| Native Name: |
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| Director: | Michelle Garza Cervera | ||
| Cinematography: | Nur Rubio Sherwell | ||
| Editing: | Adriana Martínez | ||
| Distributor: | Cinépolis Distribución | ||
| Runtime: | 97 minutes | ||
| Language: | Spanish | ||
| Gross: | $1.6 million[1] [2] |
Huesera: The Bone Woman is a 2022 Mexican-Peruvian psychological supernatural body horror film[3] directed and co-written by Michelle Garza Cervera in her directorial debut.[4] It stars Natalia Solián as Valeria Hernandez, a pregnant woman who finds herself threatened by occult forces.[5] Alongside Solián, the film's cast includes Alfonso Dosal, Mayra Batalla, Mercedes Hernández, Sonia Couoh and Aida López.
Huesera: The Bone Woman had its world premiere at the Tribeca Festival on 9 June 2022 and won the Best New Narrative Director and Nora Ephron awards.[6]
Valeria Hernandez, a young Mexican woodworker, reveals to her husband Raúl that she is pregnant with their first child, much to their excitement. A few months later, Valeria takes Raúl to visit her family for Mother's Day. During the visit, Valeria notices that she has begun to neurotically crack her knuckles, but ignores it. That night, as her husband sleeps, Valeria sees a woman in the building opposite hers break her legs by jumping off a balcony. When the woman gets up, her body makes loud, bone-cracking noises, and Valeria sees that the woman has no eyes or mouth, terrifying her. After waking up Raúl, however, the woman inexplicably vanishes without a trace.
As time progresses, Valeria has more disturbing visions involving the faceless woman, which starts impacting her ability to sleep. After telling her aunt Isabel about the visions, Isabel takes her to meet Ursula, a curandera. After performing a ritual on Valeria, Ursula tells her that she should start feeling better soon. However, Ursula also informs Valeria that there is "another way", and that she should call her in case she starts feeling bad again.
A few days later, Valeria is tasked with babysitting her sister Vero's young children whilst Vero and her parents go out to a party. Whilst babysitting the kids, Valeria has another vision of the woman, who, though invisible, now appears to be physically present inside the house. Panicking, Valeria grabs the kids, locks them in an upstairs bedroom and uses a panic button given to her by her father to alert the neighborhood watch. When they get there, however, the woman has disappeared, and the family dog has been found dead, apparently having been strangled with its chain. The incident leaves the children injured and traumatised, causing strain in Valeria's relationship with her family, with Vero telling her that she will be inept as a parent.
Valeria meets with Isabel, the only one who believes her story about the incident. She tells her that she wants to meet with Ursula again, but Isabel is concerned for her safety, since, although the "other way" mentioned by Ursula does work, it could likely be extremely dangerous for her. Later, during a dinner party at home with Raúl, a stressed-out Valeria goes into the baby's room to smoke a cigarette, and the crib that Valeria had made for the baby suddenly bursts into flames. Despite Valeria swearing her innocence, Raúl blames her for the ruined crib. Raúl also tells Valeria that he knows that she had a run-in with Octavia, a high school friend of Valeria's with whom she once had a lesbian relationship, and that the two had sex around the same time as the incident with Vero's children, which Raúl also knows about.
After breaking up with Octavia, Valeria goes into labour and gives birth to a baby girl. However, Valeria is no longer excited at the prospect of being a mother. One night, whilst Raúl is out of town, Valeria, incensed by the baby's non-stop crying, gets out of bed and, whilst seemingly possessed, puts it in the fridge before going to bed. When she wakes up, she panics when she finds her daughter missing, but finds her miraculously alive not long after. The incident leads her to apologise to Octavia and meet with Ursula again. Valeria, the baby, Ursula and Isabel travel to a run-down establishment in the woods, where Ursula and a group of other curanderas performs a ritual on Isabel and the baby. As part of the ritual, Isabel has her head dunked underwater. When she resurfaces, everyone has disappeared, and she follows the sound of her crying baby out into the woods, where she encounters a writhing mass of naked, faceless figures. The figures swarm and contort Valeria's body, after which she has a vision of herself in a cloak walking away whilst on fire.
Valeria reawakens, with her and the baby both unharmed. Soon after, she reunites with Raúl and gives him the baby, before packing her bags and leaving him to raise their daughter on his own.
Principal photography took place in Mexico City in 2021.[10] [11]
Huesera: The Bone Woman had its world premiere at the Tribeca Festival in New York on 9 June 2022, as part of the festival's "Midnight" section.
