Group: | Dalmatian Italians |
Native Name: | |
Popplace: | Dalmatia, former Venetian Albania, Italy |
Rels: | Roman Catholic |
Langs: | Primarily Italian and Croatian, Venetian, formerly Dalmatian |
Related-C: | Istrian Italians, Croats, Italians |
Dalmatian Italians (Italian: dalmati italiani; Croatian: Dalmatinski Talijani) are the historical Italian national minority living in the region of Dalmatia, now part of Croatia and Montenegro.
In 1803, the Italian community accounted for 33% of the entire Dalmatian population, a number that dropped to 20% in 1840, to 12.5% in 1865, to 5.8% in 1880 and to 2.7% in 1910, suffering from a constant trend of decreasing presence[1] and now, as a result of the Istrian–Dalmatian exodus (1943–1960), numbers only around 500–2,000 people (0.05%–0.2%). Throughout history Dalmatian Italians exerted a vast and significant influence on Dalmatia, especially cultural and architectural.
They are currently represented in Croatia and Montenegro by the Italian National Community (Italian: Comunità Nazionale Italiana) (CNI). The Italo-Croatian minorities treaty recognizes the Italian Union (Unione Italiana) as the political party officially representing the CNI in Croatia.[2]
The Italian Union represents the 30,000 ethnic Italians of former Yugoslavia, living mainly in Istria and in the city of Rijeka (Fiume). Following the positive trend observed during the last decade (i.e., after the dissolution of Yugoslavia), the number of Dalmatian Italians in Croatia adhering to the CNI has risen to around one thousand. In Dalmatia the main operating centers of the CNI are in Split, Zadar, and Kotor.[3]
See main article: History of Dalmatia.
Roman Dalmatia was fully Latinized by 476 AD when the Western Roman Empire disappeared.[4] In the Early Middle Ages, the territory of the Byzantine province of Dalmatia reached in the North up to the river Sava, and was part of the Praetorian prefecture of Illyricum. In the middle of the 6th and the beginning of the 7th century began the Slavic migration, which caused the Romance-speaking population, descendants of Romans and Illyrians (speaking Dalmatian), to flee to the coast and islands. The hinterland, semi-depopulated by the Barbarian Invasions, Slavic tribes settled. The Dalmatian cities retained their Romanic culture and language in cities such as Zadar, Split and Dubrovnik. Their own Vulgar Latin, developed into Dalmatian, a now extinct Romance language. These coastal cities (politically part of the Byzantine Empire) maintained political, cultural and economic links with Italy, through the Adriatic Sea. On the other side communications with the mainland were difficult because of the Dinaric Alps. Due to the sharp orography of Dalmatia, even communications between the different Dalmatian cities, occurred mainly through the sea. This helped Dalmatian cities to develop a unique Romance culture, despite the mostly Slavicized mainland.In 997 AD the Venetian Doge Pietro Orseolo II, following repeated complaints by the Dalmatian city-states, commanded the Venetian fleet that attacked the Narentine pirates. On the Ascension Day in 998, Pietro Orseolo assumed the title of "Dux Dalmatianorum" (Duke of the Dalmatians), associating it with his son Giovanni Orseolo. This was the beginning of the Venetian influence in Dalmatia, however, while Venetian influence could always be felt, actual political rule over the province often changed hands between Venice and other regional powers, namely the Byzantine Empire, the Kingdom of Croatia, and the Kingdom of Hungary. The Venetians could afford to concede relatively generous terms because their own principal aims was not the control of the territory sought by Hungary, but the economic suppression of any potential commercial competitors on the eastern Adriatic. This aim brought on the necessity of enforced economic stagnation for the Dalmatian city-states, while the Hungarian feudal system promised greater political and commercial autonomy.[5] [6]
