| Iván Argote | |
| Birth Place: | Bogotá, Colombia |
| Education: | National University of Colombia Beaux-Arts de Paris (MFA, 2009) |
Iván Argote (born 1983) is a Colombian artist and filmmaker based in Paris. Using humor and staged interventions, his performance pieces and installations challenge dominant political ideologies.[1]
Iván Argote was born in Bogotá, Colombia, in 1983, and was raised in a family of militants who were heavily involved in the armed conflicts during La Violencia.[2] As a result, he became a human rights activist focusing his artwork on social justice issues.[3] Argote's awareness of historical processes and social policies (particularly in Colombia) are what informs his work.[4] At the age of 22, he worked as assistant director at Colombo Films in Bogotá where he learned about filmmaking, video, and photography.[5] Until 2005, Argote had been living in Colombia where he spent time studying Graphic Design at the National University of Colombia.[6] Soon after graduating, he moved to Paris, and made it his home.[7] The move gave Argote the opportunity to meet Emmanuel Perrotin, a French gallery owner, who inspired him to seek a career in the art world. Argote's collaborations with Perrotin started his art career. In 2011, his first collaboration was his first solo exhibition at Galerie Perrotin in Paris called Caliente.[8] Over the years, he has had several show and screenings at Galerie Perrotin, including his 22-minute film As Far As We Could Get (2017) which features people from two antipodes, the town of Palembang in Indonesia and the city of Neiva in Columbia.[9] The resulting work is a commentary on transnational cultural relations. He works primarily in mediums of sculpture, installations, and videography.
Argote studied visual arts and design at the National University of Colombia. He later attended the Beaux-Arts de Paris in Paris, and graduated with his MFA in 2009.[10]
In 2014, Argote worked on Strengthlessness, a sculpture created from concrete, wood, and gold leaf. The construction of this sculpture continued his theme of modification of the normal world. It is an obelisk, similar to the one at the Place de la Concorde, but limp, a phallic image turned impotent.[11] In an interview with France 24, Argote explains the true meaning as "Small fight against images of power."[12]
The 5 minute video, Barcelona took place in eponymous Barcelona, Spain, and shows Argote's view on colonization. In the conceptual video, a statue of a missionary priest is depicted relation to an indigenous man and Argote lights the statue on fire.
From 2014-2017, Argote worked on the concrete sculpture which was named Ideologically Yours, one of the many works exhibited at the Venice Biennale.[13] In Ideologically Yours, Argote figuratively and literally brings a shattered world into a new environment by making note of its destroyed features. Using a destroyed black and grey wall, Argote described it as, "piece of a world that was destroyed."
A colossal, hyper-realistic sculpture of a pigeon cast in aluminum, posed on a concrete plinth that resembles the sidewalks.[14]
His work can be found in the collections of major metropolitan museums including the Solomon R. Guggenheim Museum, Centre Pompidou, Centre national des arts plastiques, and MACBA.