sculptures Bachelard aims to concentrate the surrounding environment in the sculpture. When looking in the Observation Sculpture through its sights (an aperture or circles), the space beyond is (roughly) framed. Combining the different perspectives framed, the little sculpture, usually in bronze, takes shape after the space it is aiming at. An Observation Sculpture proposes a summary of this space concentrated, agglomerated and stuck together in a kind of core, like a geometric model of the site’s character.^{[26] [27]}

Anamorphosis

Un carré pour un square, Cube fantôme and Reflet anamorphose,^[28] are three pieces according to anamorphosis principle as described by Matilde Marcolli : « If the vector space one starts with is the 3-dimensional space, whose vectors have 3-coordinates v = (x₁, x₂, x₃), then, as long as v is nonzero and a real number λ is also nonzero, the vector v = (x₁, x₂, x₃) and the vector λv = (λx₁, λx₂, λx₃) point along the same straight line and we consider them as being the same point of our projective space. »^[29]

Un carré pour un square shows the perspective of a square from a specific vantage point. The design is formed by a set of lines of narrow plates of Carrara marble imbricated in the walls of the surrounding buildings and in the vestiges of a former construction site.^{[30] [24]}

In another example, the specific vantage point is indicated by one of the Sculptures Bachelard^[31] set in Paris, Parc de la Villette. In this work, the anamorphosis appears as a reflection of a bronze construction^[32] This reflection discreetly shows the inclusion of a circle in a square in a triangle, in reference to the concept plan of the park by the architect Bernard Tschumi.^{[26] [33]} Reflet Anamorphose allows, from the specific vantage point, to observe simultaneously the design and its anamorphosis.

Books, poetry, essays

• 1975, Soulages, in Opus n°57.
• 1978, Tuteurs Fabuleux, Éditions Speed, Paris. FRBNF34609833
• De l'architecture transparente, in Opus n°65
• 1981, Lithium Migrants, Éditions Cheval d’Attaque, Paris.
• 1982, De l'architecture transparente,^[34] Lotus international n°31.
• 1984, Les nouveaux voyages du capitaine Cook, Éditions ACAPA, Angoulême.
• 1991,Vuthemas, Ars technica n°4.
• 1993, Space in Profile,^{[35] [36]} (French and English), Les Éditions de La Villette, Paris.
• 1992, Mathesis singularis, Ars technica n°7.
• 1994, La caméra sans film,^{[37] [38]} Sens & Tonka Editeurs, Paris. ;
• Une obscurité infiniment lumineuse, Alliages n°19.
• 2002, Jean-Bernard Métais et Sir George H. Darwin, Temps imparti, Éditions Beaudoin Lebon, Paris.
• 2005, Le tour du blues en 80 mondes, Sens & Tonka Editeurs, Paris.
• 2009, Les Querpéens I, Emma Qun'q, Les Éditions du Quintelaud, Paris.
• 2012, Les Querpéens II, Ray Quernöck, Les Éditions du Quintelaud, Paris.
• 2018, Mental image and representation, (French and English), Translation by Helen Arnold, Éditions Mercier & associés, Paris.
• 2009, Thelonious Monk Architecte, L'art du jazz, Éditions Le Félin, Paris.^[39]
• 2018, Piotr Kowalski, A contemporary’s Insights, Far-Sited : California International Sculpture Symposium 1965/2015, University Art Museum, California State University, Long Beach.
• 2020, Quand la Lune écrit, Alliages n°81.^[40]

Public works

• Vicenza, Hotel de Sully, Paris 1977
• Attique, Künstler-Garten, Wissenschaftszentrum, Bonn, Germany, 1979
• Iapetus,^[41] Parc de l'école des beaux-arts, Angoulême, 1985, 45°39’15.246’’N0°8’54.834’’E
• Rayon, Centre Culturel Français, Damascus, Syria, 1986
• Sculptures de visées,^{[42] [43]} and Reflet anamorphose Parc de la Villette, Paris, 1986, 48°53’33.8’’N2°23’26’’E
• Cube fantôme, ZI de Goussainville, 1986
• Autumn in Peking, South Pasadena, USA, 1987, 34°6’40’435’’N118°8’33.619’’W
• Vers l'étoile polaire, Parc des Maillettes, Melun Sénart, 1987
• Un carré pour un square,^{[44] [30]} Place Frehel, Paris, 1988
• Une horloge végétale, Square Héloïse et Abelard, 24 rue Dunois, Paris, 1988, 48°49’52.745N2°22’13.12’’E
• Planches,^[45] Terrasse du Musée de la Toile de Jouy, à Jouy-en-Josas, 1990, 48°46’8.591’’N2°9’5.868’’E
• Ligeti, Rectorat de Rouen, Rouen, 1994, 49°26’35’’N1°5’4.6’’E
• Auriga, Rond-point Montaigne, Angers, 1995, 47°27’59’’N 0°31’30’’W
• Tombeau de Bartillat, Etrépilly, 1997, 49°2’18’’N 2°55’53.2’’E

