| How Deep Is Your Love | |
| Cover: | How Deep Is Your Love.jpg |
| Border: | yes |
| Type: | single |
| Artist: | Bee Gees |
| Album: | Saturday Night Fever |
| B-Side: | "Can't Keep a Good Man Down" |
| Released: | September 1977 (US) |
| Recorded: | 1977 |
| Genre: | |
| Length: | 4:02 |
| Label: | RSO |
| Prev Title: | Edge of the Universe |
| Prev Year: | 1975 |
| Next Title: | Stayin' Alive |
| Next Year: | 1977 |
"How Deep Is Your Love" is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard All Time Top 100.[2] Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.[3]
"How Deep Is Your Love" ranked number 375 on Rolling Stone list of the 500 Greatest Songs of All Time. In a British TV special shown in December 2011, it was voted The Nation's Favourite Bee Gees Song by ITV viewers.[4] During the Bee Gees' 2001 Billboard magazine interview, Barry said that this was his favourite Bee Gees song.[5]
Following mixing for Here at Last... Bee Gees... Live, the Bee Gees began recording songs for what was to be the follow-up studio album to 1976's Children of the World. Then the call came from Robert Stigwood requesting songs for a movie he was producing. The Bee Gees obliged and gave him five songs, one of which was "How Deep Is Your Love". This track was written mainly by Barry, Robin and Maurice Gibb. Barry worked out the structure with keyboard player Blue Weaver. Co-producer Albhy Galuten later admits the contribution of Weaver on this track, "One song where Blue [Weaver] had a tremendous amount of input. There was a lot of things from his personality. That's one where his contribution was quite significant, not in a songwriting sense, though when you play piano, it's almost like writing the song. Blue had a lot of influence in the piano structure of that song".[6]
Weaver tells his story behind this track:
"One morning, it was just myself and Barry in the studio. He said, 'Play the most beautiful chord you know', and I just played, what happened was, I'd throw chords at him and he'd say, 'No, not that chord', and I'd keep moving around and he'd say, 'Yeah, that's a nice one' and we'd go from there. Then I'd play another thing - sometimes, I'd be following the melody line that he already had and sometimes I'd most probably lead him somewhere else by doing what I did. I think Robin came in at some point. Albhy also came in at one point and I was playing an inversion of a chord, and he said, 'Oh no, I don't think it should be that inversion, it should be this', and so we changed it to that, but by the time Albhy had come in, the song was sort of there.[6]
A demo was made at Le Château d'Hérouville in France, with the additional recording done at Criteria Studios when they got back to Miami.[7] As Weaver says, "We started work about 12 o'clock maybe one o'clock in the morning, and that demo was done at about three or four o'clock in the morning. Albhy played piano on the demo, I'd drunk too much or gone to bed or something. Then I woke up the next morning and listened to that, and then put some strings on it and that was it. Then we actually recorded it for real in Criteria. The chords and everything stayed the same, the only thing that changes from that demo is that when we got to Criteria, I worked out the electric piano part which became the basis of the song. It was the sound of the piano that makes the feel of that song."[6] Despite Weaver's absence on the first demo of the song as he fell asleep, Galuten claimed, "Even though I did the demo because he wasn't there, there were a lot of things from his personality [on 'How Deep Is Your Love']".[6]
On the song's lyrics, Barry revealed:
"A lot of the textures you hear in the song were added on later. We didn't change any lyrics, mind you, but the way we recorded it was a little different than the way we wrote in the terms of construction. A little different for the better, I think, the title 'How Deep Is Your Love' we thought was perfect because of all the connotations involved in that sentence, and that was simply it".[6]
There was some talk of Yvonne Elliman recording "How Deep Is Your Love," but, according to Barry, their manager Robert Stigwood said, "You've got to do this song yourself, you should not give it to anybody".[6]
