| IPC Section 300 (ಐ.ಪಿ.ಸಿ.ಸೆಕ್ಷನ್ ೩೦೦) | |
| Director: | Shashikanth |
| Producer: | Sri Suresh Gowda |
| Music: | Veer Samarth |
| Cinematography: | A R Niranjan Babu |
| Editing: | K Eshwar |
| Country: | India |
| Language: | Kannada |
IPC Section 300 (Kannada: ಐ.ಪಿ.ಸಿ.ಸೆಕ್ಷನ್ ೩೦೦) is a 2009 Indian Kannada-language film directed by Shashikanth, starring Devaraj, Vijay Raghavendra, Priyanka, Suman Ranganath and Srujan Lokesh in lead roles.[1] [2] The movie is based on the 2007 movie Fracture.[3]
Mallik, an architect, kills his wife Sheela after he learns of her affair with a police officer. Later, the same police officer is assigned the task to probe the case of Sheela's murder.
| IPC section 300 | |
| Type: | Soundtrack |
| Artist: | Veera Samarth |
| Released: | 2009 |
| Recorded: | 2009 |
| Genre: | Feature film soundtrack |
| Length: | 17:38 |
| Language: | Kannada |
| Prev Year: | 2008 |
| Year: | 2009 |
| Next Year: | 2010 |
The Times of India scored the film at 3 out of 5 stars and wrote "Devaraj gives an extraordinary performance. Vijaya Raghavendra is equally good. Suman Ranganath and Srujan are superb. Yatiraj shines. Camerawork by Niranjan Babu is good as is Veera Samarth's music".[4] B. S. S. of Deccan Herald wrote "Yatiraj as Investigating Officer Vineet is efficient in a small role. Heroine Priyanka is prescribed a dose of comedies to treat the depression on her face. The climax is riveting as expected and indeed lifts the film. The film scores in avoiding the ‘necessity’ to bow to ‘commercial, audience tastes’".[5] Bangalore Mirror says Vijay Raghavendra looks odd in some scenes due to his weight loss, but otherwise is a bundle of energy. Srujan and Yethiraj fill their roles with life. The background score is superb. If only better ‘commercial’ sense had prevailed, this film would have been a class apart".[6] R G Vijayasarathy of Rediff.com scored the film at 3 out of 5 stars and says "The screenplay and dialogues by Shashikanth are very realistic. The film as a whole belongs to Shashikanth who has to be appreciated for the choice of the subject and for exercising total control over his narration".[7] Sify wrote "Srujan Lokesh is apt. The background score of MN Krupakar is well measured. The cinematography by Niranjan Babu has used the lighting effectively".[8]