Indian House Explained
Indian House is a Taos, New Mexico based record company specialized in traditional Native American Indian music in the United States and Canada.[1] Founded in 1966 by Tony and Ida Lujan Isaacs, the Indian House catalog has now around 150 titles.[2] [3] The company originally issued recordings on phonodisc and cassette tape, however almost all albums are now available in the CD format.
Notable recordings
- Round Dance -It was recorded in two volumes on November 12, 1966, at Taos Pueblo.[4]
- War Dance -Recorded on May 15, 1967, is a Southern Ponca Hethushka (or War Dance) performed at Ponca city, Oklahoma.[5]
- Navajo Sway -It was recorded in two volumes and comprises 41 songs.[6]
- Night & Daylight Yeibichei -It was sung by Navaho singers from Klagetoh, Arizona and Biniface Bonnie.[7]
- Navajo Skip Dance and Two-Step -[8]
- Comanche Peyote -[9]
- Zuni Fair -It was recorded live at Zuni McKinley county fair, in New Mexico on 27–29 August 1971.[10]
- 'Kiowa Gourd Dance -It was recorded in two volumes which comprises 23 songs at Carnegie, Oklahoma on 10 June 1974.[11]
- Cheyenne Peyote -[12]
- Sounds of the Badland Singers -[13]
- Navajo Corn Grinding & Shoe Game Songs -[14]
- The Klagetoh Swingers – Navajo Songs About Love -It was recorded at Klagetoh, Arizona in 1974 which comprises 26 songs in two volumes.[15]
- War Dance Songs of the Kiowa -It contains 38 songs in two volumes.[16]
- Flute Songs of the Kiowa and Comanche -[17]
- Klagetoh Maiden Singers -It was recorded in 1977, and comprises 24 songs.[18]
- Kiowa Church Songs -It was recorded in two volumes at Carnegie, Oklahoma on 31 March 1971. First volume contains 22 songs and second, 18.[19]
- Yankton Sioux Peyote -It was recorded at Lake Andes, South Dakota on 6 July 1976 and consists 88 songs in four volumes.[19]
- Turtle Dance Songs of San Juan Pueblo -The album represents the Turtle dance performed annually on 26 December at San Juan Pueblo and consists songs composed during 1971 turtle dance and was recorded around a month later the public performances.[20]
- Cloud Dance Songs of San Juan Pueblo -The album represents Cloud dance performed alternate a year in San Juan Pueblo on 26 December and comprises six songs of 1972 Cloud dance that was recorded around a month later the public performances.[20]
Notes and References
- Santa Fean Danita Ross. Taos studio keeps tribal songs on the record. New Mexico Magazine. August 1992.
- News: Brian Daffron. Indian House Records: A Lifetime of Sound. 29 January 2015. 14 June 2013.
- Web site: Welcome to Indian House Records!. 29 January 2015.
- Donald N. Brown. Round Dance Songs of Taos Pueblo by Tony Isaacs. Ethnomusicology. May 1968. 12. 2. 304–305. 849951. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/849951.
- James H. Howard. War Dance Songs of the Ponca. Ethnomusicology. January 1969. 13. 1. 202–204. 849847. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/849847.
- David P. McAllester. Navajo Sway Songs by Tony Isaacs. Ethnomusicology. May 1969. 13. 2. 401–403. 850173. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850173.
- David P. McAllester. Night and Daylight Yeibichei by Boniface Bonnie, Tony Isaacs. Ethnomusicology. January 1971. 15. 1. 167–170. 850406. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850406.
- David P. McAllester. Navajo Skip Dance and Two-Step Songsby Tony Isaacs. Ethnomusicology. May 1971. 15. 2. 296–297. 850479. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850479.
- David P. McAllester. Comanche Peyote Songs by Tony Isaacs. Ethnomusicology. May 1971. 15. 2. 298–299. 850480. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850480.
- Donald N. Brown. Zuni Fair-Live. Ethnomusicology. May 1975. 19. 2. 330. 850374. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850374.
- William K. Powers. Kiowa Gourd Dance by Tony Isaacs. Ethnomusicology. May 1976. 20. 2. 403–404. 851039. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/851039.
- David P. McAllester. Cheyenne Peyote Songs. Ethnomusicology. January 1977. 21. 1. 161–162. 850869. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850869.
- William K. Powers. Ho hwo sju Lakota Singers: Traditional Songs of the Sioux; Sound of the Badlands Singers. Ethnomusicology. January 1977. 21. 1. 163–164. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850870. 850870.
- Charlotte J. Frisbie. Navajo Corn Grinding & Shoe Game Songs by Tony Isaacs. Ethnomusicology. May 1977. 21. 2. 355–356. 850969. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850969.
- Charlotte J. Frisbie. The Klagetoh Swingers: Navajo Songs about Love. Ethnomusicology. September 1977. 21. 3. 524–525. 850746. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/850746.
- William K. Powers. War Dance Songs of the Kiowa. Ethnomusicology. January 1978. 22. 1. 206–208. 851381. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/851381.
- Lynn Huenemann. Comanche Flute Music, Played by Doc Tate Nevaquaya by Verna Gillis; Flute Songs of the Kiowa and Comanche. Tom Mauchahty-Ware. Ethnomusicology. May 1980. 24. 2. 339–341. 851142. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/851142.
- Charlotte J. Frisbie. Klagetoh Maiden Singers; The Klagetoh Swingers: Navajo Songs about Love. Ethnomusicology. September 1980. 24. 3. 628–630. 851189. University of Illinois Press on behalf of Society for Ethnomusicology.
- William K. Powers. Toward a sound Ethnography of Native American Music. Ethnomusicology. January 1981. 25. 1. 159–162. 851000. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/851000.
- Maria La Vigna. Turtle Dance Songs of San Juan Pueblo; Cloud Dance Songs of San Juan Pueblo. Ethnomusicology. January 1981. 25. 1. 166–168. 851002. University of Illinois Press on behalf of Society for Ethnomusicology. 10.2307/851002.