"How Deep Is Your Love" was released as a single in September 1977 everywhere except in the UK, where it was released on 29 December 1977.[8] By the time Children of the World was recorded, it was pretty much established that Barry was now the primary vocalist of the group, mostly being falsetto leads with the occasional natural breathy voice. Even most of the backing vocals were done by Barry, such that Robin and Maurice are barely heard in the mix, even though they are there. Despite this, Robin sings the melody for the chorus and audibly sings various ad libs during this song. Two music videos were made for this song, with minimum lights. In one (the precursor to the main music video released later), the brothers are shown singing while a shady image of a woman shows throughout the video, accompanied by a big white light shining around. Barry Gibb had his beard shaven off in this video, the same as in the "Night Fever" video.[9] A second video (the main one) was later made in which features the brothers sing while passing by a stream of rainbow lights. In this video Barry Gibb is bearded. On the Cashbox charts on the week 4 February 1978, when it was at No. 13, the soundtrack's second single "Stayin' Alive" was at No. 1 with "Night Fever" debuted at No. 71 on the same week.[10]
When "How Deep Is Your Love" reached No. 3 in the UK, Barry exclaimed: "You have no idea what a thrill it is to have a Top Five single in England. With all the new wave and punk rock out, I would have thought something like 'How Deep Is Your Love' wouldn't have a chance. We always kept going forward and we're getting stronger every day".[6]
Billboard described the song as "a warm tender ballad," saying that after a slow beginning it grows to a "heightened expressive delivery."[11] Cash Box said that it's "a beautifully harmonized, melodic ballad for music lovers of all ages."[12] Record World said that it is "one of their most controlled, delicate efforts, with the vocals almost whispered at times" and that it has "a good melody and expressive love lyric."[13]
The song won Best Pop Performance by a Group at the 20th Grammy Awards which were held on 23 February 1978. The song also received a nomination for Best Original Song at the 35th Golden Globe awards held on 28 January 1978. The award went to "You Light Up My Life" by Joe Brooks. At the time of both award ceremonies, the song was still in the Top 10 on the Billboard Hot 100 chart.
Brian Wilson of the Beach Boys spoke positively of the song, stating, "I always liked the Bee Gees very much. 'How Deep Is Your Love' is ... one that I think is really great ... I turn the radio up a little bit when it comes on."[14]
See main article: Selle v. Gibb. In 1983, the Bee Gees were sued by a Chicago songwriter, Ronald Selle, who claimed that the Gibb brothers stole melodic material from one of his songs, "Let It End", and used it in "How Deep Is Your Love". At trial, the jury returned a finding for Selle. The Bee Gees attorney immediately asked for judgment notwithstanding the verdict. The basis for the motion was that Selle had failed to show, as was required by the law, that the Bee Gees had prior access to his song. Even Selle had admitted that he'd sent out his demo tape to only a few recording companies, none of whom did business with the Bee Gees. Selle also admitted that there were some similarities between his song and several Bee Gee compositions that predated his song by several years, as well as similarities with the Beatles song "From Me to You" written by John Lennon and Paul McCartney (under Lennon-McCartney). The federal judge ruled in favour of the Bee Gees. Selle appealed that ruling, but it was upheld by the appellate court, which agreed that Selle had not proven his case.[15] [16] [17]
Bee Gees
Additional musicians
Technical
| Charts (1977–1978) | Peak position | |
|---|---|---|
| Australia (Kent Music Report)[18] | 3 | |
| Austria (Ö3 Austria Top 40)[19] | 13 | |
| Belgium (Ultratop 50 Flanders)[20] | 12 | |
| Brazil (ABPD)[21] | 1 | |
| Canada Top Singles (RPM)[22] | 1 | |
