| High Flight | |
| Author: | John Gillespie Magee Jr. |
| Language: | English |
| Subject: | Aviation |
| Form: | Sonnet |
| Meter: | Iambic pentameter |
| Media Type: | Handwritten |
| Lines: | 14 |
| Wikisource: | High Flight |
High Flight is a 1941 sonnet written by war poet John Gillespie Magee Jr. and inspired by his experiences as a fighter pilot of the Royal Canadian Air Force in World War II. Magee began writing the poem on 18 August, while stationed at No. 53 OTU outside London, and mailed a completed manuscript to his family on 3 September, three months before he died in a training accident. Originally published in the Pittsburgh Post-Gazette, it was widely distributed when Magee became one of the first post-Pearl Harbor American casualties of the war on 11 December,[1] after which it was exhibited at the American Library of Congress in 1942.[2] Owing to its gleeful and ethereal portrayal of aviation, along with its allegorical interpretation of death and transcendence, the poem has been featured prominently in aviation memorials across the world, including that of the Space Shuttle Challenger disaster.[3] [4]
While piloting a Spitfire Mk I, Magee reached 33000feet during a training flight over Wales sometime in August 1941. He was impressed by the speed and agility of the aircraft, and moved by the experience of flying at that altitude. He wrote to his parents that he completed the poem soon after finishing training that day.[5]
The first person to read Magee's poem later that same day in the officers' mess was fellow Pilot Officer Michael Henry Le Bas (later Air Vice-Marshal M. H. Le Bas,, Air Officer Commanding No. 1 Group RAF[6]), with whom Magee had trained.
Magee enclosed the poem in a letter to his parents, dated 3 September 1941. His father, then curate of Saint John's Episcopal Church in Washington, DC, reprinted it in church publications. The poem became more widely known through the efforts of Archibald MacLeish, then Librarian of Congress, who included it in an exhibition of poems called "Faith and Freedom" at the Library of Congress in February 1942. The manuscript copy of the poem remains at the Library of Congress.[7]
Dr. Oliver Tearle writes that Magee could have been inspired by romantic poems that imagined the sensation of flying before humans first successfully flew. The poet described his flight as supernatural, surrealistic and limitless, while it concerns an actual flight in an actual flying machine. Tearle stated that the poem could be seen as a symbol of technological progress, as its author had transcended the confinements of nature in real life: the aeroplane has allowed humankind to defy the limit of being bound to Earth, soar higher than any bird, and "become almost a god himself." High Flight could have been further influenced by the effects of hypoxia, which Magee described experiencing on one of his flights in his logbook, and perhaps an aviation-specific type of spatial disorientation that makes pilots feel dissociated with their aircraft's controls.
The last words of High Flight — "...and touched the face of God" — can also be found in a poem by Cuthbert Hicks published three years earlier in Icarus: An Anthology of the Poetry of Flight. The last two lines in Hicks' poem The Blind Man Flies read:The anthology includes the poem "New World" by G. W. M. Dunn, which contains the phrase "on laughter-silvered wings". Dunn wrote of "the lifting mind", another phrase that Magee used in High Flight, and refers to "the shouting of the air", in comparison to Magee's line, "chased the shouting wind." Another line by Magee, "The high untrespassed sanctity of space", closely resembles "Across the unpierced sanctity of space", which appears in the anthology in the poem "Dominion over Air" (previously published in the RAF College Journal).
During April and May 1942, many Hollywood stars including Laurel and Hardy, Groucho Marx, Cary Grant, Bing Crosby, and Bob Hope joined the Hollywood Victory Caravan as it toured the United States on a mission to raise war bonds. Actress Merle Oberon recited High Flight as part of this show.[8] During the performance on 30 April 1942, at the Loew's Capitol Theatre in Washington, D.C., and before her recitation of High Flight, Oberon acknowledged the attendance of Magee's father, John Magee, and brother Christopher Magee.
Orson Welles read the poem on an episode of The Radio Reader's Digest (11 October 1942),[9] [10] Command Performance (21 December 1943),[11] and The Orson Welles Almanac (31 May 1944).[12]
High Flight has been a favourite poem amongst both aviators and astronauts. It is the official poem of the Royal Canadian Air Force and the Royal Air Force. The poem has to be recited from memory by fourth-class cadets at the United States Air Force Academy, where it can be seen on display in the Cadet Field House.[13] At the United States Air Force Academy Cemetery, the grave marker of Brigadier General Robin Olds is inscribed with a variant of a line from the poem: "dancing the skies on laughter silvered wings".
