Incantation and Dance explained

Incantation and Dance is a piece composed by John Barnes Chance in 1960 as his first work for wind ensemble. Before it was published in 1963, it went under the working title of Nocturne and Dance. It has become a cornerstone work in wind ensemble literature.[1]

Chance wrote it during his tenure in Greensboro and dedicated the piece to Herbert Hazelman and the Greensboro Senior High School.

The piece is written in three cycles, each containing the "Incantation" theme, a "percussion concerto", and the "Dance" theme. The third cycle has these three sections played simultaneously rather than in succession. During the "percussion concerto" section, each percussion instrument introduces the rhythmic motifs that appear during the "Dance" section. This acts as a bridge between the "Incantation" and "Dance" sections.[2]

Instrumentation

The work is scored for the following band:[3]

Woodwinds:
  • Piccolo
  • 2 Flutes
  • Oboe
  • Bassoon
  • 3 Clarinets in B
  • Alto clarinet in E
  • Bass clarinet in B
  • Contrabass clarinet in B
  • 2 Alto saxophones
  • Tenor saxophone
  • Baritone saxophone
    Brass :
  • 4 Trumpets
  • 4 Horns in F
  • 2 Tenor trombones
  • Bass trombone
  • Baritone
  • Tuba
    Strings :
  • String bass
    Percussion :
  • Timpani
  • Maracas
  • Temple blocks
  • Gong
  • Claves
  • Tambourine
  • Cymbals
  • Gourd
  • Timbales
  • Bongos
  • Bass drum
  • Whip

    References

    1. Kish . David L. . Fall 2005 . A Band Repertoire Has Emerged . Journal of Band Research . 41 . 1 . 1–12,88–89.
    2. Kopetz . Barry E. . October 1992 . An Analysis of Chance's Incantation and Dance . . 47 . 3 . 34–47.
    3. Chance, John Barnes (1963). Incantation and Dance [score]. Boosey & Hawkes. OCLC 613270406.

    Bibliography

    External links