| Canada Adult Contemporary (RPM)[23] | 3 | |
| Chile[24] | 1 | |
| Finland | 1 | |
| France (SNEP) | 1 | |
| West Germany (Media Control Charts)[25] | 21 | |
| Ireland (IRMA)[26] | 2 | |
| Italy (FIMI) | 2 | |
| Netherlands (Dutch Top 40)[27] | 8 | |
| New Zealand (Recorded Music NZ)[28] | 6 | |
| Norway (VG-lista)[29] | 5 | |
| South Africa (Springbok) | 2 | |
| Spain (PROMUSICAE) | 7 | |
| Sweden[30] | 4 | |
| UK Singles (Official Charts Company)[31] | 3 | |
| US Billboard Hot 100[32] | 1 | |
| US Billboard Adult Contemporary[33] | 1 | |
| US Cash Box[34] | 1 | |
| US Radio & Records | 1 | |
| US Record World [35] | 2 |
| Charts (1977) | Rank | |
|---|---|---|
| Canada[37] | 51 | |
| UK[38] | 19 |
| Chart (1978) | Rank | |
|---|---|---|
| Australia[39] | 17 | |
| Canada[40] | 53 | |
| South Africa[41] | 8 | |
| US Billboard Hot 100[42] | 6 |
| How Deep Is Your Love | |
| Cover: | Take that how deep is your love CD1.jpg |
| Border: | yes |
| Caption: | UK CD 1 single |
| Type: | single |
| Artist: | Take That |
| Album: | Greatest Hits |
| Released: | [44] |
| Genre: | Pop |
| Length: | 3:40 |
| Label: | RCA |
| Prev Title: | Never Forget |
| Prev Year: | 1995 |
| Next Title: | Patience |
| Next Year: | 2006 |
English pop music group Take That released a cover version as a single from their Greatest Hits compilation in February 1996. This was the first single as a quartet, as Robbie Williams left the group the previous year. The single went on to become what was to be the band's final UK number one until their 2006 comeback single "Patience" a decade later. The song stayed at number one in the UK charts for three weeks. The single sold 671,000 copies and has received a Platinum sales status certification in the UK. The song also topped the charts in Denmark, Israel, Ireland, Lithuania, and Spain. In 2018, the band recorded an updated version of the song with Barry Gibb for their greatest hits remix album, Odyssey.
British magazine Music Week rated the song three out of five, adding, "This difficult-to-sing Bee Gees number lacks some oomph in this version, which is released as a preview for Take That's forthcoming greatest hits album. A hit, of course, but not one of their biggest."[45] Gerald Martinez from New Sunday Times said it sounds very much like the original. "But then most of their fans have probably not heard the Bee Gees' version. In any case it's a stylish ballad that deserves another hearing."[46]
The accompanying music video for the song saw the remaining four Take That members tied to chairs in a basement. An obsessive fan with blonde hair and heavy eye makeup who has presumingly kidnapped the band (actress and model Paula Hamilton) walks into the basement and circles the four members individually pulling their hair. She then puts them all into her van and drives down the motorway. She stops by a reservoir and has the four members placed on the edge, she points at each member before grabbing Gary Barlow's rope and pushes him back, still holding on. Her fingers slip through the rope and he falls backwards into the reservoir, still tied to the chair. She initially looks shocked, but then smirks.
| Chart (1996) | Peak position |
|---|---|
| Chile (IFPI)[47] | 4 |
| Croatia (HRT)[48] | 2 |
| Czech Republic (IFPI CR)[49] | 7 |
| Denmark (Tracklisten)[50] | 1 |
| Europe (Eurochart Hot 100)[51] | 3 |
| Hungary (Mahasz)[52] | 4 |
| Iceland (Íslenski Listinn Topp 40)[53] | 5 |
| Israel (IBA)[54] | 1 |
| Italy (Musica e dischi)[55] | 1 |
| Lithuania (M-1)[56] | 1 |
| Poland (Music & Media)[57] | 9 |
| Spain (AFYVE)[58] | 1 |
| Chart (1996) | Position | |
|---|---|---|
| Australia (ARIA)[59] | 100 | |
| Belgium (Ultratop 50 Flanders)[60] | 44 | |
| Belgium (Ultratop 50 Wallonia)[61] | 35 | |
| Brazil (Crowley)[62] | 31 | |
| Europe (Eurochart Hot 100)[63] | 23 | |
| Germany (Official German Charts)[64] | 66 | |
| Iceland (Íslenski Listinn Topp 40)[65] | 50 | |
| Netherlands (Single Top 100)[66] | 51 | |
| Norway Russetid Period (VG-lista)[67] | 14 | |
| Spain (AFYVE) | 16 | |
| Sweden (Sverigetopplistan)[68] | 66 | |
| Switzerland (Schweizer Hitparade)[69] | 30 | |
| UK Singles (OCC)[70] | 12 |
