James Elroy Flecker (5 November 1884 – 3 January 1915) was a British novelist, playwright, and poet, whose poetry was most influenced by the Parnassian poets.
Herman Elroy Flecker was born on 5 November 1884 in Lewisham, London, to William Herman Flecker, headmaster of Dean Close School, Cheltenham, and his wife Sarah.[1] His much younger brother was the educationalist Henry Lael Oswald Flecker, who became Headmaster of Christ's Hospital.[2]
Flecker later chose to use the first name "James", either because he disliked the name "Herman" or to avoid confusion with his father. "Roy", as his family called him, was educated at Dean Close School, and then at Uppingham. He subsequently studied at Trinity College, Oxford, and at Gonville and Caius College, Cambridge. While at Oxford he was greatly influenced by the last flowering of the Aesthetic movement there under John Addington Symonds, and became a close friend of the classicist and art historian John Beazley.[3]
From 1910 Flecker worked in the consular service in the Eastern Mediterranean. On a ship to Athens he met Hellé Skiadaressi,[4] and they were married in 1911.
Flecker died on 3 January 1915, of tuberculosis, in Davos, Switzerland, and was buried in Bouncer's Lane Cemetery, Cheltenham. His death at the age of thirty was described at the time as "unquestionably the greatest premature loss that English literature has suffered since the death of Keats".[5]
Hellé Flecker settled in England. She edited Flecker's Letters: Some Letters from Abroad of James Elroy Flecker, published by Heinemann in 1930 "with a few reminiscences by Hellé Flecker".[6] In 1935, she was awarded a government pension of £90 a year "in recognition of the services rendered by her husband to poetry".[7] Hellé Flecker survived her husband for more than 45 years, dying in Sunbury-on-Thames in October 1961.[8]
Flecker's life and works were the subject of Life of James Elroy Flecker, a biography by Geraldine Hodgson published in 1925, relying on letters and other material provided by Flecker's mother.[9] She summarised his contribution as "singular in our literature". However, this comment and her book received a damning review in The Calendar, which called it "sentimental and prudish... conceited and irrelevant".[10]
Flecker's poem The Golden Journey to Samarkand was published in 1913, but only found its larger context when his play, Hassan, was published.
Hassan (The Story of Hassan of Bagdad and How He Came to Make the Golden Journey to Samarkand)[11] is a five-act drama in prose with verse passages. It tells the story of Hassan, a young man from Baghdad who embarks on a journey to Samarkand, a city in Central Asia. Along the way, he encounters various challenges and obstacles, including bandits, treacherous terrain, and political turmoil.
Hassan was not staged in Flecker’s lifetime, and was published posthumously in 1922. The play premiered in a sumptuous production directed by Basil Dean at His Majesty's Theatre, London on 20 September 1923. Henry Ainley played Hassan, with Leon Quartermaine, Malcolm Keen, Esme Percy, Cathleen Nesbitt, Basil Gill and Laura Cowie in the cast. The incidental music was by Frederick Delius and conducted by Eugène Goossens. The ballets were devised by Michel Fokine, and George W. Harris designed the sets & costumes. Delius was in the audience.[12] Percy Fletcher conducted the music after the second performance, and recorded a selection of numbers from the production with the orchestra and chorus of His Majesty's Theatre in November 1923.[13]
The production included incidental music, songs, dances, and choral episodes. It caught the fancy of English audiences at the time, perhaps because of the escape implied in its exotic setting and a post-war vogue for oriental imagery, and its wistful ending of death, by execution, and a hoped for reunion and love in the afterlife, a theme that would have resonated for the survivors of the Great War, remembering those who died in the war. Delius's atmospheric music also contributed to the success of the production.
A character in the second volume of Anthony Powell's novel sequence, A Dance to the Music of Time, is said to be "fond of intoning" the lines For lust of knowing what we should not know / We take the Golden Road to Samarkand, without an attribution to Flecker. (This is in fact a misquotation, the original reads "...what should not be known").
Saki's short story "A Defensive Diamond" (in Beasts and Super-Beasts, 1914) references "The Golden Journey to Samarkand".
Agatha Christie quotes Flecker several times, especially in her final novel, Postern of Fate (1973). "Pass not beneath, O Caravan, or pass not singing. Have you heardThat silence where the birds are dead yet something pipeth like a bird?"
Jorge Luis Borges quotes a quatrain from Flecker's poem "To a Poet a Thousand Years Hence" in his essay "Note on Walt Whitman" (available in the collection Other Inquisitions, 1937–1952):
Nevil Shute quotes from Hassan in Marazan (1926), his first published novel, and in the headings of many of the chapters in his 1951 novel Round the Bend.
The Pilgrims' Song from Hassan and its setting by Delius play a pivotal role at the beginning of Elizabeth Goudge's novel The Castle on the Hill (1942).[14]
Tracy Bond quotes an amended stanza from Hassan in the 1969 film On Her Majesty's Secret Service as she looks out of the window of Piz Gloria at the sun rising over the Swiss alps:
The original in Flecker's play is more romantic, and makes clear that the Caliph is being addressed, not the Almighty:In Flashman at the Charge (1973), author George MacDonald Fraser concludes a final scene with a decasyllable quatrain pastiche in Flecker’s style. Following many misadventures suffered by the book’s picaresque hero Harry Flashman, brother-in-arms rebel leader Yakub Beg waxes poetic and evokes the mystique of middle Asia with its concomitant voyage of self-discovery and friendships hard-won by reciting:
Flecker's poem "The Bridge of Fire" features in Neil Gaiman's Sandman series, in the volume The Wake, and The Golden Journey to Samarkand is quoted in the volume World's End.
In Vikram Seth's A Suitable Boy,[15] the young English Literature lecturer Dr Pran Kapoor attempts to reduce colonial influence in the syllabus and suggests removing Flecker (to make room for James Joyce). Professor Mishra disagrees and quotes from "The Gates of Damascus"
The excerpt from Flecker's verse drama Hassan ... the Golden Journey to Samarkand) inscribed on the clock tower of the barracks of the British Army's 22 Special Air Service regiment in Hereford provides an enduring testimony to Flecker's work:
The same extract appears on the Special Air Service Memorial in Herefordshire[16] the New Zealand Special Air Service monument at Rennie Lines in the Papakura Military Camp in New Zealand, and at the Indian Army's Special Forces Training School in Nahan, Himachal Pradesh, India.[17]