Imperium in Imperio explained

Imperium in Imperio
Author:Sutton E. Griggs
Language:English
Country:United States of America
Genre:Historical Fiction, Political Fiction, social science fiction
Published:1899

Imperium in Imperio is a historical fiction novel by Sutton E. Griggs, published in 1899. The novel covers the life of Belton Piedmont, an educated and disciplined black man in the Jim Crow south and his role in a shadow government of black men operated out of a college in Waco, Texas. Imperium in Imperio explores themes of Black imperialism and race conservation. It is Griggs' first and most notable novel and his only work currently in print.

Plot

Belton Piedmont is born to a poor but hardworking family in Virginia and grows up intimately familiar with racism and segregation. He attends school with a mixed-race child, Bernard Belgrave, with whom he builds a rivalry and friendship. Belton and Bernard's educations take radically different turns when Bernard goes to Harvard while Belton is too poor to attend a prestigious university.

Belton's graduation speech is published in a Richmond newspaper and it catches the attention of a southern democrat, Mr. V.M. King, who vehemently opposes lynching. King takes a liking to Belton and gives him a check that will take him through college, but not before giving Belton some sage advice.

With King's aid, Belton attends a college in Nashville, Tennessee. Belton is perturbed when he discovers that even in the seemingly egalitarian school, there are black professors who are silently ostracized and barred from eating meals with their white counterparts. Belton organizes a movement of civil disobedience and daunts the school's president into changing things.

After Belton graduates, he is harassed by a mob after encouraging black men to vote. The mob goes to lynch him, even shooting him in the head, but the bullet is caught in Belton's skin and only leaves him unconscious. He's claimed by a doctor who wishes to dissect his body, but Belton awakens on the table and kills the doctor in self-defense. Belton flees and is eventually arrested for murder. The trial goes poorly when many of the jurors are from the mob that lynched him. But Belton's case reaches the attention of Bernard who uses his political connections to appeal Belton's verdict.

Belton later contacts Bernard asking him to come to Waco, Texas without any more explanation. Bernard agrees to come to his friend. Belton reveals the existence of the Imperium in Imperio, a shadow state consisting of black men aiming to counteract segregation and to protect black people in the south from persecution and violence. Belton and others in the Imperium believe that Bernard could be their George Washington.

Bernard is eventually elected president of the Imperium and they concoct a plan to infiltrate the United States Navy and use it to protect a new nation they plan to form in the heart of Texas. Belton opposes this plan, still holding onto his belief in the United States and that it would be wrong to betray the nation. He remains committed to the goal of improving the states rather than seceding and tenders his resignation from the Imperium, knowing full well that he'll be executed by his peers for attempting to leave. The members of the Imperium attempt to allow Belton to escape his sentence, but Belton refuses. Bernard and the Imperium execute Belton for his treason.

The novel opens with a confession from Berl Trout, a member of the Imperium who declares himself a traitor to his race, and an explication of the events surrounding Belton and the Imperium. After Belton's death, Trout writes that he was moved by Belton's convictions and betrays the Imperium, revealing its existence to the world and leaving it to the audience to judge the novel's events.

Characters

Themes

Black Imperialism

Imperium in Imperio was written during a period when America subscribed to an imperialist agenda and actively sought an empire overseas.[1] Many African American authors used this time of U.S. expansion to open conversations about Jim Crow and the discrimination Black people faced. Sutton E. Griggs in particular used his work to speak directly to Black Americans, in contrast to his more mainstream counterparts. For example, a central focus of Imperium is the idea of a mass migration of Black Americans to Texas, followed by a political takeover of the state. This, coupled with Texas' rich history of acquisition, allows for a direct parallel between Black Americans expanding their home empire at the same time the U.S. expands overseas. The novel further demonstrates this through Belton's and Bernard's opposing viewpoints.[2] Belton proposes that the Imperium should still remain as a part of the U.S. while still running independent operations, while Bernard advocates for an all-out race war so that African Americans secede completely to build their own empire.

Race Conservation

A key turning point in Imperium in Imperio is the suicide of Bernard's love interest, Viola. She kills herself following his marriage proposal, claiming that race mixing was causing the extermination of the Negro race.[3] During her life, Viola made efforts to dissuade her peers to not date outside of the race, and as a dying plea, she begs Bernard to uphold her convictions.

While Viola attempted to solve the issue of miscegenation by working through individuals, Bernard sought to do so on a community-wide scale. He believed that in the Imperium's fight for sovereignty over Texas, the impending race war would also serve to effectively limit race mixing and thus further uplift the Black race. This serves as another contrast to Belton, who believed that the Imperium could function in tandem with the U.S. rather than taking power through violent means.

Imperium in Imperio and Afrofuturism

Imperium in Imperio is considered to be a key precursor to Afrofuturism.[4] The novel's depiction of a budding revolution and the formation of a Black utopia puts it amongst the first in the genre. An important feature of Afrofuturistic works is the literary blending of the past and future. Melissa A. Wright, in the Journal of Black Studies, analyzes that Imperium in Imperio's Black secret society "presents a suspended space time in which innovative alternatives to governance including wealth redistribution, can be imagined in the controlled environment of the narrative laboratory."

