| I Bet You Look Good on the Dancefloor | |
| Cover: | I Bet You Look Good On the Dancefloor.jpg |
| Type: | single |
| Artist: | Arctic Monkeys |
| Album: | Whatever People Say I Am, That's What I'm Not |
| Studio: | Chapel (Lincolnshire) |
| Genre: | |
| Label: | Domino |
| Composer: |
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| Lyricist: | Alex Turner |
| Producer: | Jim Abbiss |
| Next Title: | When the Sun Goes Down |
| Next Year: | 2006 |
"I Bet You Look Good on the Dancefloor" is a song by English rock band Arctic Monkeys released on 17 October 2005, through Domino Recording Company. The song was the band's debut single and the first from their debut studio album, Whatever People Say I Am, That's What I'm Not (2006). Written by frontman Alex Turner and produced by Jim Abbiss, "I Bet You Look Good on the Dancefloor" is a garage rock, indie rock, and post-punk song. It debuted at number one on the UK Singles Chart on 23 October 2005, and remains one of the band's best-known songs in the UK.
Arctic Monkeys performed the song at the opening ceremony of the 2012 Summer Olympics. The song was ranked at number 7 on NMEs list of The 500 Greatest Songs of All Time. Mike Smith, who signed them to EMI Publishing, claimed that with the release of this song, “Arctic Monkeys created a model that’s absolutely dominant today, The fact that you’re clicking on music to listen to as you did with them – they heralded what we’ve come to live in now.”
The song was recorded three times with different producers, the first version with Alan Smyth, and another with James Ford and Rich Costey, before landing on Abiss' version.[6]
The line "Your name isn't Rio, but I don't care for sand" is a reference to Duran Duran's song "Rio", the song also has references to Romeo and Juliet.[6]
The single cover features a young girl, wearing a trainee badge, working the cash register at a supermarket, and has the song title and the name of the band, overimposed in white inside of two black rectangles. The girl in the picture, named Jesse May Cuffe, was discovered by Liverpool's design company, Juno, at a bar. Cuffe, at the time 16, was chosen for the shoot, which took place at a SPAR in Liverpool. She wore a fake uniform, being mistook as a store worker by customers.[7]
The video is a live recording of the band playing the song in a studio with a small audience watching with both the video and audio taken live. Alex Turner introduces the band and the song and asks viewers not to "believe the hype".[8] The video was shot using three Ikegami 3-tube colour television cameras from the 1980s[9] to give it a more aged effect. The video was inspired by BBC2's television music show The Old Grey Whistle Test.[6]
Laura Snapes of The Guardian described the legacy of the single as one of "creation, destruction and transition." The way their early songs were distributed ushered in a new way of releasing music, In 2004 iTunes had launched in the UK and accounted for 17.9% of that year’s singles chart but by 2005, that number had more than doubled to 36.6%, with the band as a starting point. For music writer Tom Ewing, the rise of the band "gave the impression that a return to the Britpop boom time was upon us." Music business journalist Eamonn Forde thought "Arctic Monkeys were one of those acts, certainly at the mainstream level, that brought those two things together." In regards to the way the Internet could not be seen as both a distribution channel and a social space. Talent booker Alison Howe said, the week of the single release "felt like a moment that a generation would remember for the rest of their lives.”[10]
In February 2008, Alan Wilder, former member of Depeche Mode, criticised the mastering of the song in an open letter on the Side-Line Magazine website.[11] He described its sound as "a bombardment of the most unsubtle, one-dimensional noise." On 27 July 2012, once the athletes had gathered in the centre of the stadium, the band performed the song and a cover of The Beatles' "Come Together" at the 2012 Summer Olympics opening ceremony.[12] [13]
On 23 February 2006, the track won Best Track at the 2006 NME Awards—one of three awards won by Arctic Monkeys.[14] One of the B-sides, "Chun-Li's Spinning Bird Kick," was nominated for Best Rock Instrumental Performance at the 2007 Grammy Awards.[15]
In May 2007, NME magazine placed "I Bet You Look Good on the Dancefloor" at number 10 in its list of the 50 Greatest Indie Anthems Ever.[16] In October 2011, NME placed it at number 11 on its list "150 Best Tracks of the Past 15 Years."[17] It was later ranked seventh on their list of the "500 Greatest Songs of All Time," with NME noting that the song is "the perfect encapsulation of what it is to be young, pissed, lusty, angry and skint in modern day Britain."[18]
The Sugababes confirmed in January 2006 that the B-side to "Red Dress" would be a cover version of "I Bet You Look Good on the Dancefloor", which replaced the group's 2005 single "Push the Button" at number one on the UK Singles Chart.[19] Upon the recording of the B-side, the Sugababes said: "When our bosses asked us to think of covers for the B-side, we knew which song we would all love to do."[20] Ben Thompson of The Observer praised Berrabah's "bluesy rasp" as a novelty,[21] while Jimmy Draper of Time Out wrote: "It transforms the punky rave-up into a disco stomper that could make even the staunchiest pop-hater get up and dance."[22]
On June 2007 Tom Jones confirmed he would perform a cover of the track at the Concert for Diana, Jones revealed he was a big fan of the band and wanted to do something different, of the song he said, "It's a great song and I wanted to do it as a surprise for the Princess Diana concert. I haven't been in touch with the lads about it but I hope that they like it."[23] On 1 July 2007, Jones and Joe Perry of Aerosmith performed it live for the celebration at Wembley Stadium.[24] [25] Reviews of the performance were negative, with The Guardian saying the cover sounded good on paper, but live "it proved horribly wrong."[26] The Times thought Jones should "plead forgiveness" for his decision to cover the track.[27] When asked if Jones had received any feedback from the band, he responded, "No. The only feedback we got were the reviews which said we’d ruined it! We were going to release it, but the reviews were so bad we thought better of putting it out!”[28]
The song was covered by British funk band Baby Charles and released as a single in 2009.[29] Jayson Greene of Pitchfork was positive towards the cover, and thought the band found, "an easy slinkiness in the groove that feels right for Alex Turner's sidelong, cutting observations."[30] Australian band The Vines released a cover of the song as a bonus track on the Japanese edition of their album Future Primitive, released 3 June 2011.
Personnel adapted from Whatever People Say I Am, That's What I'm Not liner notes[31] Arctic Monkeys
Technical
| Chart (2005–2006) | Peak position |
|---|---|
| Canada Rock Top 30 (Radio & Records)[32] | 12 |
| Europe (Eurochart Hot 100)[33] | 7 |
| Chart (2006) | Position | |
|---|---|---|
| UK Singles (OCC)[35] | 127 | |
| US Alternative Songs (Billboard)[36] | 37 |
| Region | Date | Format(s) | Label | |
|---|---|---|---|---|
| United Kingdom | 17 October 2005 | Domino | [37] | |
| Australia | 13 February 2006 | CD | [38] | |
| United States | 14 March 2006 |