In the Dalmatian city states, there were almost invariably two opposed political factions, each ready to oppose any measure advocated by its antagonist.[6] The origin of this division seems here to have been economic.[6] The farmers and the merchants who traded in the interior naturally favoured Hungary, their most powerful neighbour on land; while the seafaring community looked to Venice as mistress of the Adriatic.[6] In return for protection, the cities often furnished a contingent to the army or navy of their suzerain, and sometimes paid tribute either in money or in kind.[6] The citizens clung to their municipal privileges, which were reaffirmed after the conquest of Dalmatia in 1102–1105 by Coloman of Hungary.[6] Subject to the royal assent they might elect their own chief magistrate, bishop and judges. Their Roman law remained valid.[6] They were even permitted to conclude separate alliances. No alien, not even a Hungarian, could reside in a city where he was unwelcome; and the man who disliked Hungarian dominion could emigrate with all his household and property.[6] In lieu of tribute, the revenue from customs was in some cases shared equally by the king, chief magistrate, bishop and municipality.[6] These rights and the analogous privileges granted by Venice were, however, too frequently infringed, Hungarian garrisons being quartered on unwilling towns, while Venice interfered with trade, with the appointment of bishops, or with the tenure of communal domains. Consequently, the Dalmatians remained loyal only while it suited their interests, and insurrections frequently occurred.[6] Zadar was no exception, and four outbreaks are recorded between 1180 and 1345, although Zadar was treated with special consideration by its Venetian masters, who regarded its possession as essential to their maritime ascendancy.[6]
The doubtful allegiance of the Dalmatians tended to protract the struggle between Venice and Hungary, which was further complicated by internal discord due largely to the spread of the Bogomil heresy; and by many outside influences, such as the vague suzerainty still enjoyed by the Eastern emperors during the 12th century; the assistance rendered to Venice by the armies of the Fourth Crusade in 1202; and the Tatar invasion of Dalmatia forty years later (see Trogir).[6]
See main article: Venetian Dalmatia.
In 1409, during the 20-year Hungarian civil war between King Sigismund and the Neapolitan house of Anjou, the losing contender, Ladislaus of Naples, sold his claim on Dalmatia to the Venetian Republic for a meager sum of 100,000 ducats. The more centralized merchant republic took control of the cities by the year 1420 (with the exception of the Republic of Ragusa), they were to remain under Venetian rule for a period of 377 years (1420–1797).[7] The southernmost area of Dalmatia (now part of coastal Montenegro) was called Venetian Albania during that time.
In these centuries a process of gradual assimilation took place among the native population. The Romance Dalmatians of the cities were the most susceptible because of their similar culture and were completely assimilated. Venetian, which was already the lingua franca of the Adriatic area, was adopted by the Latin Dalmatians of the cities (speakers of the Dalmatian), as their own vernacular language. This process was aided by the constant migration between the Adriatic cities and involved even the independent Dubrovnik (Ragusa) and the port of Rijeka (Fiume).
The Slavic population (mainly Croats) was only partially assimilated, because of the linguistic unsimilarity and because the Slavs were mostly situated in the hinterland and the islands.Dalmatian, however, had already influenced the Dalmatian dialect of Croatian, the Chakavian dialect, with the Venetian dialect influencing Albanian.[8] Starting from the 15th century, Italian replaced Latin as the language of culture in the Venetian Dalmatia and in the Republic of Ragusa. On the other hand, more and more Slavs (Catholic and Orthodox) were pushed into Venetian Dalmatia, to escape the Ottomans. This resulted in an increase of the Slavic presence in the cities.
In 1797, during the Napoleonic wars, the Republic of Venice was dissolved. The former Venetian Dalmatia was included in the Napoleonic Kingdom of Italy from 1805 to 1809 (for some years also the Republic of Ragusa was included, since 1808), and successively in the Illyrian Provinces from 1809.
From the Middle Ages to the 19th century, Italian and Slavic communities in Dalmatia had lived peacefully side by side because they did not know the national identification, given that they generically defined themselves as "Dalmatians", of "Romance" or "Slavic" culture.[9]
The census of 1808 found that Venetians (Italian speaking) made up about 33% of Dalmatians, and resided mostly in urban areas. After the final defeat of Napoleon, the entire territory was granted to the Austrian Empire by the Congress of Vienna in 1815.
This marked the beginning of 100 years (1815–1918) of Austrian rule in Dalmatia and the beginning of the disappearance of the Dalmatian Italians (who were reduced from over 30% in 1803 to just 3% at the end of WW1, due to persecutions, assimilation policies and emigration).
