If the Sun Rises in the West | |||||||||||
Native Name: |
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Director: | Lee Eun | ||||||||||
Producer: | Hwang Jae-woo | ||||||||||
Starring: | Im Chang-jung Ko So-young | ||||||||||
Music: | Jo Yeong-wook Kim Gyu-yang | ||||||||||
Cinematography: | Byun Hee-sung | ||||||||||
Editing: | Ko Im-pyo | ||||||||||
Studio: | Myeong Film Co. | ||||||||||
Distributor: | Il-Sin Investment | ||||||||||
Runtime: | 100 minutes | ||||||||||
Country: | South Korea | ||||||||||
Language: | Korean |
If the Sun Rises in the West is a 1998 South Korean film, and was the commercial directorial debut of Lee Eun.[1]
Beom-soo is a traffic control officer who aspires to become a baseball umpire. By chance he meets Hyun-joo, a theatre major who crashes her car into a tree while he is on duty. Instead of fining her, Beom-soo gives her driving lessons and they soon become friends, exchanging letters with each other when Hyun-joo returns to university. When they next meet in person Beom-soo declares his love for her, only for Hyun-joo to reject him as she plans to go overseas to study.
Three years later, Beom-soo is making his debut as a professional baseball umpire, and his feelings of love are reignited when he realises that up-and-coming actress Yoo Ha-rin is none other than Hyun-joo. The two are eventually reunited via the baseball field and resume their relationship, though Hyun-joo's affections are also pursued by Ji-min, the president of an advertising company for which she has appeared in a series of commercials. Hyun-joo eventually rejects Ji-min and shows up at the opening game of the Korean Series to throw the first ball, where she kisses Beom-soo in the middle of the field.
If the Sun Rises in the West opened in South Korea on 19 December 1998, and received a total of 145,752 admission in Seoul.[2]
Andrew Saroch of Far East Films compared the film favourably to Richard Curtis' Notting Hill, and said, "[''If the Sun Rises in the West''] accomplishes its modest directives and creates two characters we quickly warm to throughout their moments together. Lee Eun utilises tried-and-tested genre techniques, but it is hard to be too resistant to these when the story moves along so effortlessly." He also praised lead actress Ko So-young, saying that she "illuminates this popularist fable and lends her character some much needed humanity."[3]