Highs in the Mid-Sixties were a series of compilation albums released in the mid 1980s on AIP Records developed by Greg Shaw.[1] [2] The series was spun off of the similar Pebbles series.[3] Each volume focuses on a specific geographical region.[4]
Highs in the Mid-Sixties, Volume 1 | |
Type: | compilation |
Released: | 1983 |
Recorded: | Mid-1960s |
Genre: | Garage rock, acid rock, psychedelic rock |
Label: | AIP |
Highs in the Mid-Sixties, Volume 1: LA '65 / Teenage Rebellion is a compilation album of American garage rock and psychedelic rock recordings from the mid to late 1960s. It was the first in a series that is nearly as long as the earlier Pebbles series of similar music (for which the Highs in the Mid-Sixties series is a companion series), although the Highs albums concentrate strictly on particular regions of the US – in this case, recordings that were released in Los Angeles, California. (Despite the subtitle, however, not all of these records were originally released in 1965).
Highs in the Mid-Sixties, Volume 2, Highs in the Mid-Sixties, Volume 3, and Highs in the Mid-Sixties, Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10003).
The Standells were one of the best of the mid-sixties L.A. bands; this is a rare early track that was previously unreleased at this time. The flip side of "Linda" by the Starfires is one of the most valuable and sought after garage rock songs, "I Never Loved Her", which was featured on the Pebbles, Volume 8 LP and CD. The Epics have managed yet another take on the eternal "Louie Louie". Gypsy Trips are actually from Oklahoma but settled in L.A.; this song was later covered by the Electric Prunes. The Lyrics' "So What!" was a featured song on Pebbles, Volume 2.
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Highs in the Mid-Sixties, Volume 2 | |
Type: | compilation |
Released: | 1983 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Highs in the Mid-Sixties, Volume 2: LA '66 / Riot on Sunset Strip features recordings that were released in Los Angeles, California. Despite the subtitle, not all of these records were originally released in 1966. The subtitle is taken from Riot on Sunset Strip (a movie that was actually released in 1967); the film features live performances by two classic garage-rock bands, the Standells (featured on Highs in the Mid-Sixties, Volume 1) and the Chocolate Watchband.
Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 3, and Highs in the Mid-Sixties, Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10004).
The Bees are the band that produced the classic psychedelic rock song, "Voices Green and Purple" (included on Pebbles, Volume 3), which is also the color scheme for this album's cover. Side 2 opens with what is probably the earliest recording of the early Monkees hit. The Sandals are best known for providing the score for the legendary surfing movie, the Endless Summer. The Satans appeared on Pebbles, Volume 2 with "Makin' Deals", a song that anticipated "Sympathy for the Devil". "Let Me In", by the Second Helping, featured Kenny Loggins on vocals in his first recording effort; Loggins wrote the song, one of three compositions released by the band as singles. The song is also found on Pebbles, Volume 9.
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Highs in the Mid-Sixties, Volume 3 | |
Type: | compilation |
Released: | 1983 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Highs in the Mid-Sixties, Volume 3: LA '67 / Mondo Hollywood is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Los Angeles. (Despite the subtitle, not all of these records were originally released in 1967. Also, not all the bands are from Los Angeles; The Search and The Lyrics were from San Diego, California). The subtitle is seemingly taken from Mondo Cane, an influential 1962 documentary film.
Volume 1, Volume 2, and Volume 20 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1983 as an LP by AIP Records (as #AIP-10005).
The flip side of "Every Night" by the Human Expression, "Love at Psychedelic Velocity", is better known and appeared several years earlier on the Pebbles, Volume 10 LP. The Grains of Sand (featured on the original Pebbles album), the Lyrics, and Limey & the Yanks also had tracks on Highs in the Mid-Sixties, Volume 1. The Kim Fowley track is one of his many pseudo-documentary explorations of part of the L.A. scene. The song by the Flower Children, which complains about miniskirts, shows that nearly every possible topic has been covered in one pop song or another.
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Highs in the Mid-Sixties, Volume 4 | |
Type: | compilation |
Released: | 1983 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Highs in the Mid-Sixties, Volume 4: Chicago is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Chicago, Illinois. Two of the later releases among the CDs in the Pebbles series, Pebbles, Volume 6 and Pebbles, Volume 7 also concentrate on Chicago bands.
