James Walker (c. 1760 – c. 1823) was a British mezzotint engraver.
The son of a captain in the merchant navy, Walker became a pupil of Valentine Green.[1] Although an eminent mezzotint engraver in England, Walker emigrated to Russia in 1784, remaining there for nearly twenty years.
He was invited to St. Petersburg by Empress Catherine II, who appointed him Engraver to Her Imperial Majesty, on a salary of 1,000 roubles a year. His role was to execute mezzotints after the Old Master paintings in the Imperial Collection, which were published in two folders entitled A Collection of Prints, from the Most Celebrated Pictures in the Gallery of her Imperial Majesty Catherine the Second.
Walker also engraved portraits of the Imperial family and the Russian Aristocracy. Walker's appointment as court engraver was renewed by the Emperor Alexander I, and he was a member of the Imperial Academy of Arts at St. Petersburg. He returned to England with a pension in 1802. He visited St. Petersburg again in 1805.
Walker's earliest published plate bears the date 2 July 1780. During the following three years he published: portraits, after George Romney and others; domestic scenes, The Spell, and The Village Doctress, after James Northcote; a scene from Cymbeline, after Edward Penny.[1]
Walker lost 24 of his plates in a shipwreck off Great Yarmouth, when he returned to England in 1802. A list of those was given in the catalogue of a sale of his remaining plates and impressions from the lost plates, at Sotheby's, on 29 November 1822. A portrait of Alexander I was published after his return, on 1 May 1803.[1]
A number of Walker's mezzotints were published for the first time in 1819, and one, The Triumph of Cupid, after Parmigianino, in 1822.[1]