Videos, choreographies

• 2005, Le tour du Blues en 80 mondes.^[46] 80 short films with pianist and composer François Tusques.^{[47] [48] [49]}

• 1979, Carlotta's Smile, Environment and Choreography with Michala Marcus, Music Carlos Zingaro, AR CO, Lisbonne, Portugal,
• 1980,Morgane Amalia, Choreography with Michala Marcus, 2nd Symposium d'art contemporain d'Angoulême,^[50]
• 1981, A treat “Espaces structurés” Videos by Hervé Nisic, choreography by Michala Marcus and Jean-Max Albert, music by Kent Carter.^[51]
• 2013, Kaluza, 21 pièces pour piano et chorégraphie with Sarah Berges. Dance Mission Theatre, San Francisco,^[52]

Exhibitions

Albert participated to a number of various exhibitions including : Vers une nouvelle architecture, Centre Georges Pompidou, Paris, 1978; Sculpture Nature, Centre d'Arts Plastiques Contemporain, Bordeaux, France,1978; Künstler-Garten, Wissenschaftszentrum, Bonn, Germany, 1979; A la recherche de l'urbanité,^[53] Centre Georges Pompidou, Paris, 1980; Actuele Franse Kunst,^[54] International Cultureel Centrum, Antwerpen, Belgium, 1982; Pavillon d'Europe, Galerie de Séoul, Seoul, Korea, 1982; Images et imaginaires d'architecture, Centre Georges Pompidou, Paris, 1984; Inventer 89,^[55] Grande halle du Parc de la Villette, Paris, 1987; L'art au défi des technosciences? Pavillon Tusquet, Parc de la Villette, Paris, 1992; L'art renouvelle la ville, Musée National des Monuments Français, Paris, 1992; Ars Technica, ExtraMuseum, Turin, Italy, 1992; Useless Science, MoMa, New York, USA, 2000; Fragmentations a constructed world, Musée d’Art et d’Histoire de Saint-Brieux,^[56] 2007; Dalla Land arte alla bioarte,^[57] Parco d'Arte Vivante, Turin, Italy, 2007; Tables à Desseins,^[58] La tannerie, Bégard France 2013; Du dessin à la sculpture,^[59] Musée Manoli, La Richardais, France, 2014.

Individual shows

AR CO, Lisbonne, Portugal, 1979;Lithium Migrants, Galerie Françoise Palluel, Paris, 1981 and Galerie Richard Foncke, Gand, Belgium, 1981; Lumen poème,^{[60] [61]} CRDC, Rosny-sur-Seine, 1984; Galerie Charles Sablon, Paris, 1987,;^{[62] [63] [64]} Galerie Intersection 11/20, Paris, 1991; Fleeting White Space, Antwerpen, Belgium, 1994,;^[65] Galerie Aïda Kebadian, Paris, 2001, 2002, 2010; Galerie Mercier & Associés, Paris, 2018, 2020^{[66] [67]}

Collections

Centre Pompidou

^[68] Fond National d’Art Contemporain;^[69] Fond Régional d'Art Contemporain de Bretagne; Artothèque, Angers; Fond Régional d'Art Contemporain Poitou-Charente; Musée Paul Delouvrier;^[70] Musée de la Loire, Cosne-Cours-sur-Loire

Personal life

Albert was married to, and later divorced, Mireille Salen. Their only son, Max-Pol died in 2010. Albert currently lives in Paris, France with his second wife, Sara Holt whom he married in 1983.

