| Church of Our Lady of the Angels | |
| Native Name: | Igreja de Nossa Senhora dos Anjos |
| Native Name Lang: | Portuguese |
| Map Type: | Portugal Lisbon |
| Coordinates: | 38.7245°N -9.1345°W |
| Religious Affiliation: | Roman Catholic |
| Location: | Avenida Almirante Reis, 1170-286 Lisboa |
| Rite: | Latin Rite |
| Administration: | Patriarchate of Lisbon |
| Functional Status: | Parish church |
| Patron: | Our Lady of the Angels |
| Architect: | José Luis Monteiro |
| Architecture Style: | Baroque, Neoclassical |
| Established: | c. 1563 (original church) |
| Groundbreaking: | (current church) |
| Year Completed: | 1911 (current church) |
| Date Demolished: | 1908 (original church) |
| Elevation Ft: | --> |
| Designation1: | National Monument of Portugal |
| Designation1 Offname: | Igreja Paroquial de Nossa Senhora dos Anjos |
| Designation1 Date: | Property of Public Interest (Imóvel de Interesse Público) 6 March 1996 |
| Designation1 Number: | PT031106060191 |
The Church of Our Lady of the Angels (Portuguese: Igreja de Nossa Senhora dos Anjos), more commonly known simply as Igreja dos Anjos pronounced as /pt/, is a Roman Catholic parish church located in Lisbon, Portugal.
The parish of Anjos was created by Cardinal Henry of Portugal, splitting the territory from that of the large Santa Justa parish. The seat of the newly created parish was a small chapel (ermida) under the invocation of Our Lady of Angels — this small chapel was later enlarged in the 17th century, during the reign of King Philip III of Portugal.[1]
From 1579 up to the 1820s, when it ceased due to the lack of means, the church had collegiate status; the college of canons consisted of 11 chaplains who maintained the daily office of worship.[1]
The original church was demolished in 1908 in order to make way for a major thoroughfare, Avenida D. Amélia (named after Queen Amélie of Orléans; renamed Avenida Almirante Reis shortly after the 5 October 1910 revolution, honouring one of the Republican revolutionaries). The church was rebuilt on the western side of the avenue, by architect José Luis Monteiro: Monteiro respected the proportions of the original church, but gave it a more pronounced Neoclassical façade. The 17th- and 18th-century Baroque interiors of the original church were fully preserved and transferred to the new one, and can still be observed today; some of the paintings are even older, both a panel by Mannerist painter depicting Saint Irene healing the wounds of Saint Sebastian, and a rare painting of Saint Anthony of Lisbon (in the sacristy) date back to the 16th century.[2]