Horror Vacui (film) explained

Horror Vacui
Director:Rosa von Praunheim
Producer:Rosa von Praunheim
Starring:
Music:Marran Gosov
Cinematography:Elfi Mikesch
Studio:Rosa Von Praunheim Filmproduktion
Runtime:85 minutes
Country:West Germany

Horror Vacui (German: '''Horror Vacui - Die Angst vor der Leere''') is a 1984 German avant-garde film directed by Rosa von Praunheim.

The film was shown at international film festivals and in 1985 at the Museum of Modern Art in New York City.[1]

Plot

Shot in a neo-expressionist style, the film is a satire on cults of any kind. The plot follows Frankie and Hannes, a young gay couple living in Berlin. One is studying art and the other medicine. Their happy life is disrupted when Frankie attends a lecture and quickly becomes involved in a sinister cult operating as a self-help group called "Optimal Optimism". 'Madame C', a former Nazi party member, is the leader of 'Optimal Optimism'. When the cult members find out that Frankie is gay, they rape him. Hannes has to find a way to save him.[2]

Awards

Reception

"If you have a soft spot for fantastic and ironic films, you won't feel any inner emptiness [horror vacui] with Praunheim's wealth of fantasy." (Cinema Film Journal)[4]

References

Notes and References

  1. Web site: Recent Films From West Germany. Museum of Modern Art. 2022-04-28.
  2. Web site: Horror Vacui: The Fear of Emptiness (Horror Vacui: Die Angst ver der Leere). Berkeley Art Museum and Pacific Film Archive. 2022-04-28.
  3. Web site: Rosa von Praunheim - Awards. Internet Movie Database. 2022-04-28.
  4. Cinema, no. 10, Oktober 1984 (Journal 77), p. 60