I Know...Brad Explained

I Know...Brad
Artist:Roy Lichtenstein
Year:1964
Movement:Pop art
Height Imperial:68.5
Width Imperial:37.75
City:Aachen
Museum:Ludwig Forum für Internationale Kunst[1]

I Know...Brad (sometimes I Know How You Must Feel, Brad) is a 1964 pop art painting by Roy Lichtenstein that uses his classic Ben-Day dots and a speech balloon. The work is located at the Ludwig Forum für Internationale Kunst[1] in Aachen. It is an example of how Lichtenstein used his artistry to make significant changes to the original comics sources.

Background

Lichtenstein stated that the name Brad sounded heroic to him and was used with the aim of clichéd oversimplification.[2]

Background

Measuring 174 cm × 95.9 cm (68.5 in × 37.75 in), I Know...Brad is considered an ironic depiction of emotional expression.[3] The work is a three-quarter-length, single image of a lovelorn girl.[4] This is one of Lichtenstein's post-1963 comics-based women that "...look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup."[5]

Details

According to a reproduction of Ellen H. Johnson's article entitled "Lichtenstein and the Printed Image" from Art and Artists (London, June 1966) the painting is somewhat removed from the original, while satirically mimicking several elements of it:

Johnson notes how Lichtenstein transforms the comic inspiration not only by enlarging the scale, but he also by eliminating non-essential details such as fingernails and traces of forearm musculature. In addition, by varying and reducing the number of lines he presents a better depiction of their character. His color change makes the work more dynamic and the subject more idealized. He also makes the landscape background more robust. Lichtenstein stated that the name Brad sounded heroic to him and was used with the aim of clichéd oversimplification.[6] The work presents an "...unmistakeable acknowledgement to the flamboyant linearism of Art Nouveau...".[7]

See also

References

External links

Notes and References

  1. Web site: View In Museums – Roy Lichtenstein Foundation. Roy Lichtenstein Foundation. 3 January 2018.
  2. Coplans, p. 110.
  3. Book: Art Since 1960. second. Thames & Hudson. Archer, Michael. 0-500-20351-2. The Real and its Objects. 2002. 14. His paintings looked, at first glance as mechanically fashioned as their source material, although it is evident in a painting such as I Know How You Must Feel, Brad (1963) that the idea of art as an emotionally expressive activity is being ironically considered...
  4. Book: Roy Lichtenstein. Coplans. 41. Generally, the earlier the imagery the less significant the degree of crop: Girl at Piano (1962) and I Know...Brad (1963) are both three-quarter-length, single images of lovelorn girls situated within different settings..
  5. Coplans, p. 23.
  6. Book: Roy Lichtenstein. Coplans. 110. Well, I had the idea of 'The Hero' Brad. 'Brad' sounded like a hero to me, so all heroes were to be called Brad - a very minor idea, but it has to do with oversimplification and cliché..
  7. Book: An Illustrated History of Pop Art. Pierre, José. Eyre Methuen. 0-413-38370-9. 94. 1977. ...the three outstanding successes: I Know…Brad, Hopeless and Drowning Girl, in which we recognize an unmistakeable acknowledgement to the flamboyant linearism of Art Nouveau..