| James Reuel Smith | |
| Birth Date: | 1852 |
| Birth Place: | Skaneateles, New York, U.S. |
| Death Place: | Yonkers, New York, U.S. |
| Known For: | documentary photography |
| Spouse: | Elizabeth Thompson |
James Reuel Smith (1852–1935) was an American photographer and amateur historian who worked in the late 19th century to early 20th century. He was known for his documentary photographs of historical springs and wells in New York City before they were buried beneath the concrete of the rapidly growing city.[1] [2] Many of these natural water resources disappeared as the New York municipal water system developed.[3] [4]
Smith's photographs documented a vanishing way of life in urban America. Drawing and fetching water had been an essential activity of daily life prior to the development of the modern municipal water system. In the 1870s New York City undertook efforts to eradicate the natural open wells and springs as they were perceived to be hazardous to health. The official municipal source for city water was the Croton Aqueduct which was endorsed by the NYC sanitation officers, rather than local neighborhood wells and springs.[5]
Smith was born in Skaneateles, New York, in 1852. He was the elder of two sons. His mother, Celestia A. Mills, died five years after marrying his father, Reuel Smith, who was known as "Little Smith". His father remarried, and Smith was sent to live at a cousin's home.
His father was a partner in the Smith & Mills shipping firm, and made his fortune shipping rice, sugar and cotton to England.
Smith's family money allowed him to actively engage in photography as a hobby. The primary subjects of his photographs were the springs and wells of New York City. Between 1897 and 1901 he traveled by bicycle throughout Manhattan and the Bronx investigating and photographing over 160 wells and springs.[6] He was a meticulous note-taker, and kept detailed records of the conditions and locations of these historical water resources. The New York Historical Society wrote on its collection of Smith's photographs, "Springs were very important to Mr. Smith. He made careful notes regarding each aquiferous site, and he always had in mind the publication of his findings."
Smith also produced a small collection of photographs of wells in Brooklyn.[7]
Smith's photographs were a contribution to the visual culture of New York City as they documented a vanishing way of life in urban America. The daily act of drawing and fetching water had been an essential activity of life before the development of the modern municipal water system. During the 1870s the city embarked on efforts to eradicate the historical open wells and springs as these natural sources of water were seen as a health hazard by NYC sanitation officers. The Croton Aqueduct fed by the Croton-Hudson Reservoir was at that time the official municipal source for city water.[8]
Smith later traveled to Europe to photograph springs and wells, an activity that led to his book, Springs and Wells in Greek and Roman Literature, Their Legends and Locations (1922). The book covered various regions in Italy and Greece including Peloponnesus, Central Greece, Magna Graecia, Greek Islands and Asia Minor, as well as other countriesEurope, Africa and the Middle East.[9]
Smith's photographic work on New York's natural water resources was not made public until after his death, and his book, Springs and Wells of Manhattan and the Bronx, New York City at the End of the 19th Century was published posthumously in 1938. However Smith wrote the introduction to his book before his death,[10] including "In the days, not so very long ago, when nearly all the railroad mileage of the metropolis was to be found on the lower half of the Island, nothing was more cheering to the thirsty city tourist afoot or awheel than to discover a natural spring of clear cold water, and nothing quite so refreshing as a draught of it."[11] [12]
Smith also published technical articles on photography.[13]
Smith married Elizabeth Thompson in 1882; the couple had no children. After his father died in 1873, Smith's younger brother, Edmund Reuel Smith (known as "E.R.") inherited the family summer home, the Reuel E. Smith House in Skaneateles, New York.
Smith died at his home at 14 Philipse Place in Yonkers, New York, on November 12, 1935.[14] [15]
His work is in the permanent collection of the New York Historical Society.[16] The James Reuel Smith Springs and Wells Photograph Collection consists of 17 boxes of materials, including seven boxes of glass negatives as well as acetate negatives.[17] His work is also held in the Library of Congress.[18]
Smith died with an estate worth $328,383 net in 1938 dollars ($6 million in 2021 dollars). Of this, he bequeathed 20 shares (approximately $100,000 in 1938 dollars) to the U.S. government. The remaining shares were given to those he named as heirs including: the American Museum of Natural History; the New York Children's Aid Society; Children's Village Inc. of Dobbs Ferry; Bide-a-Wee Home Association, a "no kill" animal shelter and pet cemetery among other causes.[19]
The works of James Reuel Smith have inspired several contemporary artists who have made works in response to Smith's photographic projects. Jimbo Blachly created a site-specific installation in 2003, About 86 Springs, at SculptureCenter in Long Island City, New York.[20] [21] Infrastructure photographer Stanley Greenberg embarked on a project rephotographing all of the well and spring sites in Manhattan and the Bronx. These were published in his 2021 book, Springs and Wells – Manhattan and the Bronx: Stanley Greenberg.[22] [23]