In the Times of Don Porfirio explained

In the Times of Don Porfirio
Director:Juan Bustillo Oro
Producer:Jesús Grovas
Starring:Fernando Soler
Marina Tamayo
Emilio Tuero
Music:Max Urban
Cinematography:Jack Draper
Editing:Mario González
Studio:Oro Films
Distributor:Televisa
Runtime:160 minutes
Country:Mexico
Language:Spanish

In the Times of Don Porfirio (Spanish:En tiempos de Don Porfirio) is a 1939 Mexican musical film directed by Juan Bustillo Oro and starring Fernando Soler, Marina Tamayo, Emilio Tuero and Joaquín Pardavé.[1] The film, adapted from a novel, nostalgically portrays the government of General and President Porfirio Díaz, who is played by Antonio R. Frausto, who played him in several films. The film was the highest-grossing Mexican film of the year.

Cast

Release and reception

The film was the highest-grossing Mexican film in its year of release at the box office. The author Carl J. Mora wrote that "the nostalgia it evoked of a simpler and more peaceful epoch could also be interpreted as a rejection by the middle class of the more socialistic aspects of the Revolution. The appearance in the film of such popular actors as Fernando Soler, the Spanish immigrant Emilio Tuero, and the fine comic actor Joaquín Pardavé were also potent factors in the movie's success.[2] In their book Culture and Customs of Mexico - Peter Standish and Steven M. Bell describe the film as a "political extreme", in that the "film's nostalgia for the stable hierarchies of pre-Revolutionary days arguably provided some comfort to the sectors of society that felt threatened by the Cardenas government's land redistribution and nationalization programmes".[3] Colin Gunckel, Jan-Christopher Horak and Lisa Jarvinen described the film as a "political revista that utilized zarzuela melodies popular during the Porfiriato".[4] Jacqueline Avila compared it to Mexico de mis recuerdos (1944), describing them as "two noteworthy films that intertwine musical performances in the narratives and expose the social contradictions of Porfirian culture, particularly concerning women's roles".[5]

Bibliography

Notes and References

  1. Segre p.89
  2. Book: Mora, Carl J.. Mexican Cinema: Reflections of a Society, 1896-2004. McFarland. 978-0-7864-9187-2. 2015. 50.
  3. Book: Culture and customs of Mexico . Standish, Peter . Bell, Stephen M.. Greenwood Press. 2004. 978-0-313-30412-5.
  4. Book: Cinema between Latin America and Los Angeles: Origins to 1960 . Gunckel, Colin . Horak, Jan-Christopher . Jarvinen, Lisa. Rutgers University Press. 2019. 62. 978-1-9788-0126-4 .
  5. AVILA, JACQUELINE. "México de Mis Inventos: Salon Music, Lyric Theater, and Nostalgia in 'Cine de Añoranza Porfiriana.'" Latin American Music Review / Revista de Música Latinoamericana, vol. 38, no. 1, University of Texas Press, 2017, pp. 1–27, http://www.jstor.org/stable/44862442.