| "" | |
| Type: | Lutheran hymn |
| Catalogue: | Zahn 624 |
| Translation: | "Lord Jesus Christ, be present now!" |
| Text: | by Wilhelm, Duke of Saxe-Weimar (attributed) |
| Language: | German |
"German: Herr Jesu Christ, dich zu uns wend|italic=no" ("Lord Jesus Christ, be present now!", literally: Lord Jesus Christ, turn to us) is a Lutheran hymn from the 17th century. Its hymn tune, Zahn No. 624, was adopted in several compositions. It was translated into English and is part of modern hymnals, both Protestant and Catholic.
The text of the hymn has been attributed to Wilhelm, Duke of Saxe-Weimar, but this authorship is doubted, as the attribution appears only in prints from the late 17th century. In Thuringia and Saxony, the hymn was sung on Sundays after the minister had entered the pulpit to deliver the sermon. In a 1668 print, the 6th edition of Lutherisch Hand-Büchlein (Lutheran handbooklet) it is assigned to Trinity Sunday (Am Fest der heiligen Dreyfaltigkeit).
The hymn was translated into Swedish in 1695 by Johannes Gezelius, with the title "O Jesus Krist, dig till oss vänd". The hymn was translated in the 1722 Psalmodica Germanica of Johann Christian Jacobi as "Lord Christ, reveal thy holy Face".[1] Catherine Winkworth translated the hymn in 1863 as a communion song with the title "Lord Jesu Christ, be present now!" The English translations below are those of Jacobi.
Lord, lead us in thy holy Ways,And teach our Lips to tell thy Praise,Increase our Faith, and raise the sameTo taste the Sweetness of thy Name.
Till we with Angels join to singTh'eternal Praise of Thee, our King;Till we shall see Thee Face to Face,And all the Glories of thy Grace.
To God the Father, God the Son,And God the Spirit, Three in One,Be Honour, Praise, and Glory giv'n,By all on Earth, and all in Heav'n.
In Weimar, Johann Sebastian Bach and his cousin Johann Gottfried Walther, who were the organists at the Schlosskirche and the Stadtkirche, both composed several settings of the hymn. Georg Böhm, Walther and Johann Ludwig Krebs all wrote chorale partitas and variations on the hymn: Krebs wrote a chorale fantasia Krebs-WV 524. Among the most notable settings by Bach are the chorale preludes BWV 632, from the Orgelbüchlein, and BWV 655, from the Great Eighteen Chorale Preludes. There are further chorale preludes BWV 709, 726 and 749, with questions over the third's authenticity.[2]
Max Reger composed a chorale prelude as No. 9 of his 52 Chorale Preludes, Op. 67 in 1902. He also set it in 1914 as No. 11 of his 30 little chorale preludes for organ, Op. 135a.
In the Protestant hymnal Evangelisches Gesangbuch it is EG 155, the first hymn in the section Gottesdienst – Eingang und Ausgang (Service – beginning and end). In the Catholic hymnal Gotteslob it is GL 147, in the section Messgesänge – Gesänge zur Eröffnung (Songs for mass – songs for the opening).