| Hound Dog Taylor and the HouseRockers | |
| Type: | studio |
| Artist: | Hound Dog Taylor and the HouseRockers |
| Cover: | Hound_Dog_Taylor_and_the_HouseRockers_cover.jpg |
| Released: | 1971 |
| Recorded: | 1971 |
| Studio: | Sound Studios, Chicago, Illinois |
| Genre: | Chicago blues |
| Length: | 42:38 |
| Label: | Alligator |
| Producer: | Bruce Iglauer |
| Next Title: | Natural Boogie |
| Next Year: | 1973 |
Hound Dog Taylor and the HouseRockers is the 1971 debut album of Hound Dog Taylor.
Originally issued on LP as the first release on the Alligator label, it has subsequently been reissued on CD.
As Taylor's debut album, Hound Dog Taylor and the HouseRockers was the first recording issued on the Alligator label. The label was founded by Bruce Iglauer for the specific purpose of releasing an album of Taylor's music after he had been unable to persuade Bob Koester, then his boss at Delmark, to record Taylor.[1]
The album, recorded at Sound Studios, Chicago,[2] features only three musicians: Taylor himself on vocals and slide guitar, Brewer Phillips on guitar and Ted Harvey on drums. For solos, the two guitarists alternate between playing lead and accompanying the other guitarist.[3]
Further material from the same sessions was released on the posthumous album Genuine Houserocking Music.
The record sold 9,000 copies in its first year, a large number for a blues record on an independent label, and by 1998 had sold around 100,000 copies. At the time of the recording, Taylor was playing locally in taverns, but the higher profile the album's success gave him enabled him to obtain work further afield, eventually touring as far away as Australia.[4]
Cub Koda, writing for AllMusic, described it as "wild, raucous, crazy music straight out of the South Side clubs", and called it "one of the greatest slide guitar albums of all time". The Penguin Guide to Blues Recordings describes its sound as "loud, harsh, boxy and exciting".[5] Reviewing in (1981), Robert Christgau called the album "electronic gutbucket from the Chicago blues bars, the rawest record I've heard in years. Taylor makes a neoprimitivist showboat like James Cotton sound like a cross between Don Nix and the Harmonicats, and about time. N.b.: a guitar-playing friend tells me the axe Hound Dog brandishes on the cover is the cheapest you can buy."
Except where otherwise noted, tracks composed by Hound Dog Taylor
Hound Dog Taylor and the HouseRockers
Production