| Janna Holmstedt | |
| Birth Place: | Gothenburg, Västergötland, Sweden |
| Education: | Academy of Fine Arts, Umeå (MFA) |
| Occupation: | Artist |
Janna Holmstedt (born 1972 in Gothenburg)[1] is a Swedish artist based in Stockholm. She earned her MFA from the Umeå Academy of Fine Arts in 2004, and her recent awards include artist-in-residence at the Bemis Center for Contemporary Arts http://www.bemiscenter.org in Omaha, Nebraska (2007), the IASPIS International Exchange (2006), a Swedish Visual Arts Fund Project Grant https://web.archive.org/web/20070625183042/http://www.konstnarsnamnden.se/k_info/info_eng.html (2005), NIFCA Nordic Air Residency https://web.archive.org/web/20070718171424/http://www.nifca.org/2006/residencies/programs/nordicair.html in Tallinn, Estonia (2005) and two grants from the JC Kempes Foundation http://www.umeastudentkar.se/index.php?option=com_content&task=view&id=101&Itemid=39 (2003/2004). Together with Po Hagstrom, Holmstedt is part of artist duo Trial and Error http://www.trialerror.org/Monument/index.html, working with projects related to national identity and the use of public space. Holmstedt also co-founded SQUID http://www.squid-net.com/, an online project which facilitates a space for the parallel knowledge that emerges from an investigative, creative process.
Janna Holmstedt works with image, text, video and installation, usually in relation to a specific site and/or situation. She employs storytelling as a tool for critical engagement and as a way to deal with and make sense of the constant flow of information in everyday life. In her work, she seeks to situate a subject within a context that is not framed as an absolute truth or stable reality, but rather as a system that unfolds through a specific network where meanings are constructed. In her video- and sound installations involving voice-overs, Holmstedt focuses on the tension between an existentially defined "inner" space and that which we typically perceive as an "outer" space of politics and everyday life. She finds the borderland where these two fields meet, collide and interact - that is, where our sense of individuality and reality is represented - as the most interesting to investigate.
external websiteCollaboration with Po Hagström, ongoing since 2005. Trial and Error work with projects related to national identity and the use of public space. The duo was formed in 2005 when the project ”Monument for the Masses” was first conceived, this in response to a huge monument which is going to be erected in Tallinn, Estonia. Trial-and-error is a method for solving problems and obtaining knowledge. Holmstedt and Hagström use it to scrutinize situations and concepts they find intriguing.The online project ”Monument for the Masses” consists of a proposal for a counter-monument to the city of Tallinn and a campaign to gain support for the proposal. At the website you find articles about how national heroes are constructed; French identity-soup; nation branding; the privatisation of public space; ruin value; the protests among the Taino people against a monument to Columbus in Puerto Rico, and much more. It is also possible to contribute to the Park for (Un)wanted Sculptures https://web.archive.org/web/20070602061817/http://www.trialerror.org/Monument/unwanted.html. This virtual sculpture park has been inspired by the Szobor Park in Hungary and is a growing archive of public art that for different reasons is unwanted."Monument for the Masses" was exhibited at Tallinn City Gallery http://kunstihoone.ee/sisu.php?mode=pl_kunstihoone_yritused&yid=205&yritus=n2itus&asukoht=Linnagalerii&aeg=arhiiv&lang=eng&club=1&page=15, Estonia, Sep-Oct, 2006. The online project is represented at Rhizome.org http://rhizome.org/ at the New Museum of Contemporary Art http://www.newmuseum.org/, New York.
external websiteCollaborative project with Katja Aglert http://katjaaglert.com/, ongoing since 2004. SQUID is a text focused project which aims to make cultural producers’ substantial knowledge available to a wider audience. Artists, writers, curators, philosophers among others from different countries are continually being invited to write in relation to the engagement and interests which runs through, or parallel to their own work. SQUID focuses on the local experiences derived from diverse individual or collective practices and isn't necessarily limited to being a discussion of art per se. SQUID can be seen as an expanding archive on the internet but also an initiator of public events such as for example readings, open talks etc.SQUID has been invited to Tensta konsthall http://tenstakonsthall.se/?subDir=doc&id=186&lang=en, ak28 http://www.ak28.org/www.ak28.org/program/squid.html and Ersta konsthall https://web.archive.org/web/20060901201321/http://www.erstakonsthall.se/4.pdf in Stockholm and to the Russian magazine Chto delat?/What is to be done? http://www.chtodelat.org/, which is part of the Documenta Magazine Project http://www.documenta12.de/magazine.html?&L=1. SQUID is also represented in Collaborative Practice Archive, Shedhalle, Zürich and Traveling Magazine Table https://web.archive.org/web/20070929021241/http://www.iaspis.com/pdf/infosheets/060406-TravellingMagazineTable.pdf, which was initiated by the art collective Nomads & Residents (Bikvanderpol and Cesare Pietrousti) in 2001. Bik van der Pol. nomads+residents