Jacobean embroidery refers to embroidery styles that flourished in the reign of King James I of England in first quarter of the 17th century.
The term is usually used today to describe a form of crewel embroidery used for furnishing characterized by fanciful plant and animal shapes worked in a variety of stitches with two-ply wool yarn on linen. Popular motifs in Jacobean embroidery, especially curtains for bed hangings, are the Tree of Life and stylized forests, usually rendered as exotic plants arising from a landscape or terra firma with birds, stags, squirrels, and other familiar animals.[1]
Early Jacobean embroidery often featured scrolling floral patterns worked in colored silks on linen, a fashion that arose in the earlier Elizabethan era. Embroidered jackets were fashionable for both men and women in the period 1600-1620, and several of these jackets have survived.
Often based on tree of life imagery, curving branches with large flowers were a typical design. Early crewel embroideries exclusively used wool thread on linen (modern crewel embroidery encompasses a broader range with the only requirement being extensive use of crewel stitch variations).[2]
Jacobean embroidery was carried by British colonists to Colonial America, where it flourished. The Deerfield embroidery movement of the 1890s revived interest in colonial and Jacobean styles of embroidery.