Izapa Stela 5 Explained

Izapa Stela 5 is one of a number of large, carved stelae found in the ancient Mesoamerican site of Izapa, in the Soconusco region of Chiapas, Mexico along the present-day Guatemalan border. These stelae date from roughly 300 BCE to 50 or 100 BCE,[1] although some argue for dates as late as 250 CE.[2]

Also known as the "Tree of Life" stone,[3] it appears to illustrate a Mesoamerican creation myth.

The stela

Documented by Smithsonian archaeologist Matthew W. Stirling in 1941, Stela 5 is composed of volcanic andesite and weighs around one-and-a-half tons.[4] Stela 5 presents the most complex imagery of all the stelae at Izapa.[5] Researcher Garth Norman, for example, has counted "at least 12" human figures, a dozen animals, over 25 botanical or inanimate objects, and 9 stylized deity masks.

Like much of Izapan monumental sculpture, the subject matter of Stela 5 is considered mythological and religious in nature[6] and is executed with a stylized opulence. Given the multiple overlapping scenes, it appears to be a narrative.[7]

Interpretation

Mesoamerican researchers identify the central image as a Mesoamerican world tree, connecting the sky above and the water or underworld below.[8]

As a creation myth

Linda Schele and Mary Ellen Miller further propose that the stela records a creation myth, with barely formed humans emerging from a hole drilled into the tree's left side. The associated seated figures are completing these humans in various ways.[9] Julia Guernsey Kappelman, on the other hand, suggests the seated figures are Izapa elites conducting ritual activities in a "quasi-historical scene", which is framed by, and placed in the context of, the "symbolic landscape of creation".[10]

Book of Mormon application

Based on parallels with traditions originating in the Old World, a few researchers have linked the stone to theories of pre-Columbian trans-oceanic contact. Saint of Latter-day theorist M. Wells Jakeman proposed that the image was a representation of a tree of life vision found in the Book of Mormon.[11] Jakeman's theory was popular for a time among Mormons, but found little support from Mormon apologists.[12] Julia Guernsey wrote that Jakeman's research "belies an obvious religious agenda that ignored Izapa Stela 5's heritage".[13]

References

Izapa (Precolumbian Art and Art History)", accessed December 2007.
"The Izapa Ruins, A Photo Gallery", accessed December 2007.

. Schele, Linda . Mary Ellen Miller . Linda Schele. 1986. The Blood of Kings: Dynasty and Ritual in Maya Art. Kimball Art Museum. Fort Worth, Texas.

External links

Notes and References

  1. Kubler, p. 328, or Pool, p. 273
  2. Guernsey Kappelman.
  3. Stirling; Christensen.
  4. Lowe at al., p. 110.
  5. Both Jacobs and Guernsey Kappelman state this, with others.
  6. Pool, p. 271.
  7. Kulbler, p. 328.
  8. See, for example, Guernsey Kappelman.
  9. Schele and Miller, p. 141.
  10. Guernsey, p. 124.
  11. Jakeman; Brewer, p. 12. Guernsey, p. 53, explicitly rejected this interpretation.
  12. Brewer (1999). Clark (1999).
  13. Guernsey (2006), p. 56.