are the tools and utensils used in, the art of Japanese tea.
Tea utensils can be divided into five major categories:
A wide range of utensils, known collectively as, is necessary for even the most basic tea ceremony. Generally, items which guests prepare themselves with for attending a gathering are not considered ; rather, the term fundamentally applies to items involved to "host" a gathering. This article, however, includes all forms of implements and paraphernalia involved in the practice of .
High-end utensils are cherished, well preserved and documented and serve as historical artifacts. The honorary title is given to the ten artisans that provide the utensils for the events held by the three primary Schools of Japanese tea known as the .[2]
Utensils used for are different, using a usually five-piece set of small cups, a small pot and a small cup to pour hot water. These utensils are typically ceramic.
In Japan, cherished items are customarily stored in purpose-made wooden boxes. Valuable items for tea ceremony are usually stored in such a box, and in some cases, if the item has a long and distinguished history, several layers of boxes: an inner storage box, middle storage box, and outer storage box .
The storage boxes for tea implements are not tea equipment in themselves, but still hold importance in the practice of, as the boxes used for particularly old and distinguished objects often feature inscriptions which serve to validate their history and provenance.
are special lidded boxes containing the tea bowl, tea caddy, tea scoop and other equipment. They constitute portable tea-making sets for travel and making tea outdoors, and are available in many styles.
The " model", made of plain paulownia wood, comes in a large size and a small size. The interior dimensions of the large version are slightly smaller than 19cm (07inches) in length, 13cm (05inches) in width, and 11.5cm (04.5inches) in height. -model also feature an internal shelf.
Originally, there were no rules for the tea-making procedure . However, the 11th-generation head of the Urasenke school of tea created certain types of procedures.[3] For the procedures, the box is carried into the place where the tea is to be made, sometimes on a tray, and the ceremony proceeds with each item being removed from, and finally returned to, the box.
Tea boxes are made of wood, and may be lacquered and decorated, or left untreated. There are similar portable tea-making sets called, in which case the box is formed through basket weaving.
Ash, known as,[4] appears most commonly in in the portable brazier, the sunken hearth which may be used in a tea room in the cold season, and the container for the lighter fire in the smoking set .
In tea ceremony, ash serves as a protective bed for the charcoal fire. Great care is given to the quality and appearance of the ash, and there are different kinds of ash for different purposes. They include the following:
is a shallow bowl used by the host to carry the ash into the tea room for the charcoal-laying procedure . It carries the "sprinkling ash" for the procedure in the case of a portable brazier, and the "moist ash" for the procedure in the case of a sunken hearth . The styles for these are different.
The is a spatula-like implement mainly used to shape the ash in the portable brazier, or to sprinkle ash during the charcoal-laying procedure.
[5] refers to the charcoal used in . for the most part is made of chestnut-leaved oak, carbonized by long hours of smoldering in a kiln. The long pieces of finished charcoal are cut into specific lengths for use; the lengths differing depending upon whether the charcoal will be used in a brazier or sunken hearth.
In addition, a unique kind of charcoal called is used in for its artistic effect. It is produced by charring twigs of azalea, camellia, or some variety of oak, and then coating them with a lime substance made of powdered seashells.
The is the container in which the host places the charcoal and charcoal-laying implements for transporting them to and from the tea room for the charcoal-laying procedure. Many are made of basketry.
is a charcoal container used in the preparation room, and not considered a formal piece of equipment. It is brought into the tea room if the charcoal in the portable brazier or sunken hearth requires replenishing. It is box-shaped, has a handle, and is made of wood—usually mulberry wood.
is a feather broom with a number of styles. The kind composed of three layered feathers and referred to therefore as is used to dust off the portable brazier or sunken hearth during the charcoal-laying procedure. It is part of the set of equipment carried into the tea room with the charcoal container . Other kinds of feather brooms are used for sweeping the tea room.
are metal chopsticks used to handle charcoal.
is a small lidded container for the incense that is added to the charcoal fire during the charcoal-laying procedure. For the kneaded incense that is used in a sunken hearth, the container is generally made of ceramic. For the chips of incense wood used in a portable brazier, it is generally made of lacquer ware or plain wood. There are also incense containers made of clam shells.
