Ivan Gekoff is a Bulgaria-born Canadian cinematographer,[1] and a member of the Canadian Society of Cinematographers,[2] His experience comprises feature films, movie-of-the-weeks, TV programs, short films, TV commercials, music videos, as well as a number of projects for the National Film Board of Canada. He collaborates frequently with Canadian filmmaker B. P. Paquette.[3] In total, Gekoff has worked on over 50 fiction and documentary films.[4]
Born in Sofia, Bulgaria, in 1948, Gekoff has worked extensively in the film industry since 1971. He has a Master's degree in cinematography from the National Academy of Arts. Before emigrating to Canada, Gekoff worked as a camera operator using a self-designed camera stabilizer mount, much like a Steadicam, on Andrei Tarkovsky's Stalker that allowed for the film's acclaimed smooth shots over uneven surfaces.[5] [6] He has taught cinematography at Concordia University in Montreal, and at the Department of Media Production and Studies, University of Regina. In 2005, Gekoff became part of a research team of consultants for Kodak film company, and has collaborated on a number of projects, preparing the industry for the transition to digital.[4]
Gekoff has collaborated on five of the six feature films directed by indie Canadian filmmaker B. P. Paquette, three as cinematographer and two as visual consultant.
When Hathi was reviewed in Variety, the headline of film critic Godfrey Cheshire's review proclaimed that the film features photography "that is so gorgeous, and occasionally startling, that few viewers will soon forget its images. While pic's poetically spare narrative may prove too slight and undramatic for some, limiting its broader commercial chances, sheer visual magic alone should make it a strong contender in tube and fest situations."[7] Later in the same review, Cheshire noted the "extraordinary impact by Ivan Gekoff’s exquisite lensing."[7]
The documentary Out In the Cold (2008) brought him the prestigious SaskFilm award for Best Cinematography.[4]
| Title | Year | Cinematographer | Visual Consultant | notes | |
|---|---|---|---|---|---|
| Unknown Icons | 1982 | feature documentary | |||
| The Salvation[8] | 1984 | feature fiction | |||
| Eshelonite | 1986 | feature fiction | |||
| Transports of Death | 1987 | feature fiction | |||
| Obstruction of Justice[9] | 1994 | feature fiction | |||
| La fabrication d'un meurtrier[10] | 1996 | feature fiction | |||
| Hathi[11] [12] | 1998 | feature fiction | |||
| Violet [13] | 2000 | feature fiction | |||
| Women Without Wings [14] | 2002 | feature fiction | |||
| A Year in the Death of Jack Richards | 2004 | feature fiction | |||
| The Descendant[15] [16] | 2007 | feature fiction | |||
| La lâcheté[17] [18] | 2007 | feature fiction | |||
| 2008 | feature fiction | ||||
| Perspective | 2012-2020 | feature fiction | |||
| Your Name Here | 2018 | feature docufiction | |||
| The Anonymous Rudy S. | 2018 | feature fiction |