| Birth Date: | 16 January 1856 |
| Birth Place: | Drissa, Vitebsk Governorate, Russian Empire (now Verkhnyadzvinsk, Belarus) |
| Death Place: | Moscow, Moscow Governorate, Russian Empire |
| Known For: | Painting |
Isaak L'vovich Asknaziy (Russian: Исаак Львович Аскназий; 16 January 1856, in Drissa – 1902, in Moscow) was a Jewish Russian painter in the Academic style, known primarily for his historical and Biblical scenes.
He was born to a family of wealthy Hasidic Jewish merchants, with a long rabbinical tradition.[1] His early education was entirely of a religious nature. Nevertheless, his parents noticed his talent and love for drawing and decided to encourage him in that pursuit.
When he was fourteen, he began auditing classes at the Imperial Academy of Arts in Saint Petersburg. His first drawings won praise from the sculptor, Mark Antokolsky, and he became a regular student there in 1874.[2] Although his primary instructor was Pavel Chistyakov, Antokolsky would continue to be his mentor throughout his education. True to his beliefs, he petitioned the Academy to allow him to work on Sunday, rather than on the Sabbath. He won several silver medals and was awarded two gold medals; for his depiction of Abraham banishing Hagar and her son Ishmael (1878) and for "The Whore Before Christ" (1879).
In 1880, he was awarded the title of "Artist, First Class" and received a stipend to travel abroad for four years. He visited Italy, Germany and Austria, where he worked with Hans Makart in Vienna. While in Italy, he studied the Old Masters and produced a large canvas of Moses in the desert, which earned him the title of "Academician" from the Imperial Academy.
In 1885, he returned to Saint Petersburg and was married. He continued to focus on Jewish themes, primarily from the Old Testament and, in 1900, produced one of his best-known works: "Ecclesiastes". Despite some degree of financial difficulty, he never accepted commissions that ran counter to his beliefs. He usually did a great deal of research in libraries and museums to ensure that his works were historically accurate. For some reason, however, his works were not popular among the wealthy Russian Jews, who would have seemed to be his natural audience, and sold better abroad; especially in the United States.
ru:Богдан, Вероника-Ирина Траяновна
. Shmelkin. Alexei. 2010. Академик живописи из Витебской губернии. Наше наследие. ru. Moscow. Nashe Naslediye. 96. 140–146. 0234-1395.ru:Собко, Николай Петрович
. Аскназий, Исаак Львович. Словарь русских художников. 1. ru. Saint Petersburg. M. Stasyulevich. cols. 248–250. 889716402.ru:Гинцбург, Илья Яковлевич
. Аскназий, Исаак Львович. 3. 293–295.