Harry Steppe Explained

Harry Steppe
Birthname:Abraham Stepner
Birth Date:March 16, 1888
Death Place:New York, NY
Years Active:1911  - 1934
Occupation:Actor, Comedian
Spouse:Beatrice (1918)
Victoria Dayton (1920-1922)(separated)

Harry Steppe (born Abraham Stepner), March 16, 1888 – November 22, 1934[1] was a Russian Jewish[2] -American actor,[3] musical comedy performer, headliner comedian, writer, librettist,[4] director and producer, who toured North America working in Vaudeville and Burlesque.[5] [6] [7] Steppe performed at several well-known theaters on the Columbia, Mutual and Orpheum circuits. Steppe was one of Bud Abbott's first partners.[8] [9] [10] [11] [12]

Early life

Born in Russia to Orthodox Jewish parents, Steppe and his family emigrated from Moscow to the U.S. through Ellis Island in 1892.[13] In 1899, Steppe became a naturalized citizen of the United States.[14]

Steppe's father was a tailor;[15] his brother Michael was a vocalist. Another of Steppe's brothers was named Harry, but it is not known if this inspired part of Steppe's stage name.

Steppe lived in Newark, New Jersey[16] and in Pittsburgh, Pennsylvania.[17] At age 29, Steppe claimed an exemption from the World War I draft on the grounds that he supported his widowed mother.

Relationships

Steppe married twice. His first wife Beatrice, an actress in "Razzle Dazzle of 1918," died at the age of 25 from the Spanish flu, the same year they were married. This sudden loss may have contributed to speculation about Harry's personal struggles with depression.[18]

Other paramours of Harry Steppe included Vaudeville performers Victoria "Vic" Dayton, whom he married in 1920,[19] [20] Edna Raymond and Leona St. Clair. Steppe was often billed with actress Lola Pierce, to whom he was also reportedly linked romantically.

Career

Known to theater patrons as "The Hebrew Gent,"[21] Steppe was billed as a Hebrew,[22] Jewish-dialect or Yiddish-dialect character comedian. "Ignatz Cohen," one of Steppe's alter egos, became a recurring and popular character based on an ethnic Jewish stereotype. Many of Steppe's variety shows featured musical revues and olios with dancing girls, comedy sketches and specialty acts. One performance of Steppe's "Girls from the Follies" featured "eight cycling models with thrilling stunts on wheels," operatic songs, ballroom dancing and chorus girls.

Phil Silvers[23] and others[24] credited Steppe with "introducing the phrase 'top banana' into show business jargon in 1927 as a synonym for the top comic on the bill. It rose out of a routine, full of doubletalk, in which three comics tried to share two bananas." Silvers further popularized the term "Top Banana" in his 1951 Broadway musical and 1954 film of the same name. Steppe also claimed to have coined the phrase "Second Banana."

Steppe had a version of a shell game routine called "The Lemon Bit," [8] that used lemons instead of peas. He performed it with Bud Abbott in burlesque, and Abbott later performed it with Costello in burlesque; in the Broadway musical "Streets of Paris"; in their movie "In the Navy"; live on the "Colgate Comedy Hour"; and in their television program "The Abbott & Costello Show."

Agents and management

Harry Steppe was represented by several theatrical agencies during his career, including Cain & Davenport and Chamberlain and Lyman Brown. Some of his shows were produced by Sam N. Reichblum and well-known burlesque producer I.H. Herk. Steppe also secured theater bookings through the support of entertainment circuits, or "wheels" such as the B.F. Keith Vaudeville Exchange, the Columbia Amusement Company (so-called "clean" burlesque) and the Mutual Burlesque Association.[25]

Death

When Steppe became gravely ill and unable to work, his friends in show business staged a fundraiser on his behalf.[26] However, Steppe died in poverty. Pulmonary edema contributed to Steppe's death, according to his death certificate. He was at Bellevue Hospital in New York, New York for two days and had been ill for a month,[27] according to a story in Variety magazine, Nov. 27, 1934. He is buried in New Jersey.

Stage productions

Here is an ever-expanding table of documented theatrical productions.

