| Huzir Sulaiman | |
| Birth Date: | 1973 6, df=yes |
| Birth Place: | Malaysia |
| Alma Mater: | Princeton University |
Huzir Sulaiman (born 8 June 1973) is a Malaysian director and actor. He is the co-founder and Joint Artistic Director of Checkpoint Theatre. A critically acclaimed and award-winning playwright, his Collected Plays 1998-2012 was published in 2013. His plays have been translated into German, Japanese, Polish, Indonesian and Mandarin. His essays and commentary pieces have appeared in The Star, The Straits Times and The Huffington Post.
Sulaiman directing includes Thick Beats for Good Girls (2018), FRAGO (2017), The Good, the Bad and the Sholay (2015), Interrogating the Interrogators: Selected Plays of Chong Tze Chien (2015); #UnicornMoment (2014); the 15th anniversary production of Atomic Jaya (2013); City Night Songs (2012); and The Good, the Bad and the Sholay (2011), for which he was nominated for Best Director in the 2012 Life! Theatre Awards. Huzir was educated at Princeton University, where he won the Bain-Swiggett Poetry Prize and is a Yale World Fellow.[1]
Currently an Adjunct Associate Professor with the National University of Singapore's University Scholars Programme, Huzir has taught playwriting at the National University of Singapore's English Department; the School of the Arts, Singapore; New York University Tisch Asia ; and Nanyang Technological University.
He also heads Studio Wong Huzir, a creative consultancy.
For a short time in the early part of the 1990s, he hosted an afternoon talk show on WOW FM, a now-defunct Malaysian radio station. He also had a brief television stint starring as Bendul, a Malaysian version of Mr Bean, popularized by Rowan Atkinson.[2]
In the 1990s, Huzir also spent a year writing sketches with the Instant Café Theatre Company before starting the Straits Theatre Company in 1996. He began writing plays in 1997.[3] He also dabbled in film writing, writing the screenplay for the Malaysian film Dukun.[4]
He also contributed articles to The Star and The Huffington Post, and involved himself in the publishing of the online magazine POSKOD.SG.
Sulaiman's father was Haji Sulaiman Abdullah (1946-2023), who was born G. Srinivasan Iyer, a Tamil Brahmin who later converted to Islam.[5] Sulaiman was a veteran lawyer who served as Malaysian Bar Council president. His mother was law professor Hajjah Mehrun Siraj (1945-2021), a Commissioner with the Human Rights Commission of Malaysia,[6] daughter of women's rights activist Khatijun Nissa Siraj (1925-2023).[7]
Sulaiman married Claire Wong, a lawyer, actor and director, in 2004.[8] Sulaiman is a permanent resident in Singapore.
| Year | Title | Notes | |
|---|---|---|---|
| 1998 | Atomic Jaya | Performed by Jo Kukathas on 11 March 1998 at The Actors Studio Theatre, Kuala Lumpur. | |
| 2006 | A Language of Their Own | It was debuted in 2006 in Singapore, produced by Checkpoint Theatre. | |
| 2007 | Cogito | A commission of the Singapore Arts Festival 2007, it opened at the Drama Centre, Singapore on 13 June 2007. It was produced by Checkpoint Theatre. It debuted in Australia on 9 February 2012 at La Mama Theatre, Melbourne. | |
| 2011 | The Good, the Bad and the Sholay | Written by Shiv Tandan and co-directed with Huzir Sulaiman, it first premiered at the NUS Arts Festival 2011 as a NUS Stage and Checkpoint Theatre production. It was nominated for Best Original Script, Best Director and Production of the Year at the Straits Times Life! Theatre Award. | |
| 2012 | City Night Songs | It was written and composed by its performers Gani Abdul Karim, Oon Shu An, Nessa Anwar, Judy Au, Nishant Jalgaonkar, Ivan Surya Tjahyo, and Joel Tan under the eye of Huzir Sulaiman. It was produced by Checkpoint Theatre with NUS Stage. | |