Publishing

Imperium in Imperio was originally published by the Editor Publishing Company and sold door-to-door,[5] [6] and didn't see much popularity in its printing life.[7]

Reception

The book was one of few novels written around 1900 that had all black major characters, and was "virtually unknown to white Americans".[8] William Loren Katz, writing in the Journal of Black Studies, concluded that, although the book had "implausible and transparent characters and plot," and Griggs had "meager talents as a writer and lack of political sophistication and depth," he still "managed to capture a neglected but crucial moment and mood in the history of black America."[9] The book was, according to Jack M. Beckham II "a relatively obscure work that has been almost completely ignored by critics."[10] However, following a republication by the West Virginia University Press in 2003,[11] the book has been the subject of numerous studies, for instance on its portrayal of: "oratory, embodiment, and US citizenship",[12] collective efficiency,[13] the middle way in the National Baptist Convention,[14] utopia,[15] and black baptist radicalism.[16] Oxford Reference names the novel as "one of the most important novels of literary black nationalism."

Further reading

Notes and References

  1. Book: Jim Crow, literature, and the legacy of Sutton E. Griggs . 2013 . Kenneth W. Warren, Tess Chakkalakal . 978-0-8203-4630-4 . Athens . 867742198.
  2. Hebard . Andrew . 2015 . Race Conservation and Imperial Sovereignty in Sutton Griggs's Imperium in Imperio . Arizona Quarterly: A Journal of American Literature, Culture, and Theory . 71 . 3 . 59–83 . 10.1353/arq.2015.0019 . 145095609 . 1558-9595.
  3. Hebard . Andrew . 2015 . Race Conservation and Imperial Sovereignty in Sutton Griggs's Imperium in Imperio . Arizona Quarterly: A Journal of American Literature, Culture, and Theory . 71 . 3 . 59–83 . 10.1353/arq.2015.0019 . 145095609 . 1558-9595.
  4. Wright . Melissa A. . 2021-10-02 . Sex and the Future of History: Black Politics at the Limit in Sutton E. Griggs' Imperium in Imperio . The Black Scholar . en . 51 . 4 . 32–46 . 10.1080/00064246.2021.1972393 . 244118637 . 0006-4246.
  5. Book: Rusert, Britt. Fugitive Science: Empiricism and Freedom in Early African American Culture. 2017-04-18. NYU Press. 978-1-4798-8568-8. 245. en.
  6. Book: Meriwether, Colyer. Imperium in Imperio. 1899. Southern History Association. 229–230. en.
  7. Book: Jim Crow, Literature, and the Legacy of Sutton E. Griggs. Chakkalakal. Tess. Warren. Kenneth W.. 2013. University of Georgia Press. 978-0-8203-4032-6. 69. en.
  8. Kramer. David. 2013. Imperium in Imperio: Sutton Griggs's Imagined War of 1898. War, Literature & the Arts. 25.
  9. Katz. William Loren. June 1971. Book Reviews : Imperium in Imperio.. Journal of Black Studies. en. 1. 4. 494–498. 10.1177/002193477100100408. 220408450 . 0021-9347.
  10. Beckham II. Jack M.. 2005-01-01. Griggs's Imperium in Imperio. The Explicator. 63. 2. 85–87. 10.1080/00144940509596900. 162480533 . 0014-4940.
  11. Web site: Sutton Griggs - American Literature. Oxford Bibliographies. en. 2019-12-31.
  12. Karafilis. Maria. 2006. Oratory, Embodiment, and US Citizenship in Sutton E. Griggs's "Imperium in Imperio". African American Review. 40. 1. 125–143. 1062-4783. 40027036.
  13. Curry. Eric. 2010. "The Power of Combinations": Sutton Griggs' Imperium in Imperio and the Science of Collective Efficiency. American Literary Realism. 43. 1. 23–40. 1540-3084. 10.5406/amerlitereal.43.1.0023. 10.1353/alr.2010.0004. 154997786 .
  14. Greene. Adrian. 2014-03-22. Church within a Church: Sutton E. Griggs's Imperium in Imperio and the Middle Way within the National Baptist Convention. The Mississippi Quarterly. 67. 2. 233. 0026-637X.
  15. Veselá. Pavla. 2011. Neither Black Nor White: The Critical Utopias of Sutton E. Griggs and George S. Schuyler. Science Fiction Studies. 38. 2. 270–287. 10.5621/sciefictstud.38.2.0270. 0091-7729. 10.5621/sciefictstud.38.2.0270.
  16. Frazier. Larry. 2000-03-22. Sutton E. Griggs's Imperium in Imperio as Evidence of Black Baptist Radicalism. Baptist History and Heritage. 35. 2. 72. 0005-5719.