During the period of the Austrian Empire, the Kingdom of Dalmatia was a separate administrative unit. After the revolutions of 1848 and after the 1860s, as a result of the romantic nationalism, two factions appeared. The Autonomist Party, whose political goals of which varied from autonomy within the Austro-Hungarian Empire, to a political union with Italy.
The Croatian faction (later called Unionist faction or "Puntari"), led by the People's Party and, to a lesser extent, the Party of Rights, both of which advocated the union of Dalmatia with the Kingdom of Croatia-Slavonia which was under Hungarian administration. The political alliances in Dalmatia shifted over time. At the beginning, the Unionists and Autonomists were allied together, against the centralism of Vienna. After a while, when the national question came to prominence, they split.
Many Dalmatian Italians looked with sympathy towards the Risorgimento movement that fought for the unification of Italy. However, after 1866, when the Veneto and Friuli regions were ceded by the Austrians to the newly formed Kingdom of Italy, Dalmatia remained part of the Austro-Hungarian Empire, together with other Italian-speaking areas on the eastern Adriatic.
This triggered the gradual rise of Italian irredentism among many Italians in Dalmatia, who demanded the unification of the Austrian Littoral, Fiume and Dalmatia with Italy. The Italians in Dalmatia supported the Italian Risorgimento: as a consequence, the Austrians saw the Italians as enemies and favored the Slav communities of Dalmatia.[10] During the meeting of the Council of Ministers of 12 November 1866, Emperor Franz Joseph I of Austria outlined a wide-ranging project aimed at the Germanization or Slavicization of the areas of the empire with an Italian presence:[11]
In 1867, the Empire was reorganized as the Austro-Hungarian Empire. Fiume (Rijeka) and the Kingdom of Croatia-Slavonia were assigned to the Hungarian part of the Empire, while Dalmatia and Istria remained in the Austrian part. The Unionist faction won the elections in Dalmatia in 1870, but they were prevented from following through with the merge with Croatia and Slavonia due to the intervention of the Austrian imperial government. The Austrian century was a time of decline for the Dalmatian Italians. Starting from the 1840s, large numbers of the Italian minority were passively croatized, or had emigrated as a consequence of the unfavorable economic situation.
The Italian linguist Matteo Bartoli calculated that Italian was the primary spoken language by 33% of the Dalmatian population in 1803.[12] [13] Bartoli's evaluation was followed by other claims that Auguste de Marmont, the French Governor General of the Napoleonic Illyrian Provinces commissioned a census in 1814–1815 which found that Dalmatian Italians comprised 29 percent of the total population of Dalmatia. According to Austrian censuses, the Dalmatian Italians formed 12.5% of the population in 1865,[14] but this was reduced to 2.7% in 1910.[15] In Dalmatia there was a constant decline in the Italian population, in a context of repression that also took on violent connotations.[16] During this period, Austrians carried out an aggressive anti-Italian policy through a forced Slavization of Dalmatia.[17]
The Italian population in Dalmatia was concentrated in the major coastal cities. In the city of Split in 1890 there were Dalmatian Italians (12.5% of the population), in Zadar (64.6%), in Šibenik (14.5%), in Kotor (18.7%) and in Dubrovnik (4.6%).[18] In other Dalmatian localities, according to Austrian censuses, Dalmatian Italians experienced a sudden decrease: in the twenty years 1890-1910, in Rab they went from 225 to 151, in Vis from 352 to 92, in Pag from 787 to 23, completely disappearing in almost all the inland locations.
In 1909, Italian lost its status as the official language of Dalmatia in favor of Croatian only (previously both languages were recognized): thus Italian could no longer be used in the public and administrative sphere.
Following the conclusion of World War I and the disintegration of Austria-Hungary, the vast majority of Dalmatia became part of the newly formed Kingdom of Serbs, Croats and Slovenes (later renamed the Kingdom of Yugoslavia).
