Isaac's Universe is a fictional universe created by Isaac Asimov for other science fiction writers to use as a setting. It introduces the collaborative science fiction universe created by Asimov which eventually resulted in five volumes: three short story collections and two novels. It was initiated by Martin H. Greenberg, who also edited and published its three short stories collection by Avon Books starting in 1990.[1] [2]
Volume One: The Diplomacy Guild is 258 pages long, not counting an additional couple of pages in back on the authors contributing their works. There is also an introduction by Asimov that is seven pages long. This was followed by Volume Two: Phases in Chaos and Volume Three: Unnatural Diplomacy. The novels are: Fossil by Hal Clement and Murder at the Galactic Writers' Society by Janet Asimov.[1]
The premise of Isaac's Universe is that the Milky Way Galaxy in the future is populated by six high-tech, space-faring species, a response by Asimov "to criticisms that he had rarely dealt with aliens":[3]
Robert Silverberg, who wrote the first Isaac's Universe story, added the idea that there is a seventh, mysterious race which has never been seen, but which has left behind artifacts spread throughout the galaxy.
| For Love and Glory | |
| Author: | Poul Anderson |
| Cover Artist: | Vincent Di Fate |
| Country: | United States |
| Language: | English |
| Genre: | Science fiction |
| Publisher: | Tor Books |
| Release Date: | March 2003 |
| Media Type: | Print (Hardcover) |
| Pages: | 300 |
| Isbn: | 0-312-87449-9 |
Poul Anderson's last novel, For Love and Glory, incorporates "The Burning Sky" from The Diplomacy Guild and "Woodcraft" from Phases in Chaos. In the acknowledgements, Anderson explains that the original stories were altered substantially for publication in this edition, including changes to names, characters and setting so as not to conflict with the original anthologies or inhibit authors who may use the setting in future. The plotline involves the discovery of an artifact crafted by a mysterious Forerunner race.
Science fiction scholar Gary Westfahl defined Isaac's Universe as a shared universe in the narrow sense of a "deliberate creation of a hitherto-unknown setting for writers to employ in original stories".[3] In his estimation, Isaac's Universe is distinguished by "the unusual quality of writers" who contributed to it, a testament of Asimov's unique status in the genre.[1]
Speculative fiction researcher Anne Besson counted the open creation of Isaac's Universe as an instance where Asimov has put his notoriety to the service in the genre.[4] While Besson considered the project overall a mixed success,[2] she, like Westfahl, saw this as a good example of a cycle of fiction which is deliberately set up to go beyond one author.[4] The experienced Asimov provided a fixed framework, and other and younger writers could work with this common universe,[2] so that it ends up seeming limitless.[4]
Patricia Monk saw Isaac's Universe as "a new megatext" created by Asimov for new writers to expand, following the opening up of the Robot series to other authors. Monk pointed out the discrepancy between the design of Isaac's Universe as an invitation to beginners in the field, and the actual participation by distinguished writers.[5]