| Herb Couf | |
| Birth Name: | Herbert Couf |
| Birth Date: | 15 February 1920 |
| Death Place: | Michigan |
| Occupation: | Clarinetist, saxophonist, composer, music store owner, instrument manufacturer executive, mouthpiece innovator |
| Associated Acts: | Detroit Symphony Orchestra |
Herbert Couf (February 15, 1920 – July 8, 2011 in Michigan) was an American clarinetist, saxophonist, composer, music store owner, music instrument manufacturer executive, and an importer of music instruments. Couf had been the principal clarinetist with the Detroit Symphony Orchestra under Paul Paray until he retired to open Royal Music Center and commit his full attention to the business of music.
His Royal Music Center was located just north of Detroit. While owner of Royal Music Center he marketed H. Couf woodwind mouthpieces saxophones, and clarinets. H. Couf saxophones were made by the Julius Keilwerth company of West Germany. H. Couf clarinets were made by the Artley Company, a division of C. G. Conn. Couf later became Vice President of W. T. Armstrong Company, Inc., a manufacturer of flutes, to which he sold the rights to the H. Couf. brand name. The W. T. Armstrong Company was acquired by C. G. Conn in 1981. Couf also had been the conductor of the Royal Oak Concert Band, Royal Oak, Michigan.
Couf performed with the Pittsburgh Symphony Orchestra and the Baltimore Symphony Orchestra.
From the Clavecin book of Anna Magdalena Bach by Johann Sebastian Bach
Includes Introduction, Dance, and Furioso
1965–1980s
- rolled tone holes for alto and tenor.
- elegant, soldered, bell brace
- full bell & bow engraving
- lyre holder part of mouthpipe socket clamp mechanism (except soprano)
- neck upper octave key made from thick square brass rod
- bow soldered directly to bow via an expanded section
- no rings used to combine sections
- early superba 1s do not have a high F# key; mid-early Superba 1s have a high F# key
- early and mid-early superba I & IIs have a RH see-saw type F# key: later Superba I & IIs have a levered F# key
- all post to body construction (no ribs)
- early saxes had a removable metal thumbrest; late model sopranos and altos had plastic thumbrests; the plastic thumbrest had a 2 point connection; this prevented breaking which was a problem on Selmer models at that time
- straight tone holes throughout the range of saxes plus the Superba 1 soprano.
- single rod bell brace
- bell engraving
- lyre holder soldered on separately below the mouthpipe socket sleeve
- neck upper octave key made from round brass wire
- bow soldered directly to bow via and expanded section. Bow soldered directly to body via an expanded section.
- no rings used to combine sections
- early and mid-early Superba I & IIs have a right-hand see-saw type F# key; later Superba I & IIs have a levered F# key
- all post to body construction (no ribs)
- all thumbrests were metal and soldered in a permanent position on the body
For a few years the Superbas were available in black lacquer. The engraving was done after the lacquer which provided a stunning visual effect of being able to see the engraving from a distance. These models had metal thumbrests and were probably late 70's models.[1]
Herbert Couf was born to Morris Couf (1889 Bogoslov, Kiev Governorate, Russian Empire – 1961 Atlantic City, New Jersey) and Rebeca (née Rivka Nedelman; 1896 Russian Empire – 1981 Atlantic City, New Jersey) — Morris and Rebeca were married November 15, 1917, in Manhattan, New York City.[2] Morris Couf had become a naturalized citizen March 1, 1916, in New York.[3]
Herbert Couf was married to Miriam ("Mickey") Couf (née Miriam Tyba Kohn; 1924–2013). They had two daughters, Karen Eve Couf (born 1957; married to Gerald Irwin Cohen, MD) and Donna Andrea Couf (born 1959; married to Armando Garcia Reyes). Herbert Couf also had two brothers, Norman Couf (1925–2008) and Albert B. Couf (1931–2004).[4]