Italy entered the war on the side of the Entente in 1915, after the secret London Pact, which granted to Italy a large portion of Dalmatia. The pact was nullified in the Treaty of Versailles due to the objections of American president Woodrow Wilson and the South Slavic delegations. However, in 1920 the Kingdom of Italy managed to get after the Treaty of Rapallo, most of the Austrian Littoral, part of Inner Carniola, some border areas of Carinthia, the city of Zadar along with the island and Lastovo. A large number of Italians (allegedly nearly 20,000) moved from the areas of Dalmatia assigned to Yugoslavia and resettled in Italy (mainly in Zara).
Relations with the Kingdom of Yugoslavia were severely affected and constantly remained tense, because of the dispute over Dalmatia and because of the lengthy dispute over the city-port of Rijeka (Fiume), which according to the Treaty of Rapallo had to become a free state according to the League of Nations, but was annexed to Italy on 16 March according to the Treaty of Rome.
In 1922 Fascism came to power in Italy. The fascist policies included strong nationalistic policies. Minority rights were severely reduced. This included the shutting down of educational facilities in Slavic languages, forced Italianization of citizen's names, and the brutal persecution of dissenters.
In Zara most Croats left, due to these oppressive policies of the fascist government. The same happened with the Italian minority in Yugoslavia. Although, the matter was not entirely reciprocal: the Italian minority in Yugoslavia had some degree of protection, according to the Rapallo Treaty (such as Italian citizenship and primary instruction).
All this increased the intense resentment between the two ethnic groups. Where in the 19th century there was conflict only on the upper classes, there was now an increasing mutual hatred present in varying degrees among the entire population.
The Kingdom of Yugoslavia was invaded by the Wehrmacht in 1941 and parts of Dalmatia were annexed to Italy as the Governatorate of Dalmatia with Zadar as its capital. The local population was subject to violent forced italianization by the fascist government. Several concentration camps were established by Italian authorities to house these "enemies of the state", including the infamous Gonars and Rab concentration camps. The Italian authorities were not able to maintain full control over the hinterland and the interior of the islands, however, and they were partially controlled by the Yugoslav Partisans after 1943.
Following the Italian capitulation of 1943, the German Army took over the occupation after a short period of Partisan control (officially, the Governorship of Dalmatia was handed to the control of the puppet Independent State of Croatia). During this period a large proportion of the coastal city population volunteered to join the Partisans (most notably that of Split, where a third of the total population left the city), while many Italian garrisons deserted to fight as Partisan units and still others were forced to surrender their weapons and equipment. As Soviet troops advanced in the Balkans in 1944, a small-scale evacuation took place in Zadar, while Marshall Josip Broz Tito's Partisans (since 1942 recognized as Allied troops) simultaneously moved to liberate the remainder of Axis-occupied Dalmatia. Split was henceforth the provisional capital of Allied-liberated Croatia.
In 1943–44 the city of Zadar suffered 54 air raids by the Allies and it was severely damaged, with heavy civilian casualties. Many civilians had already escaped to Italy when the Partisans controlled the city.
After World War II Italy ceded all remaining Italian areas in Dalmatia to the new SFR Yugoslavia. This was followed by a further emigration, referred to as the Istrian-Dalmatian exodus, of nearly all the remaining Italians in Dalmatia. Italian-language schools in Zadar were closed in 1953, due to a dispute between Italy and Yugoslavia over Trieste.
In 2010 a kindergarten for the small Italian community of Zadar was going to be opened, promoted by the local Italian association, but the local Croatian authorities refused to open the school because the number of attending children was too small. Indeed, the issue was of administrative nature because the administration claimed that the Italian ethnicity had to be proved by the ownership of an Italian passport. Due to the restrictions imposed to the double nationality of the Italian minority in Yugoslavia after 1945, this requirement could only be met by a limited number of children. This administrative difficulty has been solved in 2012 and the opening of the kindergarten took place in 2013.
