| Class: | Universal |
| Category: | 0 |
| Year: | 1929 |
| Exposición Ibero-Americana (Spanish) Exposição Ibero-Americana (Portuguese) | |
| Area: | 69ha |
| Cnt: | 18 |
| Country: | Spain |
| City: | Seville |
| Venue: | Maria Luisa Park |
| Prevexpo: | Panama–Pacific International Exposition |
| Prevcity: | San Francisco |
| Nextexpo: | Century of Progress |
| Nextcity: | Chicago |
| Simuni: | 1929 Barcelona International Exposition |
The Ibero-American Exposition of 1929 (Spanish; Castilian: Exposición iberoamericana de 1929; Portuguese: Exposição Ibero-Americana de 1929) was a world's fair held in Seville, Spain, from 9 May 1929 until 21 June 1930. Countries in attendance of the exposition included: Portugal, the United States, Brazil, Uruguay, Mexico, Peru, Argentina, Chile, Colombia, Cuba, Venezuela, the Dominican Republic, Bolivia, Panama, El Salvador, Costa Rica, and Ecuador. Each Spanish region and each of the provinces of Andalusia were also represented.
General Miguel Primo de Rivera, then Prime Minister of Spain, gave the opening address. Primo de Rivera allowed the Spanish King Alfonso XIII to give the final words and officially open the exposition. The purpose of the exposition was to improve relations between Spain and the countries in attendance, all of which have historical ties with Spain through either colonisation (parts of Spanish America and the United States) or political union (Portugal and Brazil). Other countries were represented at the International section in Barcelona.
The exposition was smaller in scale than the International Exposition held in Barcelona during that same year, but it was not lacking in style. The city of Seville had prepared for the Exposition over the course of 19 years. The exhibition's buildings were constructed in María Luisa Park along the Guadalquivir River. A majority of the buildings were built to remain permanent after the closing of the exposition.
Many of the buildings built to represent the foreign countries participating in the event, including that of the United States, were to be used as consulates after the closing of the exhibits. By the opening of the exposition all of the buildings were complete, although many were no longer new. Not long before the opening of the Exposition, the Spanish government also began a modernization of the city in order to prepare for the expected crowds by erecting new hotels and widening the medieval streets to allow for the movement of automobiles.
Spain spent a large amount of money in developing its exhibits for the fair and constructed elaborate buildings to hold them. The exhibits were designed to show the social and economic progress of Spain as well as expressing its culture.
Spanish architect Aníbal González Álvarez-Ossorio designed the largest and most famous of the buildings, which surrounded the Plaza de España. The largest of the exhibits housed in this building was located in the Hall of the Discovery of America (Spanish; Castilian: Salón del Descubrimento de América). The building contained documents, maps, and other objects related to Christopher Columbus' discovery of the Americas, including a set of 120 letters and manuscript that had belonged to him, the last testament of Hernán Cortés, and detailed dioramas of historic moments. An exact replica of the Santa María, Columbus's ship, complete with a costumed crew, floated on the Guadalquivir River.
The cities of Spain contributed structures designed to reflect their unique cultures to be placed in the "Pavilions of the Spanish regions" (Spanish; Castilian: Pabellones de las regiones españolas). Spain's exhibits also included a large collection of art located in the Palacio Mudéjar ("Mudéjar art palace"), Palacio Renacimiento ("Renaissance palace"), and the ("Palace of the Royal House").
The Institute of Art from the University of Seville was moved to the Palacio Mudéjar for the duration of the exposition on the permission gained from the exposition committee by Count Columbi. The committee also set aside funds from their budget to purchase materials for the Institute.
In total, Spain built 11 pavilions and two additional buildings.
designed by Aurelio Gómez Millán.
designed by Aníbal González.
designed by Aníbal González.
designed by Aníbal González.
currently functions as a theatre.
designed by José Espiau y Muñoz and Francisco Urcola Lazcanotegui.
Of the Iberian American nations in attendance of the exposition, 10 constructed pavilions to display their exhibits. Other nations, including Bolivia, Panama, El Salvador, Costa Rica, and Ecuador displayed their native products in the Commercial galleries of the Americas (Spanish; Castilian: Galerías comerciales americanas).
The was designed by architect Martin Noel, and included a movie theatre and displays focusing on Argentinean industries and products.
The contained a coffee cultivation exhibit complete with panoramas and models illustrating the different phases of cultivation. Architect Pedro Paulo Bernardes Bastos designed the pavilion, which also included a coffee bar.
ColombiaThe was designed by Seville architect José Granados. The pavilion included a collection of sculpture and artwork by Colombian artist Rómulo Rozo, and of Colombian emeralds, and a coffee café that demonstrated all of the steps in coffee cultivation.
The contributed demonstrations of the sugar and tobacco industries to the exposition in their pavilion. Murals in the building were done by painter Pastor Argudín Pedroso.[1]
GuatemalaThe Guatemalan pavilion was designed by Emilio Gómez Flores and José Granados de la Vega. The country signed up late for the exhibition and, as a result, rather than resembling a huge palace, its pavilion looks more like a school portable building with blue and white tiles on the front. The building contained exhibits relating to the resources found in Guatemala.
The Mexican pavilion was designed by and included exhibits on archeology, education, and the history of Spanish accomplishments in Mexico. Students in Mexican schools prepared some of the education exhibits.
The was designed by William Templeton Johnson. The United States' contribution to the exposition consisted of three buildings and marked the end to a several year period in which the U.S. did not construct buildings for foreign expositions. The main building was to serve as the U.S. consulate office after the closing of the exposition, and housed a menagerie of electrical appliances including oil furnaces, electric refrigerators, airplane models, and miniature wind tunnels. The other two structures housed a movie theatre and government exhibits, including contributions from the Departments of Agriculture, Treasury, and Labor, the Commission of Fine Arts, the Navy, and the Library of Congress.
The included displays of its industrial schools, including the Institute of Agronomy and an art gallery filled with paintings and bronze sculptures.
The was designed by Germán de Falla and also erected a pavilion containing displays of its resources.
Today, many of the pavilions from the exposition remain, notably the famous Plaza de España, which chronicles each of the regions of Spain in ceramic provincial alcoves and benches, as well as some of the national pavilions, which have now been converted to Consulate-Generals. Many of the buildings have been converted into museums and the pavilion of Argentina is now a flamenco school. They have also been featured in a number of films, including Lawrence of Arabia, The Wind and the Lion, and , among others.
For Sevillans, the exposition marked the acceptance by the upper class of the traje de flamenca, an outfit worn by lower-class women.[3]
The Exposition is reviewed by Evelyn Waugh in his collected travel writings, 'When The Going Was Good' 1946, Duckworth. See 'A Pleasure Cruise in 1929'.
Argentina
Mexico
United States
Uruguay