The film was set to receive a North American theatrical release by XYZ Films on 10 February 2023. It was scheduled to be released on the VOD platform Shudder on 16 February 2023.[12]
Distributed by Cinépolis Distribución, it had its commercial premiere in Mexican theaters on 23 February 2023.[13] [14] It was then released in Peruvian theaters on 27 April 2023.[15]
Varietys Manuel Betancourt called Huesera "at times spine-chillingly terrifying," writing that it "rarely [resorts] to jump scares", relying instead on "increasingly disturbing imagery" and sound design. Betancourt concluded: "A fable of modern motherhood, of calcified feminist ideas about domesticity and women's agency, Huesera offers a Mexican folk-inspired spin on such horror classics as The Babadook, Hereditary, Rosemary's Baby and As Boas Maneiras." Natalia Winkelman of The New York Times commended Solian's performance, the film's shot composition and its themes, writing that the film "raises the provocative idea that motherhood can feel akin to a curse [...] the movie — like many great works of vision, scale be damned — is almost an exorcism itself, stripping away fuss and banalities to expose raw truths."
Michael Gingold of Rue Morgue wrote that the film "inverts the pregnancy-fear subgenre [...] while also paying off the expectations of a genre piece", and called the film "a singular achievement on the international horror scene." Meagan Navarro, in her review of the film for Bloody Disgusting, praised Garza Cervera's direction, writing that "her firm grasp of imagery and tension-building is focused and effective, using fear to engender sympathy with laser precision. Even if Valeria's denial puts her multiple steps behind the viewer, Cervera's strong debut sweeps you up in Valeria's nightmare regardless."
| Year | Award / Festival | Category | Recipient | Result | Ref. |
|---|---|---|---|---|---|
| 2022 | Tribeca Festival | Best New Narrative Director | Michelle Garza Cervera | [16] | |
| Nora Ephron Award | |||||
| Neuchâtel International Fantastic Film Festival | Best Film | [17] | |||
| Adelaide Film Festival | Best Feature Film | [18] [19] | |||
| Sarajevo Film Festival | Special Award for Promoting Gender Equality | [20] | |||
| Sitges - Catalonian International Film Festival | Blood Window Award | [21] | |||
| Citizen Kane Award – Best New Director | |||||
| Chicago International Film Festival | Gold Q-Hugo | [22] | |||
| Athens International Film Festival | Golden Athena Award - Best Film | [23] | |||
| Jakarta Film Week | Golden Feature Award | [24] | |||
| Morelia International Film Festival | Best Mexican Feature Film | [25] [26] | |||
| Best Mexican Feature Film - Audience Award | |||||
| Mar del Plata International Film Festival | Latin-American Competition - Best Feature Film | [27] | |||
| Fantasy Filmfest | Tele5 Fresh Blood Award | [28] | |||
| Insólito Fantastic Film Festival | Black Cat - Best Picture | [29] [30] | |||
| Best Director - Special Mention | |||||
| Torino Film Festival | Crazies Competition - Best Film | [31] | |||
| Feratum Fantastic Film Festival | Best Horror Feature Film | [32] | |||
| Best Director | |||||
| Best Visual Effects | Raul Prado | ||||
| 2023 | NOAM Faenza Film Festival | Città di Faenza Award | Michelle Garza Cervera | [33] | |
| Palm Springs International Film Festival | Best Ibero-American Film | [34] | |||
| Husera: The Bone Woman | [35] [36] | ||||
| Michelle Garza Cervera | |||||
| Natalia Solián | |||||
| Mayra Batalla | |||||
| Martha Claudia Moreno | |||||
| Isabel Luna | |||||
| Best Original Screenplay | Michelle Garza Cervera & Abia Castillo | ||||
| Best Cinematography | Nur Rubio Sherwell | ||||
| Best Original Score | Gibrán Andrade & Rafael Manrique | ||||
| Best Sound | Christian Giraud, Pablo Lach & Omar Pareja | ||||
| Best Editing | Adriana Martínez | ||||
| Best Art Direction | Ana Bellido | ||||
| Best Makeup | Adam Zoller | ||||
| Best Costume Design | Gabriela Gower | ||||
| Best Special Effects | Raúl Camarera, Gustavo Campos, Miguel Ángel Rodríguez & Juan Carlos Santos | ||||
| Best Visual Effects | Raúl Luna | ||||
| Best Debut Film | Husera: The Bone Woman | ||||
| 33rd Gotham Independent Film Awards | Breakthrough Director | Michelle Garza Cervera | [37] | ||
| 2024 | 11th Platino Awards | Best Editing | Adriana Martínez | [38] | |
| Best Sound | Christian Giraudy and Omar Pareja |