A is a small rectangular white linen or hemp cloth mainly used to wipe the tea bowl. There are two main sizes: large and small. Usually the plain term is used in reference to the small size, which is approximately 30.3cm (11.9inches) long and 15.2cm (06inches) wide. The raw edges on the lengthwise sides have a narrow rolled hem finished with overlock stitching. These two hems face opposite sides of the cloth.
A is, like a, a double layer patterned silk cloth approximately 30cm (10inches) square, with a fold on one edge and the other three edges sewn together so the stitching is invisible. It is used by Omotesenke practitioners in the same way as the : the host and the guests each carry one, which is kept in the breast of the kimono. It is sometimes used by guests to protect the tea implements whilst examining them, and the host will put one out with the tea bowl when serving thick tea.
A is a double layer silk cloth approximately 30cm (10inches) square, with a fold on one edge and the other three edges sewn together so the stitching is invisible. It is used for the symbolic cleansing of the tea scoop and tea caddy, and (usually by women) to handle hot kettle or pot lids. The host and assistants at a tea gathering wear the tucked into the .
By tradition, the host of a formal tea ceremony uses a new, previously unused . are most often monochromatic and unpatterned, but variations exist. There are different colours for men (usually purple) and women (orange or red), for people of different ages or skill levels, for different ceremonies and for different schools. The size and way of making was purportedly established by Sen Sōon, Sen no Rikyū's second wife.
are rectangular wallets in many cases shaped like a traditional envelope, with a flap that closes the wallet. They are used to carry personal items needed to participate in tea ceremony or tea practice, such as paper, a pick for cutting and eating sweets, a, a, and a fan. There are two sizes of corresponding to the two sizes of paper: a smaller one for women, and a larger one for men. Men's are generally less ornate and brightly coloured than women's, but this is not always the case.
A is a cloth approximately 15.15cm (05.96inches) square, which, unlike a, is generally made of a rich, thick, brocade fabric with a woven pattern. Its construction is similar to that of a . In the Urasenke school, both the host and guests each carry one. If wearing kimono, it is kept in the breast of the kimono. Guests not wearing kimono might carry it in their . The is sometimes used by guests to protect the tea implements whilst examining them. Depending on the circumstances, the host may put one out with the tea.
refers to a variety of bags used for storing and other tea implements. They are traditionally made from silk, and are often patterned or brocaded. Extremely precious implements were often held in bags made out of rare old Chinese brocades. are secured with a silk cord, which is tied in prescribed ways.
The is the original portable shelf unit used in the Japanese tea ceremony. The most orthodox style is the formal, finished in highly polished black lacquer. The lower board rests on the tatami, and there are four posts at the corners of this, supporting a shelf. The width of this unit, from side to side, is equal to the width of a (Kyoto-size) tatami.
A is a wooden board, usually lacquered, on which the main tea implements may be displayed in the tea room. The size derives from the size of the lower board of a .
is the term for the various kinds of boards on which the portable brazier may be arranged in the tea room. They are classified by shape as large, half-size, small, or round. They are wooden, and may be finished with lacquer and/or decorated in various other manners. There are rules for what kind of board to use with what kind of brazier.
, literally "shelf/shelves," is a generic term for various types of shelving used in the tea ceremonies and placed on the host's mat. Each type of has its own name. The three basic categories are built-in, suspended, and portable shelves . The latter,, are basically categorized as either large shelf units or small shelf units .
are made of various types of wood, the most formal style finished in highly polished black lacquer. Some include drawers or shelves enclosed by sliding doors. Tea utensils may be placed onto/into the before the start of a ceremony and/or at the end. are used only tea rooms of 4.5 tatami mats or larger.
are relatively small portable braziers used to heat the kind of iron hot-water kettle called, which has a spout and handle across the top.
are portable braziers used in the tea room to heat the hot water kettle to make the tea. They are commonly made of ceramic or metal, although there are rare examples of wooden as well.
are fire pits built into the floor of tea rooms and used in the cold season, for heating the hot water kettle to make the tea. The frame that fits around it at the top is called, and usually is of lacquered wood. In the season when the is not in use, the frame is removed and the is covered with one of the tatami mats that form the surface of the floor, and is not visible.