This album was released in 1983 as an LP by AIP Records (as #AIP-10006).
The A-side of this single by the Foggy Notions, "I Need a Little Lovin'" is included on the Pebbles, Volume 10 LP and the Pebbles, Volume 6 CD. The better known "I Can Only Give You Everything" by the Little Boy Blues is on Pebbles, Volume 2. "(I) Live in the Springtime" also appears on the Pebbles, Volume 8 LP, credited to The Lemon Drops. "La Da Da" – a takeoff on a Dale Hawkins song called "La Do Da Da" – is the first single by the Malibus; another of their songs is on the Pebbles, Volume 7 CD. The final track is a plea by the band to get a spot on The Ed Sullivan Show, in the style of the 1960 novelty hit by Larry Verne, "Mr. Custer".
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Highs in the Mid-Sixties, Volume 5 | |
Type: | compilation |
Released: | 1983 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP Records |
Highs in the Mid-Sixties, Volume 5: Michigan is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 6 and Highs in the Mid-Sixties, Volume 19 are later volumes that feature bands from this state.
This album was released in 1983 as an LP by AIP Records (as #AIP-10007).
Other tracks by the Underdogs and the 4 of Us are included on Highs in the Mid-Sixties, Volume 6, as are others by the Blues Company (though under a slightly different name).
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Highs in the Mid-Sixties, Volume 6 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 5 |
Next Title: | Highs in the Mid-Sixties, Volume 7 |
Highs in the Mid-Sixties, Volume 6 (subtitled Michigan, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 5 and Highs in the Mid-Sixties, Volume 19 are other volumes in the series featuring bands from this state.
Release dataThis album was released in 1984 as an LP by AIP Records (as #AIP-10011).
The all-female band The Pleasure Seekers – pictured on the cover – feature Suzi Quatro (along with three of her sisters), who had later fame as both a rock musician and an actress on Happy Days. Blues Co. on this album is the same band as the Blues Company on Highs in the Mid-Sixties, Volume 5. Bobby Fuller's version of "Wine Wine Wine" is included on Pebbles, Volume 2. Friday at the Hideout is also the name of a compilation album of Detroit-area garage rock that was released in 2001 on Norton Records, featuring many of these bands and several of the tracks.
Highs in the Mid-Sixties, Volume 7 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 6 |
Next Title: | Highs in the Mid-Sixties, Volume 8 |
Highs in the Mid-Sixties, Volume 7 (subtitled The Northwest) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 14 and Highs in the Mid-Sixties, Volume 16 are later volumes in the series that feature bands from these states.
This album was released in 1984 as an LP by AIP Records (as #AIP-10012).
The Northwest is "Louie Louie" country, and three different versions are included here, including a cover of a follow-up song by Paul Revere & the Raiders. The Wilde Knights are well known for the widely reissued "Beaver Patrol" (featured on Pebbles, Volume 1 and Essential Pebbles, Volume 1, among others); this song is from their follow-up single. However, these Squires are not the same band as the legendary group, the Squires from Bristol, CT.
Highs in the Mid-Sixties, Volume 8 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 7 |
Prev Year: | 1984 |
Next Title: | Highs in the Mid-Sixties, Volume 9 |
Next Year: | 1984 |
Highs in the Mid-Sixties, Volume 8 (subtitled The South) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in the South excluding Texas (which is covered in 5 separate volumes). Highs in the Mid-Sixties, Volume 22 is a later volume in the series that features bands from these Southern states.
This album was released in 1984 as an LP by AIP Records (as #AIP-10014).
In their remarkable 30th year reunion album GONN with the Wind, the Iowa garage rock band GONN included a cover of "Found Love".
Highs in the Mid-Sixties, Volume 9 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 8 |
Next Title: | Highs in the Mid-Sixties, Volume 10 |
Highs in the Mid-Sixties, Volume 9 (subtitled Ohio) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio. Highs in the Mid-Sixties, Volume 21 is a later volume in the series that features bands from this state.
This album was released in 1984 as an LP by AIP Records (as #AIP-10015).
