Hotel de Love | |
Director: | Craig Rosenberg |
Screenplay: | Craig Rosenberg |
Music: | Brett Rosenberg |
Cinematography: | Stephen F. Windon |
Editing: | Bill Murphy |
Runtime: | 95 minutes |
Country: | Australia |
Language: | English |
Gross: | $111,106 (USA) AU $943,903 (Australia)[1] |
Hotel de Love is a 1996 Australian film written and directed by Craig Rosenberg. It was released theatrically in the United States, Great Britain, Australia and select countries throughout Europe.
Fraternal twin brothers meet a childhood crush at a rundown hotel and rediscover their love as they renew their competition for her affection.
The film was the directorial debut of Craig Rosenberg, an Australian writer who had been making a living writing screenplays in Los Angeles. David Parker was producer. Rosenberg:
Working with David Parker was an absolute joy. He's so experienced; he has written, produced and shot feature movies. To have him as producer on my first feature was a remarkable luxury for me because, if I had a writing problem, I could throw it to him and say, 'What do you think about this? Read this page for me'. If I had some shooting problem I would say, 'What do you think about this?' as well as having him do his normal production responsibilities. So he was a real godsend. He was a dream and he's a lovely person and I think we've formed a long friendship out of the experience.[2]
Hotel de Love | |
Type: | soundtrack |
Artist: | Various |
Released: | 28 January 1997 |
Genre: | Soundtrack |
Length: | 44:02 |
Label: | Milan Records |
1. Get Down Tonight - KC and the Sunshine Band
2. Sooner or Later - The Grass Roots
3. I'm Not in Love - 10cc
4. In a Minor Key - Tim Finn
5. Reminiscing - Little River Band
6. Blue Moon Revisited (Song for Elvis) - Cowboy Junkies
7. Sway - Hotel de Love Band
8. Lost in Love - Air Supply
9. In Love With It All - Tim Finn
10. I Honestly Love You - Olivia Newton-John
11. I Hope I Never - Split Enz
12. Love Will Keep Us Together - The Brett Rosenberg Problem
The film received mixed reviews.
Roger Ebert of the Chicago Sun-Times somewhat enjoyed the film, giving it 2 and 1/2 stars out of 4:
Stephen Holden of The New York Times called it an "enjoyably ditsy romantic comedy" and "an enlightened 1990's version of a French farce."[3]