Performances
YearMonthCity & StateTheaterShow TitlePlayers & NotablesMedia Coverage
1911 Apr Majestic Theater The Two Strollers
Musical Comedy 		Harry Steppe
Toney Murphy
Smuckler Sisters 		Portsmouth Daily Times[28]
May   Kenyon Theater Loveland Harry Steppe (as Ignatz Cohen)
Ben Masten
Jack Daily
Leona Thompson, singer
Berti Wyatt, dancer
Gertie Fay, dancer 		Pittsburgh Press[29]
1912 Apr Marion, OH Sun Theater Girl from Daffydill Harry Steppe (as Ignatz Cohen) Marion Daily Star[30]
    Olympic Girls from the Follies  
1913 Sep     Girls from the Follies  Indianapolis Star[31]
SepKansas City, MO   Girls from the Follies  Kansas City Star, The[32]
Oct Chicago, IL   Girls from the Follies  Suburbanite Economist[33]
Nov Boston, MA Girls from the Follies  Boston Globe[34]
Cleveland, OH Empire Girls from the Follies  
1914 Jan Pittsburgh, PA Victoria Girls from the Follies  Pittsburgh Press[35]
Mar Toronto, ON Canada Star Theater Girls from the Follies   Toronto Sunday World
Apr Boston, MA     Boston Daily Globe[36]
May Hartford, CTPoli Palace Theater
Main and Gold Streets 		Those Kissing Girls
Musical Comedy 		Hartford Courant[37]
Jun   St. James Kissing Girls Harry Steppe
Oscar Lorraine, violinist
Ed and Jack Smith, dancers 		Boston Evening Transcript[38]
Aug   Murray Hill Theatre Girls from the Follies Harry Steppe
Charles Quinn
Vesta Lockard
Gertrude Balston
Forrest G. Wyre
Jessie Quinn
Annie Goldie
Marie Revere
Harry Fisher
William Harris 		New York Times[39]
Sep Pittsburgh, PA Victoria Girls from the Follies Harry Steppe
Charles Quinn
Vesta Lockard
Gertrude Balston
Forrest G. Wyre
Jessie Quinn
Annie Goldie
Marie Revere
Harry Fisher
William Harris 		Pittsburgh Press[40]
Nov Boston, MA Girls from the Follies  Boston Daily Globe[41] [42]
Baltimore, MD Gayety Girls from the Follies  
1915 Jan Toronto Star Theater Girls from the Follies
Two-act Musical Farce		Harry Steppe
Vesta Lockard
Gertude Walston
Mabel Reflow
George L. Wagner
William M. Harris
Billy Moore
Harry Fisher
Solly Hito
Dan Pierce, Star Theater Manager 		Toronto World[43] [44]
March Indianapolis, IN   Girls from the Follies Harry SteppeIndianapolis Star[45]
May   Victoria Girls from the Follies Harry Steppe
Vesta Lockhard
Gertude Ralston
Mabel Reflow, dancer
George L. Wagner
William M. Harris
Harry Van
Harry Fisher
Solly Hito, dancer		Pittsburgh Press[46]
Sep Pittsburgh, PA Victoria Lady Pirates  Pittsburgh Press
Oct Trenton, NJ    Trenton Evening Times[47]
Cleveland, OH Bijou    
Louisville, KY Buckingham Girls from the Follies 
Detroit, MI Cadillac Girls from the Follies 
Detroit, MI Cadillac Lady Pirates 
Philadelphia, PA Casino Girls from the Follies  
Rochester, NY Corinthian Girls from the Follies  
Ft. Wayne, IN Majestic Girls from the Follies  
  Razzier  
Pittsburgh, PA Victoria Girls from the Follies  
Pittsburgh, PA Victoria Keeny's Harry Steppe & George Martin  
1916 Jan Ft. Wayne, IN Girls from the Follies  Ft Wayne Daily News[48]
Jan Ft. Wayne, IN   Cohen in Chinatown
Two-act musical comedy 		 Ft. Wayne Journal-Gazette[49]
  Philadelphia, PA Cabaret Girls from the Follies  
  St. Louis, MO Standard Girls from the Follies  
  Louisville, KYBuckingham Girls from the Follies
Cohen on the East Side
Two-act musical burlesque		  Reedy's Mirror
    Olympic    
  Newark, NJ Loews Harry Steppe at the Loews  
    Loews Step Lively Girls  
  Louisville, KY Buckingham Girls from the Follies  
  Cleveland, OH Empire Cohen's Review 
  Philadelphia, PA Trocadero Follies  
  Milwaukee, WI Gayety   
1917 Jan Trenton, NJ Hello Girls  Trenton Evening Times[50]
Feb Brooklyn, NY    Boston Daily Globe[51]
Brooklyn, NY Star    
1918 Aug Philadelphia, PA Gayety
5th below Vine 		Razzle Dazzle Girls Harry Steppe
Grace Fletcher 		Evening Public Ledger[52]
Oct   Star Theater Razzle Dazzle of 1918 Harry Steppe
Bunnie Mack, comedian
Grace Fletcher, soubrette
Percie Judah
Mike Fertig, singer
Sydia Dunn, singer
Palmer Hines, straight man 		Toronto World[53]
1919 Jan Pittsburgh, PA Victoria Razzle Dazzle of 1919 Harry Steppe
Lew Denny
Mike Fertig, singer
Billy Halperin
Percie Judah
Sydia Dunn, singer
Grace Fletcher		Pittsburgh Press[54]
Feb Washington, DC Razzle Dazzle Harry Steppe
Grace Fletcher		Washington Post[55]
Mar Trenton, NJ Razzle Dazzle  
Columbus, OH Lyceum Razzle Dazzle  
  Peoples Theatre American Supreme  
1920 Columbus, OH   Razzle Dazzle of 1919 
    Tid Bits of 1920 
  Buckingham Misfit Cohen  
  Gayety Harry Steppe and His Rumba Girls  
1921 Jun New York, NY Loew's Metropolitan  Harry Steppe, headliner
Dick Lancaster 		New York Tribune[56]
Jun New York, NY Loew's American  Harry Steppe, headliner
Chappelle and Stinnett 		New York Tribune
Sep New York, NY Columbia
Broadway & 47th St. 		Jingle JingleHarry Steppe
Harry O'Neal 		New York Times[57]
  Washington, DC     Harry Steppe
Harry O'Neal
Frank Anderson		Washington Post[58]
1923 AprLos Angeles, CA Hillstreet Just a Debate Harry Steppe
Harry O'Neal		Los Angeles Times[59]
  New York, NY Columbia Playhouse    
1924 Sep   Gayety Theater Columbia Burlesque Harry Steppe and His Big Show Harry Steppe
Harry O'Neal
Vic Casmore
Solly Hito, dancer
Mabel Reflow, dancer		Canadian Jewish Chronicle[60]
The Axe (Montreal)[61] [62]
Nov Bridgeport, CT Harry Steppe and His Big Show  Bridgeport Telegram[63]
Dec   Gayety Harry Steppe
Dorothy Golden, dancer		Pittsburgh Press[64]
1925 Jan   Gayety Theater Columbia Burlesque Harry Steppe and His Big Show Harry Steppe
Harry O'Neal
Mabel Reflow
Lola Pierce 		Pittsburgh Press[65]
March   Harry Steppe and His Big Show Harry Steppe
Harry O'Neal 		Chicago Tribune[66]
Apr Empire Theater
Temperance Street
Columbia Burlesque
(Columbia Circuit) 		Cain and Davenport present
Harry Steppe and His Big Show
Week of April 13 		Harry Steppe
Harry O'Neal
Vic Casmore
Hite and (Mabel) Reflow, singer
George McClennon, comedian
Canadian Jewish Review[67]
May New York, NY Columbia Theater
Times Square
(Columbia Circuit) 		O.K. Harry Steppe
Harry O'Neal
Mabel Reflow, singer
Lola Pierce, singer
George McClennon, dancer
Miller and Ryan, dancers
Three Golfers, acrobats
Solly Hito, juvenile
and a whistler 		New York Times[68]
Aug (New) Lyric Theater O.K.
Harry Steppe
George McClennon
Owen Martin, straight man
Vic Casmore
Mite
Mabel Reflow, singer 		Bridgeport Telegraph[69]
Sep   GayetyHarry Steppe and His Big Show Harry Steppe
Vic Casmore		Pittsburgh Press[70]
Oct Cleveland, OH Columbia Steppe's Own Show Harry Steppe
George McClennon		Afro-American[71]
Oct Zanesville, OH Weller
Columbia Circuit 		Harry Steppe and His Big Show Harry Steppe
Owen Martin, straight man
George McClennon, jazz clarinetist
Jacque Wilson, blues singer
Carmen Sisters, dancers
Rube Walman, whistler		Zanesville Times Signal[72]
Zanesville Signal[73]
Zanesville Times Signal[74]
1926Apr Boston, MA Casino Theater
(Columbia Circuit) 		Steppe's Own Show  Afro-American[75]
June New York, NY   The Lemon Bit  New York Times[76]
  Boston, MA Gaiety Theater Harry Steppe's OK  Gaiety Theater Study Report[77]
1927Jul Milwaukee, WI Majestic TheatreThe DebateHarry Steppe
Lola Pierce 		Milwaukee Sentinel[78]
Oct Atlanta, GA The Supper Club
The Debate		Harry Steppe
Lola Pierce		Atlanta Constitution[79]
1928 Feb   Matrimony à la Carte with Lola Pierce  
June New York, NY Loew's Theater    Loew's Weekly [80]
1929 Sep GayetyHarry Steppe and His Own Big Show  Canadian Jewish Review[81]
Dec Washington, DC 9th Street Harry Steppe and His Show  Washington Post[82]
Dec Pittsburgh, PA Academy Theater Harry Steppe and His Show
Monte Carlo
Fortune Hunters 		Harry Steppe
Betty and Bud Abbott
Billie Holmes, blues singer
Frances Knight, ingenue
Rube Walman
Lee Baird, second comedian
Gertie Foreman
Jerry DeVere		Pittsburgh Press[83]
1930 Sep   Orpheum Theatre Harry Steppe and His Show  Reading Eagle[84]
Oct Pittsburgh, PA Academy Theater Harry Steppe and His Big Show Harry Steppe
Jeanne Steele, jazz singer
Ann Clair, ingenue
Lloyd and Ardell
Wilbur Dobbs, comedian
George Raymond, baritone
Dixon and Morrell, sister act
Pittsburgh Press[85]
1931 Mar   Orpheum Theater
(Mutual Circuit)		Fashion ParadeHarry Steppe
Sonny Kest, ingenue
Lee Hickman
Dorothy Alexander		Reading Eagle[86]
Oct Pittsburgh, PA Academy Theater
(Columbia Circuit) 		Rumba GirlsHarry Steppe
Jerri McCauley		Pittsburgh Post-Gazette[87]
1933 Apr   Ritz   Harry Steppe
Max Furman
Lew Patel
Eddie Dale
Harry Burns
Olsen and Johnson		Syracuse Herald[88]
Nov Hartford, CT Parsons Theater Harry Steppe
Eddie Lloyd, comedian
Lew Denny, straight man		Hartford Courant[89]
1934 Sep   Variety Red Hot Harry Steppe
Joe DeRita
Happy Hyatt
Abe Sher
Al Golden, director		Pittsburgh Post-Gazette[90]
Pittsburgh Press[91]

