I Do, I Do, I Do, I Do, I Do | |
Cover: | IDoIDoIDoIDoIDo.jpg |
Type: | single |
Artist: | ABBA |
Album: | ABBA |
Released: | April 1975[1] |
Genre: | |
Length: | 3:18 |
Label: | Polar (Sweden) Epic (UK) Atlantic (US) CRI Records (China) |
Producer: | Benny Andersson Björn Ulvaeus |
Prev Title: | I've Been Waiting for You |
Prev Year: | 1974 |
Next Title: | Bang-A-Boomerang |
Next Year: | 1975 |
"I Do, I Do, I Do, I Do, I Do" is a song by Swedish pop group ABBA. It was the third single to be released from their third studio album, ABBA (1975). The song was written by Benny Andersson, Björn Ulvaeus and their manager Stig Anderson, and was released in April 1975 with "Rock Me" as the B-side.
The song was recorded on 21 February 1975 at Glen Studio, and was inspired by the European schlager music of the 1950s, as well as the saxophone sound of '50s American orchestra leader Billy Vaughn.
After the release of "Waterloo", ABBA were having difficulty establishing themselves as an act with longevity. "I Do, I Do, I Do, I Do, I Do", in many cases, put ABBA firmly back in the spotlight. With a rousing saxophone tune and homage to 1950s schlager music, "I Do, I Do, I Do, I Do, I Do" became a significant improvement on the international charts, although it made little impact in Britain. The song's popularity was boosted (particularly in Australia) by the release of a promo clip shown on television.
"I Do, I Do, I Do, I Do, I Do" was a notable hit in a number of countries, and was the song that sparked "ABBA-mania" in Australia, becoming ABBA's first chart-topper there. With "Mamma Mia" and "SOS" to follow, this gave the group a run of 14 consecutive weeks at the top of the Australian charts. "I Do, I Do, I Do, I Do, I Do" also topped the charts in France, New Zealand, Switzerland and South Africa and hit the Top 5 in Norway, Belgium, the Netherlands, Austria and Rhodesia (all in 1975). The song also reached No. 15 in the United States in early 1976. A notable exception to the song's success was in the UK Singles Chart, a market that ABBA was aiming to conquer. Although it did return them to the Top 40 (after their previous UK single "So Long" had failed to chart), it stalled at No. 38.[4] Thus, the musical direction taken in the song was not used again for some time. This marked the only time that an ABBA song had more success in the United States than in Britain. Later in 1975, ABBA found success in the UK with "SOS", which cemented the group's success in Australia and elsewhere.
Cash Box said "richly textured vocals give this fifties sounding shuffle an extra push, push, push, push" and praised the "excellent horn riff."[5] Record World said that "this single should be the one to finally make people sit up and take note" of ABBA in the US.[6]
ABBA
Chart (1975–76) | Peak position | |
---|---|---|
Australia (Kent Music Report)[7] | 1 | |
Finland (Suomen virallinen singlelista)[8] | 25 | |
Rhodesia (Lyons Maid)[9] | 5 | |
South Africa (Springbok)[10] | 1 | |
US Cashbox Top 100 Singles[11] | 19 |
Chart (1975) | Position | |
---|---|---|
Australia (Kent Music Report)[12] | 13 | |
Belgium (Ultratop 50 Flanders)[13] | 11 | |
France (IFOP)[14] | 45 | |
Germany (Official German Charts)[15] | 28 | |
Netherlands (Dutch Top 40)[16] | 38 | |
Netherlands (Single Top 100)[17] | 41 | |
New Zealand (Recorded Music NZ)[18] | 6 | |
South Africa (Springbok)[19] | 12 | |
Switzerland (Schweizer Hitparade)[20] | 7 |
Chart (1976) | Position | |
---|---|---|
Canada Top Singles (RPM)[21] | 132 | |
US (Joel Whitburn's Pop Annual)[22] | 120 | |
US Cashbox Top 100 Singles[23] | 95 |