| 2013 | Atomic Jaya | Performed by Claire Wong and Karen Tan (actor). This edition of the play was presented by Checkpoint Theatre at School of the Arts (SOTA) Drama Theatre from 24 October to 1 November 2013. | |
| 2014 |
| Written and performed by Oon Shu An and co-directed with Shiv Tandan. It was a collaboration with Esplanade – Theatres on the Bay and Checkpoint Theatre. It ran from 8 to 10 May 2014 at Esplanade Theatre Studio. | |
| (+65) Singapore Calling | Co-directed with Claire Wong. Presented by Checkpoint Theatre and Playwriting Australia, in conjunction with the National Play Festival, and with support from the Singapore International Foundation. | ||
| 2015 | The Good, the Bad and the Sholay | Co-directed with Shiv Tandan. It was presented as a collaboration between Checkpoint Theatre and Esplanade – Theatres on the Bay for Kalaa Utsavam – Indian Festival of Arts.[9] | |
| 2017 | FRAGO | Written by Lucas Ho and produced by Checkpoint Theatre. It ran from 13 to 23 July at the Drama Centre Black Box in Singapore. Its ensemble cast was made up of Ali Anwar, Adib Kosnan, Chong Woon Yong, Alfred Loh, Timothy Nga, Zaaki Nasir, Cerys Ong, Stanley Seah, Derrick Tay, Jo Tan, and Tan Sieow Ping. | |
| 2018 | Thick Beats for Good Girls | Directed and dramaturge. Written and performed by Pooja Nansi and Jessica Bellamy. It was held at the Drama Centre Black Box. | |
| 2020 | Two Songs and a Story | Created, directed and dramaturge. Co-directed with Joel Lim. | |
| 2021 | The Music of Checkpoint Theatre | Co-directed with James Khoo. | |
| Vulnerable | Directed and dramaturge. An 8-part podcast is available for listening on Spotify, SoundCloud, and YouTube. Two new episodes released every two days from 17 June. | ||
| Session Zero | Directed and dramaturge. | ||
| 2022 | Chamber Readings: The Weight of Silk on Skin by Huzir Sulaiman | Directed and playwright. |
| Year | Title | Notes | |
|---|---|---|---|
| 1997 | Lazy Hazy Crazy | This was Huzir's first full-length solo show after starting the Straits Theatre Company.[10] | |
| 1998 | Atomic Jaya | First presented on 11 March 1998. It has been re-staged three times since in 2001, 2003, and 2013. | |
| The Smell of Language | Directed by Krishen Jit in 2001, and performed by Huzir Sulaiman. Its premiere was 3 August 1998 at The Actors Studio Theatre in Kuala Lumpur. | ||
| Hip-Hopera | It was first produced in 1998, by the Straits Theatre Company. | ||
| 1999 | Notes on Life & Love & Painting | Directed by Huzir Sulaiman in 1999, it was produced again in 2004, directed by Krishen Jit. | |
| Election Day | Directed by Krishen Jit. Directed in 2004 by Claire Wong at The Arts House, Singapore. | ||
| 2000 | Those Four Sisters Fernandez | Directed by Krishen Jit. | |
| 2002 | Occupation | Directed by Huzir Sulaiman and Claire Wong. | |
| Whatever That Is | Directed by Krishen Jit. | ||
| 2003 | They Will Be Grateful | Directed by Krishen Jit. | |
| 2004 | Opiume: The Narrator's Tale | It was performed as part of Mark Chan's chamber opera, Opiume. It was commissioned by the Singapore Arts Festival and Hong Kong New Visions Festival in 2004. | |
| 2005 | Colony of Singapore | Written in under National University of Singapore's (NUS) Art House Writing Fellowship.[11] | |
| 2007 | Cogito | Commission of the Singapore Arts Festival 2007. Featuring Noorlinah Mohamed, Claire Wong, Neo Swee Lin, and James Shubert. | |
| 2011 | The Weight of Silk on Skin | Directed by Claire Wong and performed by Ivan Heng. | |
| 2016 | The Last Bull: A Life in Flamenco | Directed by Claire Wong. | |
| 2019 | Displaced Persons' Welcome Dinner | Commission of the Singapore International Festival of Arts 2019. Directed by Claire Wong.[12] |