Honaji Bala Explained

Native Name:होनाजी बाळा
Honaji Bala
Birth Name:Honaji Sayaji Shilarkhane[1] [2]
Field:Marathi Poetry
Birth Place:Saswad, Pune
Birth Date:1754
Death Place:near Pune

Honaji Sayaji Shilarkhane (1754–1844), known professionally as Honaji Bala, was a Marathi poet from Maharashtra, India. Honaji's compositions were sung by his friend Bala Karanjikar, and together the pair was known for their "Honaji Balacha Tamasha".[1] He is known for contributions to the field of Lavani music and several classical Marathi song.

Biography

Honaji was born into a Nandgawali family in Saswad and moved to Pune with his mother Vithabai. His father, uncle (Bala Bahiru), and grand father (Satappa) were also musicians (shahirs).[1] He was a milkman by day and musician in the evenings as a part of entertainment troupe at the Peshwa residence.

Honaji was initially patronised by Sawai Madhavrao Peshwa with an honorarium of 300 per year. After Madhavrao's death, he was supported by the last Peshwa Baji Rao II. Later in career, he moved to Baroda where he received an annual sum of 200 from the Gaekwad prince.

Mutual enmity brought about his murder in a forest near Pune.[2]

Career

Honaji composed over 200 Lavani and Powadas.[1] He contributed significantly for the development of Lavani music genre. He was the first to set Lavanis using classical Ragas and converted Tamashas into musical concerts.

Honaji's work often promoted female perspective in poetry, and with encouragement from Peshwa Baji Rao II, he composed Sringara lavanis.[1] [3] In his historical/mythological lavanis, Honaji followed the lyrical style of Shridhar Kavi and Mukteshwar, Eknath's grandson.[1]

He introduced tabla in place of the traditional dholki. He also developed the baithakichi Lavani, a subgenre, which is presented by the singer in the seated position.[4] [5] He incorporated Tambori in his performances.

Honaji also wrote a few ballads but he was less successful in this regard.[6]

Media

The Marathi film, Amar Bhoopali, produced and directed by V. Shantaram in 1953 is based on the life of Honjai Bala. Panditrao Nagarkar played the role of Honaji Bala with Lalita Pawar and Sandhya in supporting roles. The screenplay was written by Vishram Bedekar.[7]

A Marathi play titled Sangeet Honaji Bala starring Bhalchandra Pendharkar and Suresh Haldankar, first aired in 1954.[8]

Poems

Notes and References

  1. Web site: होनाजी बाळा (Honaji Bala) . मराठी विश्वकोश . . 21 April 2021 . mr-IN . 29 July 2019.
  2. Book: Sangeet Natak . 1991 . Sangeet Natak Akademi . 14 . 99–102 . 21 April 2021 . en.
  3. Gadhave . A.S. . Entertainments and Amusements during the Maratha Period . 1986 . M.Phil . . Kolhapur . 72–74 . http://ir.unishivaji.ac.in:8080/jspui/handle/123456789/2649 . 21 April 2021 . en . 4. Rise and Growth of Romantic Entertainment.
  4. Book: Kosambi, Meera. Intersections: Socio-cultural Trends in Maharashtra. 2000. Orient Blackswan. 9788125018780. 197. en.
  5. Book: Ranade . Ashok D. . Essays in Indian ethnomusicology . 1998 . Munshiram Manoharlal . New Delhi . 9788121508070 . 175–178 . 21 April 2021 . en.
  6. Book: Datta, Amaresh. Encyclopaedia of Indian Literature: Devraj to Jyoti. 1988. Sahitya Akademi. 9788126011940. 1583. en.
  7. Book: Gavankar, Nilu N.. The Desai Trio and the Movie Industry of India. 2011. AuthorHouse. 9781463419417. 53. en.
  8. Web site: vibhas . alka . संगीत होनाजीबाळा (Sangeet Honaji Bala) . Aathavanitli Gani . 21 April 2021.
  9. Web site: शाहीर होनाजी बाळा . vibhas . alka. आठवणीतली गाणी.
  10. Book: Bala, Honaji. Lāvaṇya. 1924. mr.