Three members of the Choir would form the Raspberries with Eric Carmen in the early 1970s. This track is the flip side of their first single; the classic A-side, "It's Cold Outside" can be found on Pebbles, Volume 2. Another version of "Stepping Stone" is included on Highs in the Mid-Sixties, Volume 2. These Squires and Outcasts are not the same bands that were included on Pebbles, Volume 1; according to some sources, the latter band is actually from Kentucky. Phil Keaggy, who was evidently a member of the Squires, was a founding member of Glass Harp and later became a renowned contemporary Christian recording artist. The Human Beingz changed their name to the Human Beinz when Capitol Records misspelled it on their 1967 hit "Nobody But Me". The label promised to correct the mistake on future releases, but the single's success precluded that possibility.
Highs in the Mid-Sixties, Volume 10 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 9 |
Prev Year: | 1984 |
Next Title: | Highs in the Mid-Sixties, Volume 11 |
Next Year: | 1984 |
Highs in the Mid-Sixties, Volume 10 (subtitled Wisconsin) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin. A later volume in the series, Highs in the Mid-Sixties, Volume 15 also features bands from this state.
This album was released in 1984 as an LP by AIP Records (as #AIP-10017).
The Shag – also known as the Shags – are one of the best-known Milwaukee garage rock bands and are pictured on the album cover. This track – one of the first anti-drug rock songs ever recorded, in 1965, and also one of the best – has been reissued several times (for example, as a bonus track on the Pebbles, Volume 5 CD).
Highs in the Mid-Sixties, Volume 11 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 10 |
Next Title: | Highs in the Mid-Sixties, Volume 12 |
Highs in the Mid-Sixties, Volume 11 (subtitled Texas) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 12, Highs in the Mid-Sixties, Volume 13, Highs in the Mid-Sixties, Volume 17, and Highs in the Mid-Sixties, Volume 23.
This album was released in 1984 as an LP by AIP Records (as #AIP-10019).
The unique "Good Times" might be the garage rock song that is least inspired by the British Invasion; the song was written by Allen and Ray Schram about an apartment they were renting in Irving, Texas. It was just a joke, but a friend, who was a dancer on the Ron Chapman TV show Sump'N Else, arranged a meeting with Chapman at his house. He played the lacquer demo down to the line "go out for entertainment, I park behind the Twin" (a drive-in movie that played edited X-rated films in Grand Prairie, and stopped it. He called GPC records and they pressed 100 copies. The night it was to be played on the Jimmy Rabbit radio show, (a popular KLIF 1190 DJ show), Robert Kennedy was shot and killed in California and KLIF started playing somber classical music; "Good Times" missed its release date.
Highs in the Mid-Sixties, Volume 12 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 11 |
Prev Year: | 1984 |
Next Title: | Highs in the Mid-Sixties, Volume 13 |
Next Year: | 1984 |
Highs in the Mid-Sixties, Volume 12 (subtitled Texas, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11, Highs in the Mid-Sixties, Volume 13, Highs in the Mid-Sixties, Volume 17, and Highs in the Mid-Sixties, Volume 23.
This album was released in 1984 as an LP by AIP Records (as #AIP-10021).
Gary P. Nunn was evidently a member of the New Roadrunners; he was later in the Lost Gonzo Band and has released more than a dozen albums as a solo artist. His song "London Homesick Blues" has been used as the theme song for Austin City Limits for over 20 years.
Highs in the Mid-Sixties, Volume 13 | |
Type: | compilation |
Released: | 1984 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 12 |
Next Title: | Highs in the Mid-Sixties, Volume 14 |
Highs in the Mid-Sixties, Volume 13 (subtitled Texas, Part 3) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11, Highs in the Mid-Sixties, Volume 12, Highs in the Mid-Sixties, Volume 17, and Highs in the Mid-Sixties, Volume 23.
This album was released in 1984 as an LP by AIP Records (as #AIP-10022).
The Night Crawlers is not the same band as the garage rock band from San Antonio called the Nightcrawlers that featured a young Stevie Ray Vaughan.
Highs in the Mid-Sixties, Volume 14 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 13 |
Next Title: | Highs in the Mid-Sixties, Volume 15 |
Highs in the Mid-Sixties, Volume 14 (subtitled The Northwest, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 7 and Highs in the Mid-Sixties, Volume 16 are other volumes in the series that feature bands from these states.