Sources

External links

Notes and References

  1. Abe Stepner's obituary, "Feature News," Billboard magazine, Dec. 1, 1934, pg 5.
  2. "Variety Opener Has Cast of 40: Red Hot Gets Under Way Sunday Night," Pittsburgh Post-Gazette (Newspaper), Aug 25, 1934, pg.78. Excerpt:"...Joe DeRita and Harry Steppe, one of the few remaining old-time Jewish comedians in burlesque, lead the contingent of funmakers."
  3. http://digitalgallery.nypl.org/nypldigital/id?TH-53208 Image of actor Harry Steppe
  4. Bloom, Ken. American Song: The Complete Musical Theatre Companion, Vol. 1: A-S. Second Edition. Schirmer Books, 1996, Pg. 203. Notes: Citation for J.B. Earley, Composer and Harry Steppe, Librettist. Songs: Blinky Winky Chinatown; Girls from the Follies, He's My Kiddo, I'm the Broadway Kid; Joyous Love; Let's Sing, Sing, Sing; Love me or Leave Me Alone; My Southern Queen.
  5. Theatre Magazine, edited by Arthur Hornblow, Stewart Beach, W. J. Thorold, et al., 1930, v.51-52, pg. 36. Excerpt: "In fact, Harry Steppe, one of the leading burlesque comedians, remarked to me the other day that there is more to be seen on the streets today than there..."
  6. "Old Actors Attend Dave Marion Rites; Former Associates in World of Burlesque Pay Tribute to 'Snuffy the Cabman', New York Times, September 19, 1934, Page 20. Excerpt: "More than 200 old-time burlesque players and theatre associates gathered yesterday in Campbell's Funeral Parlor, Broadway and Sixty-sixth Street, at a funeral service for Dave Marion, the comedian...(attendees included) Dave Altman, Agnes Buckley, William H. Leyden, William Armstrong, Bob Travers, Inez DiVider, Biff Clark, Sam Dawson, Nalter McManus and Harry Steppe"
  7. Reedy's Mirror. St. Louis, Mo. Vol. 25, 1916, pg. 204. William Marion Reedy, Editor and Proprietor. Excerpt: "The Girls from the Follies" With Harry Steppe in the Two-Act Musical Burlesque "Cohen on the East Side."
  8. "Abbott and Costello in Hollywood," by Bob Furmanek and Ron Palumbo, 1991, Page 18. Excerpt: "Bud was now working with comedian Harry Steppe, who originated the famous 'Lemon Bit'...It was the 'Lemon Bit' that Bud had done with Harry Steppe. When Bud and Lou crossed paths in burlesque in the mid-1930s, Bud staged the routine for Lou. After the boys teamed up, they reprised the 'Lemon Bit'..."
  9. "Lou's on First: The Tragic Life of Hollywood's Greatest Clown Warmly Recounted by His Youngest Child," by Chris Costello, St. Martin's Griffin, 1982, pg.23. . Excerpt: "Backstage between shows Bud would do skits with Dad (Lou) that he had done with Harry Steppe -- a very clever Jewish comedian who was the creator of the famous "Lemon Bit," which was to be so successful for Bud and Dad (Lou) as a team."
  10. Seguine, Brent. "Slowly I Turned / Niagara Falls / Pokomoko", Abbott & Costello January 2017 Newsletter. Abbott & Costello Collectibles, Jan. 2017. Web. 05 July 2017. Excerpt: "Steppe was also an early stage partner for Bud Abbott, and is among the names mentioned as bringing Bud and Lou together in 1935 before their initial team-up in 1936."
  11. American national biography, Volume 1, edited by John Arthur Garraty, Mark Christopher Carnes, American Council of Learned Societies, Oxford University Press, 1999, Page 18. Excerpt: (Costello played) "opposite a variety of comics, including Harry Steppe..."
  12. International Dictionary of Films and Filmmakers - Volume IV - Actors and Actresses, by Christopher Lyon, St. James Press, 1987,, Page 7. Excerpt: "...while manager at the National Theater in Detroit, Abbott worked Vaudeville as straight man to such performers as Harry Steppe and Harry Evanson."
  13. http://ellisisland.org Port of New York Passenger Record Search
  14. New York Petitions for Naturalization Index 1792-1906 and 1907-1989
  15. Twelfth Census of the United States: New Jersey, Schedule I - Population, Year 1900. Retrieved March 20, 2010 from HeritageQuest Online.