An is a portable that is set on the floor and is used in circumstances when the room does not have a that can be used.
A or is a kettle resembling a teapot used for warming and serving . They are made of iron, tin or pottery.
literally meaning "hanging", refers to a painting or calligraphic work mounted on paper or textile, for hanging in the alcove. The is the centerpiece of the tea room. Zen calligraphic works are referred to as . In are particularly highly esteemed for .
is a term used for refined quality tea implements, mainly ceramics, produced in China particularly in the Song Dynasty, Yuan Dynasty, and Ming Dynasty, which when imported to Japan were selected for their excellence and have been highly valued in Japan ever since. See also, .
is a term for tea utensils produced in the Korean Peninsula mainly during the Yi dynasty of Korea, occasionally compared with the above-mentioned . See
are ceramics made in Japan. More specifically, the term means "provincial ceramics," and does not include Kyoto-ware or Seto-ware ceramics.
A is a relatively small bowl, usually made of copper, used for rinsing and washing . It is kept on the bamboo sink-covering in the .
A is a shaper for bamboo whisks. are made from wood or ceramic; a wet whisk is placed on the shaper and allowed to dry, restoring its shape. This item is used in the back room, and is not seen in the tea room.
(also known as) are carried by all participants in a ceremony as a sign of respect. It is not opened and used for fanning. The fan, in its closed state, is placed in front of oneself when making formal statements or expressions of thanks, respect, apology, and such. During the main portions of a tea ceremony in which they are seated on the floor, guests place their fans on the floor directly behind themselves for instant use when required. For men, the standard length of meant for tea ceremony is approximately 18cm (07inches) (6 Japanese: 寸); for women, it is approximately 15cm (06inches) (5 Japanese: 寸).
If the circumstance involves being seated on the floor, the closed fan is placed on the floor in front of the knees, leaving enough space in between to place the hands for the attendant bow. If the circumstance involves being in a standing position, the closed fan is held in the right hand, against the front of the right thigh, paired with the left hand which is held against the front of the left thigh, for the standing bow. The fan is normally tucked in the, to be available for instant use when required.
are for resting the lid of the kettle on, and also for resting the water ladle on. They are made of bamboo, ceramic, or metal. There are many styles.
There is a group of seven kinds of lid rests that are attributed to Sen no Rikyu .[6] [7] They are:
is a metal tripod on which the kettle is set.
Flowers, together with their containers, are an important element of the decorations for the tea ceremony. The flowers arranged in the simple "thrown-in" manner suitable for tea ceremony are called, and the containers for them are generically referred to as . may be of bronze or other metal, celadon and other types of ceramic, bamboo, or basketry. Bamboo came into being with the development of, as did of domestic Japanese ceramic ware such as Bizen ware and Shigaraki ware. Basketry usually are reserved for use in the warm season, when the will consist of an assortment of seasonal grassy flowers. The may be hung on the back wall of the, or on its main front pillar, in which cases the will have a ring attached to the back, or a small hole in the back, for the hook. Also, there are metal and bamboo designed to be hung by a chain from a hook in the ceiling of the . These are generally referred to as, and if they are boat-like, they are referred to as (suspended boat).
is white paper used for miscellaneous purposes. It is usually in the form of a pad of paper folded in half. The name indicates that it is paper kept handy in the bosom overlap of the kimono.
means "kettle mat". When the kettle is removed from the brazier or sunken hearth to conduct the charcoal-laying procedure, the kettle is placed on a . Ones of woven material are called . Ones consisting of a special thick pad of paper are called . There are also ones of bamboo, called, which are for use in the preparation room.
is the term for the rinse-water receptacle used by the host in the tea room. Usually made of metal or ceramic, though there are some made of lacquered bentwood. Water that has been used to rinse the tea bowl is emptied into it. It is kept out of sight of the guests as much as possible, being the last item brought into the tea room, and the first item removed. While the is a necessary item for the tea ceremony, and is among the implements the host specially selects for the occasion, it is not among the "showpiece" items the guests are expected to specially notice.
is a tube or vessel used to store a cloth.
See main article: Kama. are pots, usually made of iron, in which the water used to make tea is heated.
