James Grant (artist) explained

James Grant
Birth Name:James Edward Grant
Birth Date:May 25, 1924
Birth Place:Los Angeles, California
Death Place:Stinson Beach, California
Known For:painting, sculpture
Training:Jepson Art Institute
Movement:Abstract expressionism
Website:http://www.jamesgrant.org/

James Edward Grant (May 25, 1924 – August 14, 1997) was an American painter and sculptor active from the late 1950s into the early 1970s. Best known for his sculptural work in plastics, this work by no means defined him but was rather a natural endpoint of an exploration into increased dimensionality—starting from abstract canvases, moving through collages and bas-reliefs until the work finally came off the wall in sculptural form.

Life and work

Early life and education

Grant was born in Los Angeles in 1924. After receiving his undergraduate degree in Engineering from the University of Southern California, he went on to pursue his M.F.A. at the Jepson Art Institute in Los Angeles, studying under Rico Lebrun. In 1950 he accepted a teaching position at Pomona College in Claremont, California where he was Assistant Professor of Art for nine years. At about this time he married Nancy Parkford.[1] [2] During his tenure at Pomona he worked with many influential artists and art historians, including painters Karl Benjamin and Frederick Hammersley, as well as Peter Selz (who later went on to become Chief Curator of Painting and Sculpture at the Museum of Modern Art, New York) and Seymour Slive (Director of the Fogg Art Museum, Harvard University).

Artistic career

While working in Southern California, Grant had solo exhibitions at the Pasadena Art Museum, Pomona College Museum of Art, and the University of California, Riverside, and group exhibitions at the Los Angeles County Museum of Art, the Oakland Museum of California, and the San Francisco Museum of Modern Art. After Pomona, Grant enjoyed a two-year stay in Rome where his paintings began to develop in texture—moving more towards collage work, using both paint and fabric. His stay was punctuated by a solo exhibition at the Galleria Pogliani in Rome.

Upon returning to the United States in 1962, Grant settled in San Francisco, where his collage work continued. In 1963 he had a solo exhibition at the M. H. de Young Memorial Museum. During the 1960s, he showed regularly at galleries and museums both in the Bay Area (Hansen Gallery) and New York (Bertha Schaefer Gallery and Grand Central Moderns).

In the mid 1960s, his collages began to include polyester resin which he applied in a painterly fashion to the canvas. Soon he began to cast the resin into large, textured bas-reliefs. His plastic work culminated in the development of large cast resin freestanding sculptures of geometric disks, tall spikes and subtly curved shapes which were highly polished. In 1970, he had a retrospective at Mills College in Oakland, California documenting his transition in style from abstract canvases to collages to bas-reliefs and finally the freestanding sculptures. In the 1970s, he worked on several commissioned works, many incorporating unique plastic and glass materials.

Later life and death

After a break from art during the late 1970s, Grant returned to painting in the early 1980s at his studio in Stinson Beach, California producing small watercolors that were cut into squares and reassembled into grids. He then took this format to a large scale, painting acrylic canvases which were also cut into squares and reassembled in works ranging from four to eight feet. This work continued into the 1990s.

Grant died in Stinson Beach in August 1997. When the new Stinson Beach branch library opened in 1999, the opening show was of Grant's work.[3] The art exhibit wall is named in his honor.[4]

Exhibitions

Bold entries denote solo exhibitions.

Public collections

Bibliography

See also

External links

Notes and References

  1. News: WEDDINGS; Caroline Webber, Anthony Grant. 15 August 2010. The New York Times. July 30, 2000.
  2. News: GRANT, Nancy Parkford. 15 August 2010. San Francisco Chronicle. September 4, 2003.
  3. News: Cambron. Tricia . Stinson Beach Checks Out New Library. 15 August 2010. San Francisco Chronicle. December 24, 1999.
  4. Web site: Stinson Beach Library. Marin County Free Library. County of Marin. July 15, 2012.
  5. News: Baker. Kenneth. Peninsula Collectors' `Bay Area Connection': 30-year panorama of art at the Triton. 15 August 2010. San Francisco Chronicle. November 28, 1995.
  6. Web site: James Grant 1924-1997, US. Artists. Artfacts.net. 15 August 2010.

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