| Helfensteller, Hirsch & Watson | |
| Type: | Private |
| Foundation: | 1907 |
| Fate: | 1940 |
| Predecessor: | Hirsch & Helfensteller |
| Founder: | Ernest Helfensteller William Albert Hirsch Jesse N. Watson |
| Location City: | St. Louis, Missouri |
| Location Country: | United States |
| Area Served: | United States |
| Key People: | Ernest Helfensteller William Albert Hirsch Jesse N. Watson |
| Industry: | Architecture |
| Services: | Architecture |
Helfensteller, Hirsch & Watson was an early twentieth-century American architectural firm from St. Louis, Missouri. It succeeded Hirsch and Helfensteller which had been founded in 1903. The firm's partners included Ernest Helfensteller, William Albert Hirsch and Jesse N. Watson. The firm quickly gained prominence with its 1912 design of the Moolah Temple in St. Louis.
Helfensteller, Hirsch & Watson was founded in 1907 by Ernest Helfensteller, William Albert Hirsch and Jesse N. Watson.[1] [2] [3] [4] The firm operated until 1940.[5] The firm had been preceded by the architectural firm of Hirsch and Helfensteller which operated from 1903 to 1907.[1] With the addition of principal architect Jesse N. Watson to the firm it became Helfensteller, Hirsch & Watson.
The Moolah Temple of St. Louis, designed in 1912 by Helfensteller of Helfensteller, Hirsch and Watson, has been described as an "architectural gem".[1] [6] Helfensteller gave the building "a Moorish feel with a brick facade, winding staircases, vaulted ceilings and ornate, boldly colored tile. The whole thing costed $250,000."
The building was vacant for 20 years. The Medinah Temple portion of the building was renovated by 2008 at a cost of $7 million USD.[7] The Moolah Temple is a contributing building in St. Louis's Midtown Historic District, and was listed on the U.S. National Register of Historic Places (NRHP). The district's NRHP nomination describes the building's architecture as "colorful": "Near Eastern/Arabic forms and symbols parade and dance across the front elevation. The center bay makes the statement for the structure.... Gold terra cotta outlines the foundation and covers arches, cornice, moldings and columns; door and window frames are painted bright blue; decorative terra cotta in blue, green and gold emphasize round arch forms and articulate corners and peaks."[8]
Photos of two of the firms' works, the Moolah Temple and the New Grand Central Theatre, were selected for inclusion in a June 1916 issue of the Western Architect which covered architecture of St. Louis.[9]
Principal works of Hirsch reported in a 1962 American Institute of Architects (AIA) directory include the Liederkranz Club, the Moolah Temple, the Missouri Theatre Office Building, the Louis Latzer Memorial Library and others, all in or near St. Louis. Hirsch served as president of the St. Louis chapter of the AIA during 1923-24.[2]
The architectural firm designed for a variety of clients. For client Edward Gardner Lewis, publisher of Woman's Magazine, once the largest circulation magazine in the nation, the firm designed standard plans for women's club buildings. A number of their works, including 12 women's club buildings, are listed on the U.S. National Register of Historic Places.
Notable works by the firm or its partners include (attribution):
Helfensteller has been informally characterized as being "no big shot like that Tadao Ando fella who built ... the Pulitzer Foundation, [neighboring building to the [[Moolah Temple]] designed by Helfensteller]. Still, he had style."[7]