| James Clay | |
| Birth Name: | James Earl Clay |
| Birth Date: | 8 September 1935 |
| Birth Place: | Dallas, Texas, United States |
| Death Place: | Dallas, Texas |
| Genre: | Hard bop, jazz |
| Occupation: | Musician |
| Instrument: | Tenor saxophone, flute, alto saxophone |
James Earl Clay (September 8, 1935 – January 6, 1995) was an American jazz tenor saxophonist and flutist.
Clay was born in Dallas, Texas, on September 8, 1935.[1] While in school, Clay played alto saxophone, and then played with local bands from around the age of 17.
Clay moved to California in 1955, where he initially played in jam sessions. He appeared on recordings with Lawrence Marable the following year. Clay then played with freer musicians including Don Cherry, Billy Higgins, and Ornette Coleman, before returning to Dallas in 1958. He joined the military in 1959, and recorded two albums as a leader the following year.
Back in California, he led a quartet with Roosevelt Wardell, Jimmy Bond, and Frank Butler, but soon returned to Texas. He toured with Lowell Fulson in the early 1960s, and with Ray Charles on and off between 1962 and 1977. A reappearance on a recording led by Cherry in 1988 – Art Deco – led to a short resurgence of interest in Clay's career. He died in Dallas, Texas on January 6, 1995, aged 59.
Grove wrote that "Clay's style revealed a bop-oriented approach, reminiscent of an angular Lester Young." Clay in the late 1980s said: "Texas tenors are known for playing in a raunchy, straight-forward manner, with lots of emotion and few frills. I'm a typical example of that style of player."[2]
Return to the Wide Open Spaces (Amazing, 1990) with Ellis Marsalis and Cornell Dupree