Notes and References

1. L’EMPREINTE #27 François Lamarre, Jean-Max Albert illusionniste éclectique, décembre 1994
2. Dictionnaire du jazz, Sous la direction de Philippe Carles, Jean-Louis Comolli et André Clergeat. Éditions Robert Laffont, coll. "Bouquins", 1994
3. Musique Française
4. Françoise Very, What Jean-Max Albert's and Sara Holt's sculptures show us of architecture = Ce que les sculptures de Jean-Max Albert et Sara Holt donnent à voir de l'architectureIn Situ 32 | 2017 : Le collectif à l'œuvre. Collaborations entre architectes et plasticiens (XXe-XXIe siècles)https://journals.openedition.org/insitu/15384
5. Bruno Suner, Relier ciel et ville, Urbanisme n°219, 1987
6. [Patricia Albers]
7. Michel Cosnil-Lacoste, Cimaises en rase campagne, Le Monde, 7 July 1975
8. Miller House Miller House, GA n°35, July 1992.
9. Realization for the French Cultural Center in Damascus, Syria, 1986
10. http://www.arsmeteo.org/arsmeteo/main.php?page=evento&id=107&height=640&width=800 Tecnoscienze, Intuizione Artistica e Ambiente Artificiale - GAM - Torino
11. Web site: Holt, Albert, Mocik | X of X, Midi Pile, Selon 3. artshebdomedias.com.
12. Jedediah Sklower, Free Jazz, la catastrophe féconde, L'Harmattan, Paris, 2006
13. Michel Ragon, Jean-Max Albert «Iapetus», L’art abstrait vol.5, Éditions Maeght, Paris, 1989
14. Un entretien entre György Ligeti et Josef Häusler « d’Atmosphères à Lontano», La musique en jeu, Editions du Seuil, 1974
15. https://jeanmaxalbert.eu/wp-content/uploads/2019/04/images_mentales.pdf Images Mentales
16. L'image mentale, évolution et dissolution, Paris: Félix Alcan Editeur, 1903.https://gallica.bnf.fr/ark:/12148/bpt6k58069835/f85.item.texteImage
17. Opus International, Jean-Louis Pradel, Les monuments de treillage de Jean-Max Albert, Opus n°65, 1978
18. Web site: jeanpauljungmann.fr. www.jeanpauljungmann.fr. 25 April 2024.
19. Hubert Beylier, Bénédicte Leclerc, Treillage de jardin du XIV au XX siècle, Éditions du patrimoine, Paris, 2000,
20. Jean-Max Albert O=C=O, Franco Torriani, Dalla Land arte alla bioarte, Hopefulmonster editore Torino, 2007,
21. Wolfgang Becker, Sculpture Nature, Centre d'Arts Plastiques Contemporain, Bordeaux, 1980
22. Opus International, Dominique Richir, Tuteurs Fabuleux, Opus n°64, octobre 1976
23. Bruno Suner, L'art du passage à Saint Nazaire, Urbanisme n°214, 1986
24. Web site: L'espace de profil. Jean-Max. Albert. 25 April 1993. Editions de la Villette. 25 April 2024. Google Books.
25. Intra-and Intercellular Communications in Plants, Millet & Greppin Editors, INRA, Paris, 1980, p.117 (in English)
26. Web site: jardin de la Treille - Paris | fontaine, sculpture, vignoble. wikimapia.org. 25 April 2024.
27. Bruno Suner, Les sculptures de visées du Parc de La Villette, Urbanisme n°215, 1986
28. Matilde Marcolli Lumen Naturae The MIT Press Cambridge, Massachusetts, 2020, p.54,56
29. Matilde Marcolli, The notion of Space in Mathematics through the lens of Modern Art, Century Books, Pasadena, July 2016
30. Monique Faux, L'art renouvelle la ville, Editions Skira, Paris 1992
31. Jean-Max Albert's observation sculptures Sarah Mc Fadden, The Bulletin 24, Bruxelles, June 16th 1994
32. Bruno Suner, Les sculptures de visées du Parc de la Villette, Urbanisme 215, 1986
33. Web site: París; Las miras del Jardín de la Parra. www.ciudadluz.net. 25 April 2024.
34. Web site: www.quondam.com/19/1981.htm. www.quondam.com. 25 April 2024.
35. Musée d’Art Contemporain, Marseille, L'Espace de profil/ Space in Profile http://www.bmvr.marseille.fr/in/faces/details.xhtml?id=p::usmarcdef_0000954431
36. Frédéric Mialet, Exercice sur le vide, D'A n°45, mai 1994
37. [Derry O'Sullivan]
