Hugo Fischer-Köppe Explained

Hugo Fischer-Köppe (13 February 1890, in Bielefeld – 31 December 1937, in Berlin) was an early German film actor.

Fischer-Köppe entered film in 1917 and appeared in some 80 different films between 1913 and his premature death in 1937 in films such as Achtung! Auto-Diebe! in 1930 in which he worked with actor and director Harry Piel and Charly Berger.^[1]

Selected filmography

• The Men of Frau Clarissa (1922)
• The Queen of Whitechapel (1922)
• The Shadows of That Night (1922)
• The Big Shot (1922)
• The Morals of the Alley (1925)
• Three Waiting Maids (1925)
• Oh Those Glorious Old Student Days (1925)
• War in Peace (1925)
• Ash Wednesday (1925)
• The Trumpets are Blowing (1926)
• The Captain from Koepenick (1926)
• The Last Horse Carriage in Berlin (1926)
• Countess Ironing-Maid (1926)
• The Armoured Vault (1926)
• The Man Without Sleep (1926)
• Maytime (1926)
• I Stand in the Dark Midnight (1927)
• Night of Mystery (1927)
• The Criminal of the Century (1928)
• Queen of Fashion (1929)
• Three Days Confined to Barracks (1930)
• Love in the Ring (1930)
• The Copper (1930)
• Gloria (1931)
• Grock (1931)
• Alarm at Midnight (1931)
• Wibbel the Tailor (1931)
• Who Takes Love Seriously? (1931)
• Duty Is Duty (1931)
• My Cousin from Warsaw (1931)
• Terror of the Garrison (1931)
• Checkmate (1931)
• Peace of Mind (1931)
• No Money Needed (1932)
• Spell of the Looking Glass (1932)
• The Blue of Heaven (1932)
• Madame Makes Her Exit (1932)
• The Dancer of Sanssouci (1932)
• Paprika (1932)
• Haunted People (1932)
• Two Good Comrades (1933)
• Bon Voyage (1933)
• Dream of the Rhine (1933)
• The Big Bluff (1933)
• Decoy (1934)
• Police Report (1934)
• The Daring Swimmer (1934)
• Alarm in Peking (1937)

References

1. Book: Matias Bleckman. Harry Piel: ein Kino-Mythos und seine Zeit. 1993. Filminstitut der Landeshaupstadt Düsseldorf. 978-3-929098-01-3.

External links

• • Portrait of the actor Hugo Fischer-Köppe