Italian in Dalmatia was spoken as mother tongue in the following percentages:[19]
Year | Number of native Italian speakers | Percentage | Population (total) | |
---|---|---|---|---|
1803 | 33.0% | |||
1809 | 29.0% | |||
1845 | 19.7% | |||
1865 | 12.5% | |||
1869 | 10.8% | |||
1880 | 5.8% | |||
1890 | 3.1% | |||
1900 | 2.6% | |||
1910 | 2.7% |
There are several reasons for the decrease of the Dalmatian Italian population following the rise of European nationalism in the 19th century:[20]
The process of the decline had various stages:[21]
To evaluate the variation in the number of Italian Dalmatians some local data relating to the language used in specific Dalmatian municipalities are indicative:[22]
In other Dalmatian localities, according to the Austrian censuses, the Italians experienced an even more sudden decrease: in the twenty years 1890-1910 alone, in the municipality of Rab they went from 225 to 151, in Vis from 352 to 92, in Pag from 787 to 23, in Risan from 70 to 26, disappearing completely in almost all inland locations.[22]
The Dalmatian Italians were a fundamental presence in Dalmatia, when the process of political unification of the Italians, Croats and Serbs started at the beginning of the 19th century. The 1816 Austro-Hungarian census registered 66,000 Italian speaking people between the 301,000 inhabitants of Dalmatia, or 22% of the total Dalmatian population.[23]
The main communities are located in the following coastal cities:
Following the Italian emigration from Dalmatia and the events following World War II,[24] the Dalmatian Italian communities were drastically reduced in their numbers. The Italian community in Dalmatia, according to the official 2011 censuses, is made up of 349 residents in Croatia,[25] and 135 residents in Montenegro.[26] [27] This number rises to about 1,500 for Croatia, considering the data provided by the local Comunità degli Italiani, and to about 450 on the coast of Montenegro.[28] However, it is estimated that in Croatian Dalmatia the actual number is higher, as there is still a widespread fear of declaring oneself Italian.[29]
Following the collapse of the communist regime and the dissolution of Yugoslavia, there was a timid awakening of the identity of the last Dalmatian Italians who set up Italian communities in Zadar, Split, Hvar, those of the Kvarner area in Cres, Mali Lošinj, Krk and the one in Montenegro.[30] In particular, according to the official Croatian census of 2011, there are 83 Dalmatian Italians in Split (equal to 0.05% of the total population), 16 in Šibenik (0.03%) and 27 in Dubrovnik (0.06%).[31] According to the official Croatian census of 2021, there are 63 Dalmatian Italians in Zadar (equal to 0.09% of the total population).[32] According to the official Montenegrin census of 2011, there are 31 Dalmatian Italians in Kotor (equal to 0.14% of the total population).[33]
In Zadar the local Comunità degli Italiani requested the creation of an Italian asylum since 2009. After considerable government opposition,[34] [35] with the imposition of a national filter that imposed the obligation to possess Italian citizenship for registration, and by 2013 it was opened hosting the first 25 children.[36] This kindergarten is the first Italian educational institution opened in Dalmatia after the closure of the last Italian school, which operated there until 1953.
A contemporary reaction to both the Italian irredentist movement and the inadequate legal representation of Italians of Croatia by the Republic of Croatia (and hence the European Union), appears to have spawned a number of self identifying markers among the descendants of (both titled & untitled) former merchant classes of mixed Croatian (mostly Istrian and/or Dalmatian) and North Italian (mostly Venetian, and/or Friulian) extractions. The two most popular self identifications of this kind remain; Croatian Venetists, and Venetian Lombards (most of which explicitly self identify as Croatian, and implicitly as mentioned above).
How they perceive Italy and the general Italian ethnicity remains unclear. However, while its historical context, in part by the colonial elements of the Republic of Venice, Italian unification and the legacy of two world wars, remains a controversial issue at best, it does suggest a much larger presence of people of Italian and Venetian descent in Croatia than previously thought.
Since Croatia's much talked about adoption of Italian as one of the national languages of Croatia (particularly in Istria), curtailing language rights for Venetian speakers however, may have triggered conflicting identity issues of cultural affiliations between Italians of various regions of Italy, and Croatia. Particular note of reference point towards the 2014 Venetian independence referendum, and Venetian autonomy referendum, 2017 in Italy, which may have weakened the Italian in the northern Adriatic Basin since.
In contemporary Dalmatia there are several associations of Dalmatian Italians, mainly located in important coastal cities:
See also: Venetian Dalmatia, Italian cuisine and Italian folk dance.
