Il ritorno di Don Calandrino explained

Il ritorno di Don Calandrino
Genre Header:Opera
Composer:Domenico Cimarosa
Translated Name:The Return of Don Calandrino
Native Name Lang:it
Other Name:Armidoro e Laurina
Genre:Intermezzo
Librettist:Giuseppe Petrosellini (?)
Language:Italian
Premiere Date:1778
Premiere Location:Teatro Valle, Rome

Il ritorno di Don Calandrino (The Return of Don Calandrino), also known as Armidoro e Laurina,[1] is an intermezzo in two acts by Domenico Cimarosa to an Italian libretto presumably written by Giuseppe Petrosellini.[2]

Performance history

The premiere took place in 1778 at Teatro Valle in Rome. Performances in Livorno (1783), Prague (1785), Vienna (1787), Barcelona (1788), Florence (1788 and 1793) and Padua (1801) followed.[3] After a long break, the opera was revived in 2007 under the musical direction of Riccardo Muti in a series of performances at the Salzburg Festival,[4] [5] [6] [7] [8] [9] in Las Palmas,[10] [11] Teatro Municipale in Piacenza,[12] in Pisa,[13] and the Ravenna Festival.[14]

Roles

RoleVoice type
Liviettasoprano castrato travesti
Don Calandrinosoprano castrato[15]
Monsieur Le Blondebass
Irenesoprano castrato travesti
Valeriotenor

Synopsis

The libretto gives a humorous account of characters and actions of Don Calandrino, the son of the podestà of Monte Secco (Abruzzo, Italy),[16] who pretends he knows everything, but in fact is incapable of even thinking logically; Livietta, a haughty and rich peasant girl, who tries to act as a lady, but invariably fails both in her language and manners; Monsieur Le Blonde, a French traveler eager to talk about places he has supposedly visited, but of which he knows nothing; Irene, a simple and humble girl; and Valerio, the Mayor of Monte Secco and Irene’s brother. After several turns, the story resolves in pairing Don Calandrino with Livietta, and Le Blonde with Irene.[17]

References

Notes

Cited sources

External links

Notes and References

  1. Rossi & Fauntleroy 1999, p. 193
  2. Rossi & Fauntleroy 1999, p. 193
  3. Rossi & Fauntleroy 1999, p. 68 and 193
  4. http://archiviostorico.corriere.it/2007/maggio/27/Cimarosa_Muti_una_scoperta_co_9_070527062.shtml Corriere della Sera (2007-05-27), Il Cimarosa di Muti, una scoperta
  5. http://www.lastampa.it/2007/05/27/spettacoli/muti-a-salisburgo-porta-la-napoli-di-calandrino-79iFqKDOKVarjRw0ISV5XI/pagina.html La Stampa (2007-05-27), Muti a Salisburgo porta la Napoli di Calandrino
  6. http://ricerca.repubblica.it/repubblica/archivio/repubblica/2007/05/26/muti-porta-napoli-salisburgo-calandrino-conquista-tutti.html La Repubblica (2007-05-26), Muti porta Napoli a Salisburgo e Calandrino conquista tutti
  7. https://www.welt.de/welt_print/article905262/Musikfruehling-an-der-Salzach.html Die Welt (2007-05-30), Musikfrühling an der Salzach
  8. http://diepresse.com/home/kultur/klassik/306841/Was-Bach-Mozart-von-Neapel-lernten Die Presse (2007-05-28), Was Bach, Mozart von Neapel lernten
  9. http://www.deutschlandradiokultur.de/inspiriert-durch-neapel.1013.de.html?dram:article_id=166954 Deutschlandradio Kultur (2007-05-29), Inspiriert durch Neapel
  10. http://elpais.com/diario/2007/11/11/cultura/1194735606_850215.html El País (2007-11-11), Hipnotizados por Cimarosa y Muti
  11. http://hemeroteca.lavanguardia.com/preview/2006/05/03/pagina-46/64763145/pdf.html La Vanguardia (2007-11-11), Muti recupera el genio operístico de Cimarosa
  12. http://www.giornaledellamusica.it/rol/?id=2276 Il Giornale della Musica, Un "ritorno" vivace e surreale
  13. http://www.teatro.it/spettacoli/recensioni/il_ritorno_di_don_calandrino_9790 Teatro.it, Il ritorno di Don Calandrino
  14. http://www.operaclick.com/recensioni/teatrale/ravenna-teatro-dante-alighieri-il-ritorno-di-don-calandrino OperaClick, Ravenna - Teatro Dante Alighieri: Il ritorno di Don Calandrino
  15. The role was sung by tenors in the performances of the opera in 2007 referred to above.
  16. Giustiniani 1803, p. 141
  17. Rossi & Fauntleroy 1999, p. 193