| I Am Eleven | |
| Director: | Genevieve Bailey |
| Producer: | Genevieve Bailey, Henrik Nordstrom |
| Music: | Nick Huggins |
| Cinematography: | Genevieve Bailey, Henrik Nordstrom |
| Editing: | Genevieve Bailey |
| Studio: | Proud Mother Pictures |
| Distributor: | Proud Mother Pictures |
| Country: | Australia |
| Language: | English |
| Gross: | US$387,950 (as of 19 Oct. 2014)[1] |
I Am Eleven is a 2011 Australian documentary film by Genevieve Bailey and Henrik Nordstrom, who travelled through 15 countries over a period of six years to explore the lives of 11-year-olds in different environments. The countries that the children are from include Thailand, England, India, France, Australia, Sweden, Morocco, Japan and the Czech Republic. The film has been compared with the 7 Up documentary series and won awards in the USA, Australia, Brazil, France and Spain.
The film premiered at the 2011 Melbourne International Film Festival.[2]
Following the completion of a Bachelor of Creative Arts Honours from the Victorian College of the Arts at Melbourne University in 2003, Bailey completed a series of short films, music videos and a video installation, while also tutoring at Melbourne University and Deakin University.
As of 2017, Bailey had made over 40 films, many of which are collaborations with fellow Australian filmmaker Jarrah Gurrie, many of which have screened internationally and won over 30 awards.[3]
At the time that the film was conceived, Bailey was in a difficult period of her life and was creatively inspired by a particularly memorable time during her childhood years:
I was going through a difficult time, being in a serious car accident and my body was not feeling very happy, and my dad passed away. I wanted to make something quite simply that would make me happy and make audiences happy … I thought back to my favourite age in life and that was when I was eleven and I thought I wondered what would it be like to be eleven today.[4]
Bailey explained in 2014 that she commenced shooting the film without any funding: “I’d run out of money, come back and work two or three jobs to save up the money for another ticket. I was doing that every year ... It was like having an addiction.” Nearing the completion of the production, Bailey turned down funding that was offered by a Victoria, Australia organisation, as she was not comfortable with handing over the ownership of the film to the funding body: "We (Henrik Nordstrom and I) weren’t very comfortable with that given the amount of time, energy and money we’d invested."
The eleven-year-olds were:[5]
The global premiere of I Am Eleven occurred at the 2011 Melbourne International Film Festival (MIFF), where the film also received the People's Choice Award. Following its official release in July 2012, the documentary was screened at 22 cinemas around Australia from 2012 to 2013, and played for a record-breaking 26 weeks at Cinema Nova in Melbourne.[6] The film was featured as part of the 2014 Portland Children's Film Festival that was held in early April in the American city of Portland, Maine.[7]
Following a very successful theatrical run in Australia, Proud Mother Pictures independently launched the film in US cinemas in September 2014.
The "On Demand" rights for the film was acquired by the Gathr Films company in early June 2014. Gathr were due to commence distributing the film through its "Theatrical On Demand" platform in August 2014.[8]
Following a screening in Perth, Australia, Alexander Dermer wrote in a review for the Weekend Notes: "Some of what the kids say can be immensely thought provoking and at other times downright hilarious, however I Am Eleven thoroughly manages to keep you entertained either way. This film achieves what it sets out to do and more." Dermer also identified what he perceived as "odd moments of slow pacing and sidestepped direction", but concludes that the film is a "must see for everyone".
Writing for Meld, a publication for international students that is based in Melbourne, Australia, Hieu Chau stated in an April 2013 review: "It offers up an engaging look at how children of different cultural backgrounds grow up in the world that they inhabit today ... it’s a stunning and successful effort for the documentary, especially when one considers that it had very little funding and no distributor."[9]
The documentary was identified as a New York Times "Critics' Pic" in Neil Genzlinger's September 2014 review, in which he explains: "The project could easily have seemed like a smarmy Nickelodeon special or some variant of Kids Say the Darndest Things, but Ms. Bailey’s willingness to let the children talk and to let the viewer impose broader meaning elevates it."[10]