  16. World War I Draft Registration Card 1917-1918, retrieved from Ancestry.com. Notes: Lists his occupation as Actor, employed by the Gayety Theater in Chicago, Illinois.
  17. "News of the Theater," The Pittsburgh Press, May 2, 1915, Page 41.
  18. Thomas, Bob. Bud & Lou: the Abbott & Costello story. 1977. Page. 33 & 37. Excerpt: "Bud joined with Harry Steppe, a funny Jewish comic but one subject to spells of melancholia."
  19. Photo of Harry Steppe and his wife Vic Dayton (Cover), The New York Clipper: The National Theatrical Weekly, December 1, 1920.
  20. Dramatic Index for 1920 (Volumes I and II), Periodical Index, edited by Anne C. Sutherland, Frederick Winthrop Faxon, Mary Estella Bates, Published 1921, F.W. Faxon Co., Boston, MA. Excerpt: "Steppe, Harry, actor. Portrait (with Vic Dayton). NY Clipper 68: DI, '20, 1. Steppe, Mrs. Harry. See Dayton, Vic."
  21. "The Stage," Toronto Sunday World, Mar 15, 1914, page 29.
  22. "Burlesque Season On; The Columbia and the Murray Hill Are at It Again," The New York Times, Section: Summer Resorts, Sunday, August 16, 1914, pg. X7. Excerpt: "The Murray Hill Theater opened last night with a brand-new burlesque show called "The Girls from the Follies," and this attraction will be continued through the present week. A large company of entertainers, headed by Harry Steppe, a Hebrew comedian of more than ordinary ability, succeeds in keeping the spectators in a happy frame of mind throughout the performance."
  23. "About:Bananas," by John Wilcock. New York Times, March 30, 1958, Page SM53.
  24. "Bananas: An American History," by Virginia Scott Jenkins, Page 150. Smithsonian Institution Press, 2000. Excerpt: "The term "top banana" was introduced into show business jargon by burlesque comedian Harry Steppe in 1927 as a synonym for the top comic on the bill."
  25. "In the City's Playhouses: Harry Steppe - Orpheum" Reading Eagle, Sep 27, 1930, page 14. Excerpt: "That irresistible comedian, Harry Steppe, will hold forth at the Orpheum Theatre for the last time tonight, appearing at the head of his own one that is ...
  26. The American Burlesque Show, by Irving Zeidman, Hawthorn Books, 1967. Excerpts: "The chief comic effects by Harry Steppe, it was noted, consisted in hitting other characters across the face with celery stalks. (Page 96)" "The most prominent of the later "Hebe" comics was Harry Steppe, who, ill and destitute in 1935, was the beneficiary of the Harry Steppe Fund, to which many famous stage personalities contributed. (Page 102)" "Harry Steppe had to be the recipient of a public benefit. (Page 215)"
  27. "Stage and Screen," by Harold W. Cohen, Pittsburgh Post-Gazette (Newspaper), Oct 17, 1934. Excerpt: "Harry Steppe, burlesque comedian...was taken to the Mountain Sinai Hospital in New York the other day for observation."
  28. "Reports of the Wily Press Agent," Portsmouth Daily Times, Theatrical Section, April 1, 1911, Page 12. Excerpt: "Harry Steppe and Toney Murphy, two well-known comedians, and the famous sister team of Smucklers, will be in the cast."
  29. Pittsburgh Press, Theatrical Section, May 28, 1911, page 2. Excerpt: "The opening attraction will be Harry Steppe in a musical cocktail 'Loveland.' Mr. Steppe as Ignatz..."
  30. Marion Daily Star, April 1, 1912, Page 9.
  31. Indianapolis Star, September 7, 1913
  32. Kansas City Star, Kansas City, MO. Thursday, September 25, 1913. Excerpt: "Harry Steppe in Girls from the Follies."
  33. Suburbanite Economist, Chicago, Illinois, Friday, October 3, 1913. Excerpt: "Following the baseball games the regular performance of the Girls From the Follies company will take Harry Steppe...The Hebrew who is the star of the company."
  34. Boston Globe, Nov 25, 1913, Page 3.
  35. Pittsburgh Press, Jan 6, 1914, Section: Theatrical, page 7. Excerpt: "Figuring as producer, joint author, principal comedian...Harry Steppe, a Pittsburger"
  36. Boston Daily Globe, Apr 14, 1914, Page 13.