This album was released in 1985 as an LP by AIP Records (somewhat out of order, as #AIP-10020).
With its moaning saxophone and infectious beat, the instrumental that starts the album, "Wolf Call" would feel right at home on the Born Bad Series. "Sorry Charlie" is a take-off on the long-running series of Charlie the Tuna commercials for StarKist Tuna, complete with faux British accents.
Side one, track 6 is incorrectly credited to "The Statics." The actual artists are Merrilee & the Turnabouts, featuring Merrilee Rush.
Highs in the Mid-Sixties, Volume 15 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 14 |
Next Title: | Highs in the Mid-Sixties, Volume 16 |
Highs in the Mid-Sixties, Volume 15 (subtitled Wisconsin, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin. An earlier volume in the series, Highs in the Mid-Sixties, Volume 10 also features bands from this state.
This album was released in 1985 as an LP by AIP Records (as #AIP-10025).
The psychedelic instrumental tribute to Jefferson Airplane by The Challengers is among the clever songs on this album.
Highs in the Mid-Sixties, Volume 16 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 15 |
Next Title: | Highs in the Mid-Sixties, Volume 17 |
Highs in the Mid-Sixties, Volume 16 (subtitled The Northwest, Part 3) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 7 and Highs in the Mid-Sixties, Volume 14 are earlier volumes in the series that feature bands from these states.
This album was released in 1985 as an LP by AIP Records (somewhat out of order, as #AIP-10024).
The album opens with a cover of a classic by Nat Adderley, brother of jazz legend Julian "Cannonball" Adderley.
Highs in the Mid-Sixties, Volume 17 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 16 |
Next Title: | Highs in the Mid-Sixties, Volume 18 |
Highs in the Mid-Sixties, Volume 17 (subtitled Texas, Part 4) is a compilation album in the Highs in the Mid-Sixties series, of recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11, Highs in the Mid-Sixties, Volume 12, Highs in the Mid-Sixties, Volume 13 and Highs in the Mid-Sixties, Volume 23.
The album was released in 1985 as an LP by AIP Records (as #AIP-10026).
"We Sell Soul" by the Spades was a regional hit by one of the first bands headed by Roky Erickson. He was one of the founding members of the legendary psychedelic rock band 13th Floor Elevators. Neil Ford (also spelled Neal Ford) from Houston was in a succession of bands including the Ramadas, whose "Shame on You" was included on Essential Pebbles, Volume 2. The Iguanas on this album are not the same band that launched Iggy Pop's career, although a track by those Iguanas is included on Highs in the Mid-Sixties, Volume 19. The track listed as "The Darkest Hour (Part 1)" is actually the instrumental B-side, Part 2.
Highs in the Mid-Sixties, Volume 18 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 17 |
Next Title: | Highs in the Mid-Sixties, Volume 19 |
Highs in the Mid-Sixties, Volume 18 (subtitled Colorado) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Colorado. This is the only state featured in this series that is limited to only one LP.
This album was released in 1985 as an LP by AIP Records (as #AIP-10027).
These tracks include several covers, including two Rolling Stones songs ("Nanker Phelge" is a songwriting pseudonym that the band used for collaborative writing efforts on many of their early songs).
The Moonrakers were originally known as the Surfin' Classics and, like many 1960s garage rock bands, have a website and had a 2006 reunion concert. Guitarist Bob Webber of the Moonrakers founded Sugarloaf with Jerry Corbetta, who brought in drummer Robert MacVittie and rhythm guitarist Veeder Van Dorn III from this band as well.
The title of the psychedelic instrumental "Music to Smoke Bananas By" refers to the urban legend prevalent in the late 1960s that banana peel scrapings have an LSD-like effect if dried and then smoked like marijuana.
Highs in the Mid-Sixties, Volume 19 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 18 |
Next Title: | Highs in the Mid-Sixties, Volume 20 |
Highs in the Mid-Sixties, Volume 19 (subtitled Michigan, Part 3) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 5 and Highs in the Mid-Sixties, Volume 6 are earlier volumes in the series featuring bands from this state.
This album was released in 1985 as an LP by AIP Records (as #AIP-10028).