The poem is often read at funerals of aviators; portions of the poem appear on many of the headstones in the Arlington National Cemetery, and it is inscribed in full on the back of the Space Shuttle Challenger Memorial. It is displayed on panels at the Canadian War Museum in Ottawa, the National Air Force Museum of Canada, in Trenton, Ontario. It is the subject of a permanent display at the National Museum of the United States Air Force, in Dayton, Ohio.[14]
Brigadier General Robert Lee Scott Jr. included the poem in his 1943 book God is My Co-Pilot.
Astronaut Michael Collins brought an index card with the poem typed on it on his Gemini 10 flight and included the poem in his 1974 autobiography Carrying the Fire. Former NASA Flight Director Gene Kranz quoted the first line of the poem in his book Failure Is Not An Option. U.S. President Ronald Reagan used part of "High Flight" in a speech written by Peggy Noonan on the night after the Challenger disaster on 28 January 1986.[15]
At RAF Scampton in Lincolnshire, a memorial to Red Arrows pilots, Flight Lieutenants Jon Egging, killed on 20 August 2011, and Sean Cunningham, killed on 8 November 2011, bears an interpretation of the poem on a brass plaque atop a wooden plinth in front of a gate guardian aircraft outside the RAF Aerobatics Team hangar. The plaque reads "...they have slipped the surly bonds of Earth / Put out their hands and touched the face of God... / In memory of / Flt Lt Jon Egging – 20th August 2011 / Flt Lt Sean Cunningham – 8th November 2011".[16] [17]
In her 1 September 2018, eulogy for her father, John McCain, Meghan McCain quoted the poem at the end of her tribute. "I know that on the afternoon of August 25th in front of Oak Creek in Cornville, Arizona, surrounded by the family he loved so much, an old man shook off the scars of battle one last time and arose a new man to pilot one last flight up and up and up, busting clouds left and right, straight on through to the kingdom of heaven. And he slipped the earthly bonds, put out his hand, and touched the face of God"[18]
Miklós Rózsa composed the earliest known setting of High Flight, for tenor voice, in 1942. It was later published as one of his Five Songs in 1974. Canadian composer and Royal Canadian Air Force veteran Robert J. B. Fleming wrote a through-composed musical setting of the poem for the Divine Services Book of the Canadian Armed Forces published in 1950. The composer Bill Pursell wrote his own arrangement with narration for the United States Air Force Band, which was broadcast on their radio show in the late 1940s. Several songs and symphonic compositions have been based on Magee's text, including Bob Chilcott's 2008 setting, premiered on 1 May 2008 by the King's Singers.[19] The poem has been set to music by several composers, including by John Denver[20] and Lee Holdridge as performed on the Bob Hope television show and is included in his 1983 album It's About Time and by Christopher Marshall, whose composition was commissioned for and premiered by The Orlando Chorale with saxophonist George Weremchuk (Orlando, Florida) in March 2009, under the direction of Gregory Ruffer. The first performance of a setting of words, known as "Even Such Is Time", from Fauré’s Requiem, plus additional non-liturgical texts that included "High Flight", was performed by the Nantwich Choral Society, conducted by John Naylor, on Saturday 26 March 2011, in St Mary's Church, Nantwich, Cheshire. The music was written by Andrew Mildinhall, the former organist at the church, who accompanied the performance with the Northern Concordia Orchestra.
Singer Al Jarreau paid brief homage to "High Flight" by using the closing lines in the bridge of his 1983 song "Mornin'".
The American composer James Curnow was commissioned by the Graduates Association of Tenri High School Band in Nara, Japan to write a piece for concert band in honour of the 50th anniversary of its association. The piece is entitled Where Never Lark or Eagle Flew with the subtitle "Based on a poem by John Gillespie Magee Jr." In 2012, the Australian composer Daniel Walker was commissioned by North Sydney Boys High School to compose a piece for the school's centenary celebrations. This composition, 'Through Footless Halls of Air', which was written for choir and symphonic winds, features the poem in the lyrics.
British composer Jonathan Dove included the poem in his 2009 oratorio There Was a Child, written as a memoriam to Robert Van Allen, who also died at the age of nineteen. It has also been set by British composer Nicholas Scott Burt as a short motet and dedicated to the choir of Rugby Parish Church.
In 2011, Emmylou Harris wrote and recorded a song, "Darlin' Kate", dedicated to her late friend, folk singer-songwriter Kate McGarrigle, which included the lines, " As you slip the surly bonds of earth and sail away..."
In 2014, Canadian composer Vince Gassi composed a piece for concert band entitled Chase The Shouting Wind.
In 2015, the Hardcore DJ Nosferatu used the poem in his track "sanctity of space".
Many U.S. television viewers were introduced to "High Flight" when several TV stations ended (and sometimes also began) their programming day with various short films containing it.[21] The sign-off film occasionally seen on KPTV in Portland, Oregon and KCRA in Sacramento, California featured the spoken poem played to Air Force flying footage. Other examples of the use of the poem in television programs, films include: