| Hotel Reserve | |
| Director: | Lance Comfort Mutz Greenbaum Victor Hanbury |
| Producer: | Lance Comfort Mutz Greenbaum Victor Hanbury |
| Screenplay: | John Davenport |
| Starring: | James Mason Lucie Mannheim Raymond Lovell |
| Music: | Lennox Berkeley |
| Cinematography: | Mutz Greenbaum |
| Editing: | Sidney Stone |
| Studio: | RKO Radio Pictures |
| Distributor: | RKO Radio Pictures |
| Runtime: | 79-90 minutes |
| Country: | United Kingdom |
| Language: | English |
Hotel Reserve is a 1944 British spy film starring James Mason as an innocent man caught up in pre-Second World War espionage.[1] Other cast members include Lucie Mannheim, Raymond Lovell and Herbert Lom. It was based on Eric Ambler's 1938 novel Epitaph for a Spy.[2] Unusually, it was both directed and produced by a trio: Lance Comfort, Mutz Greenbaum and Victor Hanbury.[3] It was shot at Denham Studios with sets designed by the art director William C. Andrews. The film was produced and distributed by the British branch of RKO Pictures.
In 1938, refugee Peter Vadassy decides to take a holiday at the Hotel Reserve on the French Mediterranean coast to celebrate both his completion of medical school and his impending French citizenship. When he goes to pick up some photographs at the local pharmacy, he is taken away and questioned by Michel Beghin of French naval intelligence. When his negatives had been developed, some of them turned out to be of French military installations. It is discovered that while the camera is the same make as Peter's, the serial number is different. Peter is released on condition that he find out which other hotel guests have cameras like his.
Peter does some snooping and eavesdrops on a suspicious conversation between Paul Heimberger and the hotel's proprietor, Madame Suzanne Koch. He searches Heimberger's room and finds several passports, all with different names and nationalities. Heimberger catches him in the act, but eventually matters are straightened out. Heimberger explains that he was originally a Social Democratic newspaper publisher who was anti-Nazi and been sent to a concentration camp for two years. After he was released, he joined an underground movement against the German regime.
Peter spots his camera in the pocket of a dressing-gown belonging to Odette and Andre Roux, a couple on their honeymoon. Andre first tries to bribe Peter into giving him the negative and, when that fails, threatens him with a pistol. The police arrive at that moment and arrest Peter for espionage.
The Rouxs leave the hotel, but find Heimberger trying to disable the hotel's car. Andre shoots him dead and the couple speed off to Toulon, unaware that they are being tracked by the police. Beghin had known the identity of the spies all along and merely used Peter to further his true goal; to find out who the Rouxs are reporting to. The spy ring is captured. Andre gets away, but is caught on a roof by Peter. Andre slips and falls to his death.
The Radio Times noted, "this subdued thriller, set just before the Second World War, is lifted by James Mason's performance as a 'wronged man'," and concluded, "The plot has enough suspense and intrigue built in, but this movie only fitfully comes to life as Mason sets out discover who the real villain is";[1] Dennis Schwartz found it "a visually attractive film, though hampered because it's so slow moving";[4] whereas Leonard Maltin thought more highly of the piece, finding it a "Suspenseful, moody film."[5]