One of Iggy Pop's first bands was the Iguanas (who are pictured on the cover); the band was formed in 1963 when he was still in high school, and he was the band's drummer. After he left this band and joined The Prime Movers, the other bandmembers began calling him "Iggy" due to his association with the Iguanas. This previously unreleased track comes from early demo tapes and is evidently the first song recorded where he was the songwriter. AIP Records has also released a series of compilation albums of unreleased Iggy Pop material named after this band, called the Iguana Chronicles.
"Be Careful With Your Car-Full" (track 4) by the Royal Shandels (Don Gladden, Ron Oswalt, Jeff White, Neil Williams and Carl Zenoni) was recorded in Detroit at Golden World for the National Safety Council back in the days that seat belts were a fairly new addition to cars, and a bit before most mandatory seat belt laws were introduced. The M.S.C. wanted to encourage their use, and this was played on national AM radio for about two years.
Highs in the Mid-Sixties, Volume 20 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 19 |
Next Title: | Highs in the Mid-Sixties, Volume 21 |
Highs in the Mid-Sixties, Volume 20 is a compilation album in the Highs in the Mid-Sixties series; it is subtitled L.A., Part 4 and features recordings that were released in Los Angeles. Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
This album was released in 1985 as an LP by AIP Records (as #AIP-10029).
A 10-inch vinyl album has recently been released of all of the songs by the Dovers, considered one of the finest garage rock bands. Both sides of the first single by the Human Expression are given on the Pebbles, Volume 10 LP and Highs in the Mid-Sixties, Volume 3; this song is the B-side from their second single. The Mugwumps are not the New York band called the Mugwumps that helped spawn the Mamas & the Papas and the Lovin' Spoonful.Note: That is my band Aftermath on the cover, but the track is not us..Its a studio track,and we never recorded 'Gloria' except on a home recorder..we knew the words better than this,but its ok.. Aloha from Bradley
Highs in the Mid-Sixties, Volume 21 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 20 |
Prev Year: | 1985 |
Next Title: | Highs in the Mid-Sixties, Volume 22 |
Next Year: | 1985 |
Highs in the Mid-Sixties, Volume 21 (subtitled Ohio, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Ohio. Highs in the Mid-Sixties, Volume 9 is an earlier volume in the series that features bands from this state.
This album was released in 1985 as an LP by AIP Records (as #AIP-10030).
The "S. Owsley" reference as the songwriter for the song by The Wild Thing—slang for sexual intercourse, by the way—is an apparent reference to Owsley Stanley; while the song title is a reference to LSD.
Highs in the Mid-Sixties, Volume 22 | |
Type: | compilation |
Released: | 1985 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 21 |
Next Title: | Highs in the Mid-Sixties, Volume 23 |
Highs in the Mid-Sixties, Volume 22 (subtitled The South, Part 2) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in the South excluding Texas (which is covered in 5 separate volumes). Highs in the Mid-Sixties, Volume 8 is an earlier volume in the series that features bands from these Southern states.
This album was released in 1985 as an LP by AIP Records (as #AIP-10031).
Evil Enc. Group (also known as Evil Encorporated) is a west Virginia band; these two cuts (from their first of two singles) made it onto Essential Pebbles, Volume 2.Evil Enc. was from Oak Hill, WV not from Beckley, WV. They only recorded in Beckley.
Daze of the Week is actually from Tacoma, Washington, not Mississippi as the liner notes on this album claimed. The band was active from 1966 to 1967 and put out one single in a very limited release.
Highs in the Mid-Sixties, Volume 23 | |
Type: | compilation |
Released: | 1986 |
Recorded: | Mid-1960s |
Genre: | Garage rock, psychedelic rock |
Label: | AIP |
Prev Title: | Highs in the Mid-Sixties, Volume 22 |
Highs in the Mid-Sixties, Volume 23 (subtitled Texas, Part 5) is the final compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 11, Highs in the Mid-Sixties, Volume 12, Highs in the Mid-Sixties, Volume 13, and Highs in the Mid-Sixties, Volume 17.
This album was released in 1986 as an LP by AIP Records (as #AIP-10038).
Gaylon Latimer made a total of four singles in 1965 and 1966; three were in the name of Gaylon Ladd, but one was made with Bob Sharp under the name Bob & Gaylon. "Repulsive Situation" was not included on any of the four.