Henry Raynor Explained

Henry Raynor should not be confused with Henry Rayner.

Henry Broughton Raynor (29 January 1917 – 23 July 1989[1]) was a musicologist and a British author.

Biography

He was born at 11 Mellor Street, Moston, Manchester, in England, to Gertrude Raynor, an examiner of waterproof garments.[2] The Raynor family was poor and Raynor's formal education was limited by the family's lack of resources.[1] Poor health in childhood left him with time to listen to music and to read extensively.[1]

Music biography

He wrote several books, mainly relating to classical music. His opus magnum, The Social History of Music, ranges from ancient to 20th-century music, placing composers and their work in cultural and economic contexts.[3]

An example of Raynor's thought is his thesis that the orchestral bombast that developed in nineteenth-century Romantic music was spurred by the need to capture and maintain a fickle, musically untrained paying audience. The demise of aristocratic patronage after the Napoleonic Wars left composers and performers in search of new ways to sustain a career in music.

Bibliography

Magidoff, Robert, 1905-1970; (London, Hale, 1973.)[5]

Notes and References

  1. Mitchell, Donald, "Counterpoint from Manchester", The Guardian, Monday 7 Aug 1989, page 37
  2. Birth certificate
  3. Weber. William. Reviewed Work: A Social History of Music from the Middle Ages to Beethoven by Henry Raynor (book review). Journal of Social History. Autumn 1973. 7. 1. 107–110. 10.1353/jsh/7.1.107. 3786504.
  4. News: Schonberg. Harold C.. The Orchestra; A History (book review). New York Times. 18 June 1978.
  5. Blyth. Alan Blyth. Alan Blyth. Yehudi Menuhin (book review). The Musical Times. April 1974. 115. 1574. 307. 10.2307/958248. 958248.
  6. The above bibliographic detail taken from a copy of Music in England first published by Robert Hale London in 1980