| Jazz from Hell | |
| Type: | studio |
| Longtype: | with live elements |
| Artist: | Frank Zappa |
| Cover: | Zappa Jazz From Hell.jpg |
| Recorded: | 1985–1986 |
| Studio: | UMRK (Los Angeles) (except "St. Etienne": May 28, 1982 at Palais des Sports, Saint-Étienne, France) |
| Genre: | |
| Length: | 34:26 |
| Label: |
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| Producer: | Frank Zappa |
| Prev Title: | The Old Masters Box II |
| Prev Year: | 1986 |
| Next Title: | London Symphony Orchestra, Vol. II |
| Next Year: | 1987 |
Jazz from Hell is an instrumental album whose selections were all composed and recorded by American musician Frank Zappa. It was released on November 15, 1986, by Barking Pumpkin Records on vinyl and cassette, and in 1987 by Rykodisc on CD.
Jazz from Hell was Zappa's final studio album released in his lifetime; for the remaining seven years of his life, he would only release live concert albums, although the posthumous Civilization Phaze III (1994) was completed shortly before his death.
Zappa produced a music video for the song "G-Spot Tornado", featuring footage he shot in the early 1960s at a county fair.
Frank Zappa explained that the album title was a political reference: "Things in America can be from hell. Right now we have a president from hell (Ronald Reagan), and a National Security Council from hell, so we should add Jazz from Hell also."[1] 1987's Video from Hell, in which the quote is featured, is titled similarly.
All compositions were executed by Frank Zappa on the Synclavier DMS with the exception of "St. Etienne", a guitar solo excerpted from a live performance Zappa gave of "Drowning Witch" from his Ship Arriving Too Late to Save a Drowning Witch album, during a concert in Saint-Étienne, France, on his 1982 tour.
"While You Were Art II" is a Synclavier performance based on a transcription of Zappa's improvised guitar solo on the track "While You Were Out" from the album Shut Up 'n Play Yer Guitar (1981). The unreleased original Synclavier performance was done using only the unit's FM synthesis, while the recording found here was Zappa's "deluxe" arrangement featuring newer samples and timbres.
"Night School" was possibly named for a late-night show that Zappa pitched to ABC; the network did not pick it up.
"G-Spot Tornado", assumed by Zappa to be impossible to play by humans, would be performed by Ensemble Modern on the concert recording The Yellow Shark (1993).
In the initial European CD release, the album was featured as the second album on a "two for the price of one compilation," with nine tracks from Frank Zappa Meets the Mothers of Prevention (1985) on the same disc.
David Fricke of Rolling Stone wrote that "there is nothing particularly hellish about the eight pieces on the album, though it may have been a bitch to program these densely packed parcels of subdivided rhythms and Chinese-checker themes", also remarking that "it would have been nice to hear Zappa tear up his digital soundscape here and there with a little more real-sound guitar".[2] A retrospective review from Sam Goldner of Pitchfork called the album "a MIDI-powered vision of the uncanny and bizarre future of music", with Goldner writing that "for all its complexity, Jazz from Hell is hardly a serious listen—it squiggles and dashes about like stock music that's broken out of its cage, begging to find new ways to be played with".
Zappa won a 1988 Grammy Award for Best Rock Instrumental Performance for this album.
The music to all selections was composed, and all selections were arranged, by Frank Zappa.
On "St. Etienne"
Technical personnel