  37. "New Theater Opens Tomorrow: Vaudeville and Photoplays at Poli Palace," Hartford Courant, May 24, 1914. Excerpt: "the magnificent new Poli Palace Theater, at the corner of Main and Gold ... entitled "Tho Kissing Girls," presented by Harry Steppe, whose numerous ..."
  38. "Music and Drama," Boston Evening Transcript, Jun 9, 1914, Page 14.
  39. "How Playhouses Vanquish Summer: Burlesque Houses Open," By Constance Collier, New York Times, August 9, 1914, Page X6. Excerpt: "The Murray Hill Theatre will reopen Saturday night with a new burlesque show called 'The Girls from the Follies,' of which Harry Steppe is the principal comedian."
  40. "Theatrical," Pittsburgh Press, Sep 15, 1914, page 20. Excerpt: "Harry Steppe, a Pittsburg boy, is the star of the company, and as Ignatz Cohen, a stowaway on a pirate ship, had plenty of opportunity to display his funmaking abilities."
  41. Boston Daily Globe, Nov 24, 1914. Excerpt: "Harry Steppe and the Girls From the Follies Company Appear in a Merry Burlesque Show. Harry Steppe and his comical donkey made an extremely amusing duo."
  42. Boston Daily Globe, Nov 29, 1914, Page 35.
  43. "Theaters: Girls from the Follies Headed by Steppe," Toronto World, Jan 26, 1915, Page 3. Excerpt: "With a line of Vaudeville acts that are high class thruout, and two burlettas that are of the side-splitting variety, the Girls From the Follies headed by Harry Steppe, opened a week's engagement..."
  44. "Girls from the Follies," Toronto World, Section: News of Special Interest to Women: Theaters, Jan 21, 1915, Page 4. Retrieved: March 21, 2010.
  45. Indianapolis Star.
  46. "News of the Theater," Pittsburgh Press, May 2, 1915, page 41.
  47. Trenton Evening Times, Trenton, New Jersey, October 2, 1915. Excerpt: "The comical Harry Steppe and the breezy girls."
  48. "Here Comes the Hello Girls - Harry Steppe and Company at the Majestic Tomorrow," Fort Wayne Daily News (Newspaper), Oct. 7, 1916, Page 4.
  49. Ft. Wayne Journal-Gazette, Jan 27, 1916. Excerpt: "...laugh producer Harry Steppe, the Hebrew who is the star of the company."
  50. Trenton Evening Times, Jan 27, 1917.
  51. Boston Daily Globe, Feb 13, 1917, Page 7.
  52. http://chroniclingamerica.loc.gov/lccn/sn83045211/1918-08-17/ed-1/seq-5/ Razzle Dazzle Girls
  53. "Fine Scenic Effects in Big Star Show," Toronto World, Oct 1, 1918, Page 7. Excerpt: "In fact, the show cannot be accurately called burlesque, it is more of a high-class musical comedy."
  54. "Gossip of the Theaters," The Pittsburgh Press, Jan 14, 1919, page 32. Excerpt: "Prominent among the entertainers are Harry Steppe, a comedian of ability..."
  55. Washington Post, Feb 2, 1919
  56. http://chroniclingamerica.loc.gov/lccn/sn83030214/1921-06-19/ed-1/seq-46/ Shadows on the Screen
  57. Display Ad #173, New York Times, September 4, 1921, Page 52
  58. Washington Post, December 25, 1921.
  59. "Cansinos Head Variety Bill at Hillstreet," Los Angeles Times, Apr 17, 1923, Page II11. Excerpt: "They succeed in raising a big rumpus over nothing, ending just about where they started, but it is all in the interest of art..."
  60. "Harry Steppe and His Big Show," Canadian Jewish Chronicle, September 5, 1924. Excerpt: "Fun for the whole family. Week commencing Sun. eve. September 7."
  61. "The Two Harrys, Steppe and O'Neal, Create Tornado of Laughter at Gayety," The Axe (Montreal), September 9, 1924, Page 6.
  62. http://bibnum2.banq.qc.ca/bna/axe//fp/1924/p1113.htm "The Prime Minister of Mirth"
  63. "Harry Steppe and His Big Show," Bridgeport Telegram (Newspaper), November 28, 1924.
  64. "Theatrical Notes," Pittsburgh Press, Dec 31, 1924, page 15.
  65. Pittsburgh Press, Jan 4, 1925
  66. Chicago Tribune, March 24, 1925, pg. 27 (Display Ad)
  67. Canadian Jewish Review, April 10, 1925, Page. 26
  68. "O.K. at the Columbia: Attractive Burlesque with Harry Steppe Opens the Summer Season," New York Times, May 4, 1925, Page 16.
