Indemnity Only Explained

Indemnity Only
Author:Sara Paretsky
Country:United States
Language:English
Genre:Mystery novel
Publisher:Dial Press
Release Date:1982
Media Type:Print

Indemnity Only is a mystery novel written by Sara Paretsky.[1] [2] [3] [4] [5] [6]

Summary

V. I. Warshawski, a private detective, is employed by a man who calls himself John Thayer to find his son's girlfriend, Anita Hill. However, as she begins her search, V.I. almost immediately comes across Peter Thayer, John's son, dead. Her investigation takes a definite turn as she discovers her client may have ulterior motives. The man who claims to be John Thayer turns out to be Andrew McGraw, the father of Anita Hill and a big labor union leader. It is later revealed that Anita Hill's real name is Anita McGraw, and she had reasons for disappearing after Peter's murder. The detective realises she knows too much when she takes a beating from gang member Earl Smeissen. While she attempts to figure out who murdered Peter, she meets various roadblocks. In the same week, the real John Thayer is also killed, which alerts her on to scams and connections between the Knifegrinders labor union, the Ajax Insurance Company, and the Fort Dearborn Trust. She learns that one of Earl's henchmen was identified at the scene of the crime by a witness. Peter's younger sister, Jill Thayer, supplies family information and private documentation in her deceased father's office that support V.I.'s suspicions of insurance fraud, which Peter had first discovered. Her personal relationship with Ralph Devereaux has been kept separate from her work, until it's discovered that his boss, Yardley Masters, has been not only orchestrating these crimes and frauds, but doing some of the killing himself. At Ralph's apartment, Jill is held hostage by the gangsters and Yardley tries to strike again. V.I., using her expert fighting skills and powers of quick deduction, averts his attacks and saves the innocent people in the room. The book ends with Anita finally reunited with her father, but without a promise of forgiveness.

Writing style

Sara Paretsky's novels are written from a feminist perspective, reflecting a period when Paretsky became “socially and politically active, especially in helping lobby for abortion rights and later, after the passage of Roe v. Wade, becoming active in the National Abortion Rights Action League”. Her feminist style may also have also been influenced by her youthful “frustration with traditional gender roles, voiced in her novels by different characters, but most consistently espoused by Lieutenant Bobby Mallory". This "partly motivated the strong feminist tone her novels take”. Paretsky uses her "expertise in the insurance business" as a background when she wrote Indemnity Only.[7]

Themes

Feminism and Gender Equality

"Sara Paretsky, author of a series of mystery novels featuring detective V.I Warshawski, is known for bringing a feminist perspective to the hard-boiled Private Eye genre."(Hileman) Throughout the first book of the series, Indemnity Only, the idea of a strong female lead character is taking shape. Paretsky believed that females need to be confident in what they do. In an interview conducted by Monica Hileman for Sojourner: The Women's Forum, Paretsky says that: "It's important for women to develop confidence in their bodies. I think it's encouraging to have characters like V.I who are confident and can hold their own physically as well as verbally."(Hileman) Paretsky is not saying that women are better than men, but that women are capable of doing what men can do especially in law related careers.[8] Paretsky used her thoughts of feminism to mold the main character, Warshawski. Ann Wilson describes Warshawski as follows: "The primary appeal is readily evident; a heroine modeled on a hard-boiled detective is a woman who is self-reliant and independent, a prototype of a feminist ideal." This sort of woman was not common in the current detective fiction pieces. "The conventional representation of the female body as weaker than a man's and therefore less effective in situations which require physical power is exposed by Paretsky as a ruse: each author puts her heroine in situations which require agility of mind and body."(Wilson) Paretsky's V.I Warshawksi opened the door to a new generation of detective writing.[9]

Critical reception

Paretsky's first novel received favorable reviews. Publishers Weekly called Indemnity Only "the start of a very promising new mystery series," while Chicago Magazine compared Paretsky's integration of character and environment to past masters of the genre Dashiell Hammett and Chandler. In the 3 March 1982 issue of The New Republic, crime-fiction critic Robin W. Winks described the novel as "thoroughly convincing."

Character list

References

  1. Klein, Kathleen Gregory. "Sara Paretsky: Overview." St. James Guide to Crime & Mystery Writers. Ed. Jay P. Pederson. 4th ed. Detroit: St. James Press, 1996. St. James Guide to Writers Series. Literature Resource Center. Web. November 27, 2012.
  2. Ed. George Parker Anderson. Dictionary of Literary Biography Vol. 306. Detroit: Gale, 2005. From Literature Resource Center.Web.Dec. 5
  3. Detective Fiction from Page to Screen. Ed. William Reynolds and Elizabeth Trembley. Bowling Green State University Popular Press, 1994. p145-156.Web.Dec 7
  4. MidAmerica XII: The Yearbook of the Society for the Study of Midwestern Literature. Ed. David D. Anderson. The Midwestern Press, 1985. p120-135.Web. Nov. 29
  5. American Mystery and Detective Writers. Ed. George Parker Anderson. Dictionary of Literary Biography Vol. 306. Detroit: Gale, 2005. Word Count: 11229. From Literature Resource Center.
  6. Web site: 2010-11-18. Sara Paretsky, Chicago Author, Wins Top Mystery Writer Award. The Huffington Post.
  7. Wyrick, Laura. "Sara Paretsky: Overview." Reference Guide to American Literature. Ed. Jim Kamp. 3rd ed. Detroit: St. James Press, 1994. Literature Resource Center. Web. December 12, 2012.
  8. Paretsky, Sara, and Monica Hileman. "Women, Mystery, and Sleuthing in the 80s". Sojourner: The Women's Forum 14.7 (Mar. 1989): 16–17. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 135. Detroit: Gale Group, 2001. Literature Resource Center. Web. 16 Dec. 2012.
  9. Wilson, Ann. "The Female Dick and the Crisis of Heterosexuality." Feminism in Women's Detective Fiction. Ed. Glenwood Irons. University of Toronto Press, 1995. 18-155. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 135. Detroit: Gale Group, 2001. Literature Resource Center. Web. 16 Dec. 2012.