The legacy from Venice in Dalmatia is huge and very important, mainly in the cultural and artistic area. Venice was one of the centers of Italian Renaissance, when the Republic of Venice dominated Dalmatia, and the Venetian Dalmatia enjoyed the benefits of this fact. From Giorgio Orsini to the influence on the early contemporary Croatian literature, Venice made its Dalmatia the most western-oriented civilized area of the Balkans, mostly in the cities.
Some architectural works from that period of Dalmatia are of European importance, and would contribute to further development of the Renaissance: the Cathedral of St James in Šibenik and the Chapel of Blessed John in Trogir.
Indeed, the Croatian renaissance, strongly influenced by Venetian and Italian literature, was thoroughly developed on the coastal parts of Croatia. The beginning of the Croatian 16th-century literal activity was marked by a Dalmatian humanist Marco Marulo and his epic book Judita, which has been written by incorporating peculiar motives and events from the classical Bible, and adapting them to the contemporary literature in Europe.[45]
In 1997 the historical city-island of Trogir (called "Tragurium" in Latin when was one of the Dalmatian City-States and "Traù" in venetian) was inscribed in the UNESCO World Heritage List. "The orthogonal street plan of this island...was embellished by successive rulers with many fine public and domestic buildings and fortifications. Its beautiful Romanesque churches are complemented by the outstanding Renaissance and Baroque buildings from the Venetian period", says the UNESCO report. Trogir is the best-preserved Romanesque-Gothic complex not only in the Adriatic, but in all of Central Europe. Trogir's medieval core, surrounded by walls, comprises a venetian well-preserved castle and tower (Kamerlengo Castle) and a series of dwellings and palaces from the Romanesque, Gothic, Renaissance and Baroque periods. Trogir's grandest building is the church of St. Lawrence, whose main west portal is a masterpiece by Radovan, and the most significant work of the Romanesque-Gothic style in Croatia.
The Encyclopædia Britannica, Eleventh Edition[46] states, in the "Antiquities" entry, of page 774, that:
In the 19th century the cultural influence from Italy originated the editing in Zadar of the first Dalmatian newspaper, in Italian and Croatian: Il Regio Dalmata – Kraglski Dalmatin, founded and published by the Italian Bartolomeo Benincasa in 1806. The Il Regio Dalmata – Kraglski Dalmatin was stamped in the typography of the Dalmatian Italian Antonio Luigi Battara and was the first done in Croatian.
The Dalmatian Italians contributed to the cultural development of theater and opera in Dalmatia. The Verdi Theater in Zadar was their main symbol until 1945.[47]
The Croatian cuisine of Dalmatia was influenced by Italian cuisine, given the historical presence of Dalmatian Italians, influence that has eased after the Istrian-Dalmatian exodus.[48] [49] For example, the influence of Italian cuisine on Croatian dishes can be seen in the Croatian: pršut (similar to Italian prosciutto) and on the preparation of homemade pasta.[50]
The Moresca as a weapon dance and pageant portraying a battle between Christians and Saracens was known in Italy at least as early as the 15th century but seems to have died out by the middle of the 19th century. It still exists on the Dalmatian coast in Croatia as Moreška but the battle here is between the Moors and the Turks. The dance is known from Split (in Italian Spalato), Korčula (Curzola) and Lastovo (Lagosta). There are differing accounts of the origin of the Dalmatian dance, some tracing to Italian and others to Slavic roots.[51] Andrea Alibranti has proposed that the first appearance of the dance in Korčula came after the defeat of the corsair Uluz Ali by the local inhabitants in 1571.[52]
Across the centuries Dalmatian Italians made with their life and their works a large influence on Dalmatia. However, it would somehow arbitrary to attribute a nationality to the Dalmatians living before the Napoleonic time. Indeed, only at the beginning of the 19th century the concept of national identity started to build up. For this reason, hereafter are reported some notable Dalmatian Italians who are considered Croat too, in chronological order of birth.
Many Dalmatian Italians are organized in associations such as:
The most popular periodical for Dalmatian Italians is Il Dalmata, published in Trieste by Renzo de' Vidovich.[37]