Iron Fist | |
Type: | studio |
Artist: | Motörhead |
Cover: | Motörhead - Iron Fist (1982).jpg |
Released: | April 1982[1] |
Recorded: | 26–28 January and 1–28 February 1982[2] |
Studio: | |
Length: | 36:24 |
Label: | Bronze |
Producer: | Will Reid Dick, Eddie Clarke |
Prev Title: | No Sleep 'til Hammersmith |
Prev Year: | 1981 |
Next Title: | Stand by Your Man (EP) |
Next Year: | 1982 |
Iron Fist is the fifth studio album by English rock band Motörhead, released in April 1982 by Bronze Records. It was the final album of the classic Three Amigos lineup of Lemmy Kilmister, "Fast" Eddie Clarke, and Phil "Philthy Animal" Taylor. The album peaked at No. 6 on the UK album charts.[3] It was preceded by the release of the title track "Iron Fist" as a single, which entered the UK charts on 3 April,[4] and peaked at No. 29.[5]
As with 1980's Ace of Spades, recording commenced with producer Vic Maile at his Jackson's Studio in Rickmansworth in 1981. Motorhead was enjoying their greatest commercial success at the time, having had their live album No Sleep 'til Hammersmith debut at No. 1 on the UK charts. A break in recording for the band to play some November and December dates with Tank was followed by Clarke producing Tank's debut album with help from Will Reid Dick. Soon after, Maile left the Motörhead project, and there are conflicting explanations as to why. One is that Clarke was unhappy with the Maile produced sessions and decided that the album should be recorded themselves, although Lemmy lamented at the time that:However, in the Motörhead documentary The Guts and the Glory, Clarke insists that drummer Phil "Philthy Animal" Taylor refused to work with the producer after Maile got him an unsatisfactory drum sound, stating:In the same film Lemmy states:The album was recorded during the best part of late January and February 1982 at Morgan Studios and Ramport Studios in London, with Clarke producing and Dick engineering. Struggling to think of a name for the title track for the album, Lemmy remembered the time the band had performed live under the name Iron Fist and the Hordes from Hell for contractual reasons (a subsequent album What's Words Worth? was released of that event), and decided this was an apt name for this project. The name was eventually shortened to simply Iron Fist.
A promotional film was made of the band dressed in studded leather armour and wielding broadswords, described by Lemmy as "all dressed up as idiots, prancing about in a wood in South Mimms as opposed to prancing about in South Mimms dressed as cowboy idiots", with Clarke adding that they looked "like a bunch of fairies prancing about with armour on... It's very hard not to."The band undertook a UK tour from 17 March to 12 April with support from Tank. This was to be the first tour to drop the bomber lighting rig, with Lemmy feeling that they had "to do something new sooner or later" despite it being "the best show I've ever seen in my life". The rig was replaced by a gigantic iron fist that was supposed to unfold its hand but, as Lemmy explained to Uncut's John Robinson in 2015, it malfunctioned and made a "rude gesture" to the crowd. The band continued touring to promote the album, visiting North America in May and June, Japan at the end of June, and, after some summer festival appearances, mainland Europe in October and November.
The first date of the North American tour, 12 May at C.N.E. Coliseum (now Ricoh Coliseum) in Toronto, was filmed and subsequently released on video as Live in Toronto and later as the bonus disc of the deluxe edition of the CD. In his 2002 autobiography White Line Fever, Lemmy recalls that at the Toronto show:Promotion for the album went as far as the May 1982 edition of Rennbahn Express, an Austrian magazine, which included a free flexidisc with excerpts from "Iron Fist", "Sex and Outrage", "Don't Let 'em Grind You Down", and "Loser". Lemmy is interviewed by Robert Reumann in English and is overdubbed with a German translation.[6] The release of the album prompted Bronze/Mercury in Canada to issue The Complete Motörhead Kit, which featured a limited-edition 12-inch vinyl containing "Iron Fist", "Too Late, Too Late", "Remember Me, I'm Gone", "Ace of Spades" and "Motörhead" (from the No Sleep 'til Hammersmith album), plus a tour programme, a tour poster, and an embroidered patch of the band's logo.[6]
After the second date on 14 May at New York's Palladium, Clarke left the band, his replacement being former Thin Lizzy guitarist Brian Robertson with the tour recommencing a week later on 21 May in Detroit.[7] Bad feelings between Kilmister and Clarke had been simmering for a while, but the breaking point came when Lemmy decided to record a cover of the Tammy Wynette country classic "Stand By Your Man" with Wendy O. Williams and the Plasmatics. Asked to play on the single, Clarke quit the band. Lemmy reflected on the guitarist's departure in his 2002 memoir:Lemmy reiterated in 2000 that Iron Fist was:Clarke maintains in The Guts and the Glory: [8]
AllMusic enthuses Iron Fist is "a fine Motörhead album, and there's not much at all to complain about here", but concedes "Clarke's production is a bit sterile" while lauding "several standout songs... amid a strong selection overall".
Source:[9]
Disc one includes the original album without bonus tracks. Track B1 is the B-side of the "Iron Fist" single.
Tracks B2–B15 is the band's performance at the Maple Leaf Gardens, Toronto, Canada, on 12 May 1982.
Per the album's liner notes.
Production
2005 deluxe edition remaster
Peak position | |
Australian Albums (Kent Music Report)[11] | 80 |
---|---|
Finnish Albums (The Official Finnish Charts)[12] | 5 |
Date | Region | Label | Catalogue | Format | Notes | |
---|---|---|---|---|---|---|
April 1982 | UK | Bronze | BRON 539 | vinyl | ||
April 14, 1982[13] | US | Mercury | SRM-1-4042 | vinyl | ||
1982 | France | WEA Filipacchi Music | 893048 | vinyl | ||
1982 | Germany | Bronze | 204 636 | vinyl | ||
21 December 1982 | Yugoslavia | LSBRO 11019 | vinyl | |||
1982 | Australia/NZ | Bronze | L-37841 | vinyl | ||
1982 | Brazil | Bronze | 6328444 | vinyl | ||
1987 | France | Castle Communications | CLACD 123 | CD | ||
1996 | UK | Essential, Castle Music | ESM CD 372 | CD | with 5 bonus tracks | |
1999 | US | Castle Music America | CDX CMACD-523 | CD | with 5 bonus tracks | |
2001 | North America | Metal-Is | CDX 85211 | CD | with 5 bonus tracks | |
2003 | Italy | Earmark | LPPIC 41017 | 180g vinyl picture disc, gatefold cover | ||
2005 | UK | Sanctuary | SMED-244 | 2CD | with bonus disc |