| Birth Date: | 28 May 1922 |
| Occupation: | Writer Playwright |
Jean-Claude Brisville (28 May 1922 – 11 August 2014) was a French writer, playwright, novelist and author for children. A screenwriter, in particular for the film Beaumarchais, l'insolent, he obtained the Grand Prix du théâtre of the Académie française in 1989 for all his body of work.
Recognition came later, in the same year, with , a theatre play featuring Joseph Fouché and Charles-Maurice de Talleyrand-Périgord during an evening in 1815 when they decided together to impose a monarchical regime on invaded France. It was the film adaptation that Édouard Molinaro realized in 1992, Claude Brasseur taking the role of Fouché and Claude Rich that of Talleyrand, which made him discover by the general public.
The son of an industrialist[1] installed at Asnières,[2] Jean Claude Brisville, fed during his adolescence of the novels by,[2] began his professional life at the Liberation of France as a literary journalist. An esteemed but confidential poet, playwright and essayist,[1] he worked for the Hachette publishing house then became a reader for the Éditions Julliard. In 1957, he wrote and published the first study about Albert Camus[3] who made him his last secretary until 1959.[4] The family responsibilities made him renounce the risky profession of playwright and devote himself entirely to that of publisher.[2] In 1964, after he became a literary director, he made Ernst Jünger known in France by publishing a new edition of the "Journal de guerre", thanks to the determination of
In 1970, he established a lasting friendship with Julien Gracq who accepted the adaptation he wrote for the television production that Jean-Christophe Averty did of the Beau Ténébreux.[2]
In 1976, he was appointed director of Le Livre de Poche. His dismissal in 1981 at the age of sixty, made him reconnect with his pen and settle his accounts with the medium of publishing in the form of a satirical piece, Le Fauteuil à bascule[1] where an editor is opposed to an avid boss. The success of the play at the Petit Odéon and the [1] led him, after several failures with other creations,[1] to resume the process of dialogue between two characters, each incarnating a cause opposite to the other, Descartes and Blaise Pascal for reason and faith, the marquise du Deffand and Julie de Lespinasse for the old and the modern, Talleyrand and Fouché for political genius and arrivism, Napoléon and Hudson Lowe for tragic destiny and honest pettiness. It is in L'Antichambre that he expressed all his melancholy for a French language in the process of disappearance.[2]
In 1984, he approached René Char,[2] a brother in writing of Albert Camus. Starting in 1997, he began a work of "anamnesis"[2] "Not to be alien to oneself"[2] which he published, faithful to existentialism, in the form of fragments of the past which related less to his person than to their times,[2] memories mixed with aphorisms with pessimistic humor.[2]
Jean-Claude Brisville was a Chevalier of the Légion d'honneur and Officier of the Ordre des Arts et des Lettres.