  69. "Amusements," Bridgeport Telegraph, August 25, 1925, Page 7. Excerpt: "Direct from its New York run...last season at the Columbia Theater on Broadway."
  70. "Theatrical Notes," Pittsburgh Press,Sep 29, 1925
  71. "Burlesque Routes," Afro-American, Oct 24, 1925, Page 5.
  72. "Harry Steppe and His Big Show," Zanesville Times Signal (Newspaper), October 18, 1925.
  73. "Stage is All Draped...: Harry Steppe Comes in Big Burlesque Unit," Zanesville Signal, October 12, 1925, Page 11.
  74. "Harry Steppe and Frisco Steppers Coming This Week," Zanesville Times Signal (Zanesville, Ohio), Sunday, October 11, 1925, Page 25.
  75. "Routings: Week April 5," Afro-American: the South's Biggest and Best Weekly, Theatrical Section, Apr 10, 1926, Page 4.
  76. "Art Theatres Form an Advisory Board," New York Times (Newspaper), Jun 7, 1926. Excerpt: "and there was a surprise specialty, "The Lemon Bit as It Has Been Done For Years," in which Harry Steppe and others appear..."
  77. http://www.cityofboston.gov/environment/pdfs/gaiety.pdf "Gaiety Theater Study Report,"
  78. "Harry Steppe and Lola Pierce at the Majestic," Sunday Sentinel and Milwaukee Sentinel, 24 Jul 1927, Page 8, Section 6. Excerpt: "Harry Steppe and Lola Pierce have been accorded headline honor in the new seven-act bill at the Majestic theater beginning today." Retrieved: February 10, 2013.
  79. "Comedy Skits Headliners on Keith Bill," Atlanta Constitution (Newspaper), Oct 25, 1927. Excerpt: "Two clever comedy skits, "The Supper Club" and "The Debate," forming virtually a double headline attraction, and featuring Harry Steppe and Lola Pierce..."
  80. Loew's Weekly (free program for theater patrons), June 18, 1928. Notes: Harry Steppe was billed with actress Lola Pierce.
  81. Display Ad, "Harry Steppe and His Own Big Show" Canadian Jewish Review (Newspaper), Sep 9, 1929, Pg. 4
  82. "Harry Steppe and His Show on Ninth Street." Washington Post (Newspaper), Dec 8, 1929 Section: Amusements
  83. "Speaking of the Local Theaters," The Pittsburgh Press, Dec 17, 1929, page 47. Excerpt: "Harry Steppe...at the Academy in his own show...There's a...chorus with Bud and Betty Abbott..."
  84. "Steppe Show, Orpheum," Reading Eagle (newspaper), Sunday, Sep 24, 1930, pg. 18. Excerpt: "As long as mutual burlesque and vaudeville is fortunate enough to include among its attractions such an eminent character impersonator as Harry Steppe…there will always be a hearty welcome awaiting at the Orpheum Theatre, where Thursday matinée and night "Harry Steppe and His Big Show will begin an engagement."
  85. "New Ulric Drama And 'Chic' Sale In Musical Play...: Harry Steppe's Show," The Pittsburgh Press, Oct 11, 1930, page 42. Excerpt: "...sponsored and presented under the auspices of the Mutual Burlesque Association."
  86. "Fashion Parade at Orpheum Burlesque," Reading Eagle, Mar 22, 1931, Section: Theaters and Their Attractions, Page 8. Excerpt: "Heading the cast are Harry Steppe, comic, and Sonny Kest, a pretty and talented ingenue soubrette."
  87. "Coming to the Theaters: Rumba Girls at Academy - Harry Steppe Brings a Laugh Show to Town." Pittsburgh Post-Gazette (Newspaper), Oct 13, 1932, pg. 10 Section: Happenings of the Stage and Screen. Excerpt: Freshly written material gives Steppe, popular Yiddish character comic..."
  88. "Ritz in Review," Syracuse Herald, April 2, 1933, Second Section, Page 6. Excerpt: "The comedy contingent is again headed by Harry Steppe..."
  89. "Peaches' Browning Heads Current Show At Parsons's Theater," Hartford Courant, Nov 26, 1933. Excerpt: "Other featured players include...Harry Steppe and Eddie Lloyd, comedians; Lew Denny, straight man..."
  90. https://news.google.com/newspapers?id=2zcxAAAAIBAJ&sjid=NGkDAAAAIBAJ&pg=4465%2C2008611 Variety Opener has Cast of 40
  91. "Packed Audiences See Variety Show," Pittsburgh Press, Sep 4, 1934, page 18.

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