Il Frontespizio Explained

Category:Literary magazine
Founded:May 1929
Finaldate:December 1940
Country:Kingdom of Italy
Based:Florence
Language:Italian

Il Frontespizio (Italian: The Frontispiece) was an art and literary magazine, which had a Catholic perspective. The magazine existed between 1929 and 1940 and was based in Florence, Italy.

History and profile

Il Frontespizio was first published in May 1929.[1] The founders were Enrico Lucatello and Piero Bargellini.[2] Giovanni Papini was also instrumental in the establishment of the magazine.[3] The headquarters of Il Frontespizio was in Florence.[4] From August 1929 the magazine became monthly, but it rarely published double issues.[1] Vallecchi was the publisher of the magazine from July 1930 to its closure in 1940.[4]

The founding editor was Enrico Lucatello, who was succeeded by Piero Bargellini in the post.[5] Giuseppe de Luca, a Catholic priest, was among the regular contributors and served as the editor of Il Frontespizio.[4] [6] Although it targeted Catholic intellectuals, who had been alienated from public life since the Unification of Italy in 1861,[4] the goal of the magazine was not to disseminate Catholic art.[1] Instead, it aimed at being an alternative to avant-gardism and fascist culture in Italy.[4] In addition, Il Frontespizio adopted an anti-Semitic approach.[7] The magazine introduced the Hermetic poetry in Italy[4] through the work by Carlo Bo, a literary critic, Mario Luzi and Piero Bigongiari.[8] The magazine also covered the work by Italian sculptors, including Bartolini, Carlo Carrà, Felice Casorati, De Pisis, Mino Maccari, Manzu, Giorgio Morandi, Ottone Rosai, Semeghini, Severini, Soffici, and Lorenzo Viani.[9]

Il Frontespizio was the recipient of the best graphic work award at the Milan Triennale in 1935.[4] The magazine ended publication in December 1940.[1] [10] [9]

Notes and References

  1. Web site: Il Frontespizio. it. 16 April 2022 . CIRCE. Catalogo Informatico Riviste Culturali Europee.
  2. Book: Leona Rittner. et. al.. The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna. https://books.google.com/books?id=Ti2rCwAAQBAJ&pg=PA190. 2016. 190. Routledge. 978-1-317-01414-0. London; New York. Ernesto Livorni. The Giubee Rosse Café in Florence: A literary and political alcove from futurism to anti-Fascist resistance.
  3. Book: Mark Gilbert. Robert K. Nilsson. The A to Z of Modern Italy. 978-1-4616-7202-9. 315. Scarecrow Press. 2010. Lanham, MD.
  4. Book: Peter Brooker. Sascha Bru. Andrew Thacker. Christian Weikop. The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press. 2009. 978-0-19-965958-6. Mariana Aguirre. https://books.google.com/books?id=bvsfioiQ8k8C&pg=PA491. The Return to Order in Florence: Il Selvaggio (1924-43), Il Frontespizio (1929-40), Pègaso (1929-33), Campo di Marte (1938-9). 491. 3. Oxford.
  5. News: Elia Celestina Della Chiesa. An interview with Antonina Bargellini. The Florentine. 49. 7 January 2017. 8 February 2007.
  6. Alessandra Tarquini. The Anti-Gentilians during the Fascist Regime. Journal of Contemporary History. October 2005. 40. 10.1177/0022009405056122. 651. 4. 143453936 .
  7. Book: Lynn M. Gunzberg. Strangers at Home: Jews in the Italian Literary Imagination. 1992. University of California Press. registration. 978-0-520-91258-8. Berkeley and Los Angeles, CA. 244.
  8. Maria Belén Hernández-González. The Construction of the Memory of Italy in Argentina through a Choice of Translated Essays. CALL: Irish Journal for Culture, Arts, Literature and Language. 10.21427/D7V88R. 2016. 1. 1.
  9. Web site: Il Frontespizio, rivista mensile - 1929-1940 Tutto il pubblicato. Ferraguti. it. 7 January 2017.
  10. Encyclopedia: Frontespizio, Il. Treccani. it.