See main article: Tetsubin. are iron pots having a pouring spout and handle that crosses over the top. They are used for heating and pouring the hot water during certain tea ceremonies.
is a generic term for tea utensils produced outside Japan, Korea and China.
, the "main sweet", is served before . They might be served in, stacked boxes of up to five with one lid, a sort of medium level of formality. How many are used would depend on the number of guests at the tea ceremony.
A or is a utensil used for cutting and eating sweets. There are two common types: a shorter metal style, and a longer wooden style called after the type of tree they are traditionally made from.
See main article: article and Chawan. are bowls used for making and drinking tea. They can be classified by country of origin, by potter or kiln, by shape, or by the type of tea they are designed to hold.
See main article: article and Chaki. Tea containers refers to the small lidded caddies that are used to hold the powdered green tea for the tea-making procedure in .
The term literally translates as "tea implement," but in the vocabulary of it usually implies the small lidded caddies that are used to hold the for the tea-making procedure for (thin tea).[8]
All tea containers for may be called . usually are of lacquered or plain wood, although not necessarily so. Commonly they are of a variety of shape called, and so all tend to be loosely referred to as . and other forms of are classified by size or shape.
The ceramic caddies usually used to hold the powdered green tea for the procedure to make (thick tea) are basically referred to as .[8] They may also be referred to as . are classified according to country of origin: import, Japan, or "island-make" . The ones are classified by potter, region, or kiln. All are also classified according to shape.
Typically, tea scoops are made of a narrow, thin piece of bamboo, although there are also those made of wood or ivory. They are generally about 18cm (07inches) in length. The original ones imported to Japan from China were ivory. Tea masters in Japan have traditionally carved their own bamboo, providing them with a bamboo storage tube as well as a poetic name that will often be inscribed on the storage tube. The selection of the for use at a gathering will largely depend on its poetic name.
Various styles of trays are used in tea ceremony, including:
means "Japanese item"; an article produced in Japan. In, the term traditionally is used in contrast to or .
A is a lidded container for fresh cold water used by the host in the tea room during ceremonies. The water is mainly used to replenish the water in the at the end of certain ceremonies. are generally made of ceramic, but wooden, glass and metal are also used.
If the is ceramic and has a matching lid of the same ceramic, the lid is referred to as a, or "matching lid". Often, a ceramic will have a custom-made lid made of lacquered wood, especially if it is a container originally lacking a matching lid.
The is one of the main objects in the aesthetic scheme of the objects the host selects for the particular occasion. are classified by their shape, place of make, and other characteristics.
A is a lidded water pitcher used to replenish the vessel for fresh water at the end of certain ceremonies.
There are ones of metal, ones of ceramic, and ones of bentwood. There are two main kinds: and . The variety known as is cylindrical, has a spout and handle, and matching lid. It may be made of bentwood, lacquered wood, or ceramic; the variety known as is made of metal.
is a long bamboo ladle with a nodule in the approximate center of the handle. It is used to pour hot water into the tea bowl from the iron pot and to transfer cold water from the fresh water container to the iron pot when required.
A does not require the use of a . Different styles are used for different ceremonies and in different seasons. A larger version that is made of cypress wood is used for the ritual rinsing of hands and mouth by guests before entering the tea room, or for use by the host in the back preparation area of the tea room, in which case it distinguished as .
are bamboo whisks used to prepare matcha. They are hand-carved from a single piece of bamboo. There are differences in their style according to the type of bamboo they are made from, the shape of the tines, the number of tines, the thickness of the bamboo, the length of the bamboo, the color of the thread that is woven around the bottom of the tines, and so on.
Different schools of prefer different styles and employ different styles depending on the particular kind of tea or tea-preparation style for which it is to be used. For instance, there are specific styles for preparing thin tea, thick tea, tea offerings in tea bowls, tea in tall cylindrical tea bowls, for including in a portable boxed tea set, for outdoor tea-making, for New Year's, and for other special auspicious occasions.
There are also styles such as the ; the style attributed to Sen no Rikyū's son Dōan and referred to as the style, and other such "favored" styles of famous tea masters, so that the styles have continued to increase.[10]
Generally, the kind used for whisking thin tea has 80, 100, or 120 fine tines, typically carved out of a flexible but robust bamboo such as Phyllostachys bambusoides (known as or).