38. [Derry O'Sullivan]
39. Web site: L'art du jazz. https://web.archive.org/web/20140903184749/http://www.editionsdufelin.com/page.php?print=1&s=tabmat&r=428&l=undefined. dead. 3 September 2014.
40. Web site: Alliage.
41. Web site: FRAC Poitou-Charente. 25 April 2024.
42. Web site: Les jardins du parc de la Villette. https://web.archive.org/web/20140903061231/http://www.ac-nice.fr/lycvalbonne/IMG/pdf/Les_jardins_du_parc_de_la_Villette.pdf. dead. 3 September 2014.
43. Web site: Parc de la Villette Paris. www.gardenvisit.com. 25 April 2024.
44. Web site: Fresques et murs-peint parisiens . 2014-08-27 . 2014-07-31 . https://web.archive.org/web/20140731055813/http://www.paris.fr/politiques/histoire-et-patrimoine/art-dans-la-ville/fresques-et-murs-peints-parisiens/rub_8501_stand_129292_port_19888 . dead .
45. Web site: Musée de la toile de Jouy. https://web.archive.org/web/20140814134723/http://www.museedelatoiledejouy.fr/histoire.html. dead. 14 August 2014.
46. Web site: New 2006_2. 30 June 2005 .
47. Bay area reading, Berkeley University, USA, 2007
48. Web site: Journées approxcinématives : Free Jazz / oreille cinéma / iconophonies déconstructives. approximatif.free.fr. 25 April 2024.
49. Clifford Allen, ‘’François Tusques’’ The New York City Jazz Record p10, June 2011 http://nycjazzrecord.com/issues/tnycjr201106.pdf(in English)
50. Dominique Richir, Morgane Amalia, Opus n°77, 1980
51. Projections : La Vitrine, Paris; American Center, Paris; Global Village, New York; The Kitchen, New York. Julie Gustafson, Global Village Program 1981, New York
52. Web site: SARAH BERGES DANCE | Repertory . www.sarahbergesdance.com . 12 January 2022 . https://web.archive.org/web/20140903080654/http://www.sarahbergesdance.com/about/repertory/index.html . 3 September 2014 . dead.
53. Un pavillon de treillage à Pau, Biennale de Paris, CCI Centre Georges Pompidou, Éditions Academy, Paris, 1980
54. Jean-Louis Pradel, Actuele Franse Kunst, International Cultureel Centrum-Antwerpen,
55. F Reynaert, Inventer 89, Libération, 13 octobre 1987
56. Web site: Dominique Blais, Julie C. Fortier | Fragmentations, trajectoires contre-nature | Saint Brieuc. Musée d´art et d´histoire de Saint-Brieuc . 2014-08-27 . dead . https://web.archive.org/web/20141006091750/http://www.paris-art.com/exposition-art-contemporain/fragmentations-trajectoires-contre-nature/solomoukha-kristina/12506.html . 2014-10-06 . Fragmentations a constructed world
57. Web site: Dalla Land Art alla Bioarte. 13 January 2007. 25 April 2024.
58. Web site: Begard|La Tannerie|"Table à Desseins" – La Tannerie explore le processus de création. www.bvonline.fr. 25 April 2024.
59. Du dessin à la sculpture Web site: Archived copy . 2014-08-27 . dead . https://web.archive.org/web/20140903100516/http://www.fracbretagne.fr/telechargement/CP_Manoli_La%20Richardais.pdf . 2014-09-03 .
60. Carole Naggar, Lumen poème, Centre Régional d'Art Contemporain, Rosny-s-Seine, France, 1984
61. Jean-Louis Pradel, Lumen de Sara Holt et Jean-Max Albert, L'événement du jeudi, 8 novembre 1989
62. Jean-Louis Pradel, Jean-Max Albert, L’Evénement du jeudi, 17 septembre 1987
63. [France Huser]
64. Anne Dagbert, Jean-Max Albert, Galerie Charles Sablon, Art Press n°119, 1987
65. Sarah Mc Fadden ‘’Jean-Max Albert «Sculptures»’’, The Bulletin n°24, Bruxelles, June 16th 1994
66. http://www.mercieretassocies.com/img/sarah-holt-2018/octobre_2018.pdf Sarah Holt
67. http://www.mercieretassocies.com/img/xforx/Selon3_Livret.pdf Selon Livret
68. Web site: Centre Pompidou. 25 April 2024.
69. Web site: Login. support.videomuseum.fr. 25 April 2024.
70. Web site: Musée Paul Delouvrier. 25 April 2024.